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Today In History
June 14th
6 shows
6 tapes
Years
2026
45.8k
PlaybackListensHours
48h2.2k397
7d5.4k950
30d45.8k8.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1.2k211
7d3.1k556
30d17.2k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h31960
7d1.1k194
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h26545
7d695107
30d4.2k691
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h20033
7d636104
30d8.1k1.3k
47 shows
48 tapes
2021
4.1k
PlaybackListensHours
48h15326
7d767130
30d4.1k740
35 shows
35 tapes
2020
349
PlaybackListensHours
48h334
7d8712
30d34948
4 shows
4 tapes
2019
4k
PlaybackListensHours
48h64786
7d1.4k196
30d4k579
39 shows
39 tapes
2018
4k
PlaybackListensHours
48h14222
7d56587
30d4k604
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h19937
7d513100
30d2.8k478
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h12116
7d51567
30d2.3k302
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h15123
7d40060
30d2k312
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h10115
7d30945
30d1.8k250
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h7814
7d26040
30d1.5k235
41 shows
41 tapes
2012
4.5k
PlaybackListensHours
48h25834
7d2.1k278
30d4.5k601
37 shows
37 tapes
2011
10.2k
PlaybackListensHours
48h70090
7d2k262
30d10.2k1.4k
41 shows
41 tapes
2010
2.8k
PlaybackListensHours
48h60386
7d893122
30d2.8k383
50 shows
50 tapes
2009
6.2k
PlaybackListensHours
48h46964
7d1.5k217
30d6.2k873
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h6311
7d24048
30d1.8k347
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h23045
7d701127
30d5.2k996
45 shows
45 tapes
2002
275
PlaybackListensHours
48h71
7d507
30d27540
3 shows
3 tapes
2000
16k
PlaybackListensHours
48h1.1k192
7d3k551
30d16k2.7k
56 shows
56 tapes
1999
17.1k
PlaybackListensHours
48h1k188
7d2.6k486
30d17.1k3.2k
64 shows
64 tapes
1998
20.7k
PlaybackListensHours
48h1.4k228
7d3.4k567
30d20.7k3.4k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.8k305
7d3.9k713
30d22.1k4k
81 shows
81 tapes
1996
9.1k
PlaybackListensHours
48h53978
7d1.4k198
30d9.1k1.3k
71 shows
71 tapes
1995
13.8k
PlaybackListensHours
48h812129
7d3.8k541
30d13.8k2k
82 shows
82 tapes
1994
29.3k
PlaybackListensHours
48h2.5k326
7d6.1k808
30d29.3k3.7k
124 shows
124 tapes
1993
12.3k
PlaybackListensHours
48h79998
7d1.9k235
30d12.3k1.5k
109 shows
109 tapes
1992
7.4k
PlaybackListensHours
48h32134
7d916107
30d7.4k846
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h36838
7d78083
30d5.7k603
117 shows
119 tapes
1990
4.8k
PlaybackListensHours
48h27131
7d84593
30d4.8k540
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h648
7d40151
30d2k265
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h20326
7d48461
30d2.6k329
44 shows
44 tapes
1987
625
PlaybackListensHours
48h405
7d16018
30d62576
18 shows
18 tapes
1986
351
PlaybackListensHours
48h232
7d475
30d35138
7 shows
7 tapes
1985
249
PlaybackListensHours
48h00m
7d244
30d24937
7 shows
7 tapes
1984
142
PlaybackListensHours
48h213
7d243
30d14219
2 shows
2 tapes
1983
66
PlaybackListensHours
48h00m
7d81
30d6610
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.