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June 11th
5 shows
5 tapes
Years
2026
48.4k
PlaybackListensHours
48h2k355
7d4.7k838
30d48.4k8.6k
13 shows
13 tapes
2025
16.5k
PlaybackListensHours
48h1.3k233
7d2.3k400
30d16.5k2.9k
42 shows
42 tapes
2024
6.2k
PlaybackListensHours
48h29759
7d1.1k189
30d6.2k1.1k
39 shows
39 tapes
2023
4.1k
PlaybackListensHours
48h23938
7d685111
30d4.1k676
45 shows
45 tapes
2022
7.9k
PlaybackListensHours
48h25943
7d59897
30d7.9k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h35457
7d559105
30d3.8k693
35 shows
35 tapes
2020
322
PlaybackListensHours
48h183
7d628
30d32244
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h55082
7d55882
30d3.1k451
39 shows
39 tapes
2018
4.1k
PlaybackListensHours
48h18528
7d45169
30d4.1k623
39 shows
39 tapes
2017
2.6k
PlaybackListensHours
48h18636
7d43679
30d2.6k441
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h24429
7d42858
30d2.2k296
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h16425
7d34151
30d1.8k295
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h16122
7d25939
30d1.6k227
41 shows
41 tapes
2013
1.4k
PlaybackListensHours
48h14823
7d19231
30d1.4k225
41 shows
41 tapes
2012
3.6k
PlaybackListensHours
48h78795
7d1.8k246
30d3.6k495
37 shows
37 tapes
2011
8.9k
PlaybackListensHours
48h766102
7d1.2k156
30d8.9k1.3k
41 shows
41 tapes
2010
2.4k
PlaybackListensHours
48h42157
7d38755
30d2.4k318
50 shows
50 tapes
2009
5.6k
PlaybackListensHours
48h48366
7d1.8k250
30d5.6k775
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h5112
7d24347
30d1.7k338
20 shows
20 tapes
2003
5.1k
PlaybackListensHours
48h27049
7d615116
30d5.1k977
45 shows
45 tapes
2002
258
PlaybackListensHours
48h416
7d294
30d25838
3 shows
3 tapes
2000
15.3k
PlaybackListensHours
48h1.3k233
7d1.8k334
30d15.3k2.6k
56 shows
56 tapes
1999
16.8k
PlaybackListensHours
48h1k191
7d2.3k408
30d16.8k3.1k
64 shows
64 tapes
1998
20.5k
PlaybackListensHours
48h1.3k205
7d2.9k490
30d20.5k3.4k
70 shows
70 tapes
1997
21.2k
PlaybackListensHours
48h1.6k292
7d3.3k570
30d21.2k3.8k
81 shows
81 tapes
1996
9k
PlaybackListensHours
48h50569
7d2.1k289
30d9k1.3k
71 shows
71 tapes
1995
12.4k
PlaybackListensHours
48h1.6k236
7d2.6k368
30d12.4k1.8k
82 shows
82 tapes
1994
26.6k
PlaybackListensHours
48h3.1k420
7d2.4k302
30d26.6k3.3k
124 shows
124 tapes
1993
12k
PlaybackListensHours
48h79895
7d1.5k181
30d12k1.4k
109 shows
109 tapes
1992
8.1k
PlaybackListensHours
48h40748
7d76791
30d8.1k918
109 shows
109 tapes
1991
5.8k
PlaybackListensHours
48h29831
7d67271
30d5.8k612
117 shows
119 tapes
1990
4.9k
PlaybackListensHours
48h17720
7d81388
30d4.9k563
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h22228
7d17722
30d1.9k246
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h9913
7d32039
30d2.7k345
44 shows
44 tapes
1987
568
PlaybackListensHours
48h13616
7d162
30d56872
18 shows
18 tapes
1986
350
PlaybackListensHours
48h151
7d374
30d35038
7 shows
7 tapes
1985
248
PlaybackListensHours
48h115m
7d366
30d24837
7 shows
7 tapes
1984
129
PlaybackListensHours
48h00m
7d757m
30d12918
2 shows
2 tapes
1983
75
PlaybackListensHours
48h18m
7d132
30d7511
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.