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Today In History
June 15th
6 shows
6 tapes
Years
2026
41.4k
PlaybackListensHours
48h1.5k278
7d4.4k789
30d41.4k7.4k
13 shows
13 tapes
2025
16.2k
PlaybackListensHours
48h1.3k223
7d2.6k471
30d16.2k2.9k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h29757
7d681131
30d6k1.1k
39 shows
39 tapes
2023
4k
PlaybackListensHours
48h33754
7d55890
30d4k664
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h12621
7d47178
30d8.1k1.3k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h25441
7d52687
30d3.7k669
35 shows
35 tapes
2020
349
PlaybackListensHours
48h273
7d466
30d34948
4 shows
4 tapes
2019
4k
PlaybackListensHours
48h20728
7d1.3k189
30d4k583
39 shows
39 tapes
2018
3.7k
PlaybackListensHours
48h14823
7d33952
30d3.7k565
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h22035
7d38675
30d2.8k483
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h22228
7d35545
30d2.2k297
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h17529
7d34652
30d2k311
31 shows
31 tapes
2014
1.7k
PlaybackListensHours
48h9616
7d27338
30d1.7k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h7612
7d22234
30d1.5k229
41 shows
41 tapes
2012
4.5k
PlaybackListensHours
48h45853
7d1.1k139
30d4.5k601
37 shows
37 tapes
2011
10.2k
PlaybackListensHours
48h74196
7d1.6k208
30d10.2k1.4k
41 shows
41 tapes
2010
3.1k
PlaybackListensHours
48h25835
7d1.1k152
30d3.1k424
50 shows
50 tapes
2009
6.2k
PlaybackListensHours
48h63483
7d981138
30d6.2k863
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h5611
7d12827
30d1.7k335
20 shows
20 tapes
2003
5k
PlaybackListensHours
48h25347
7d559105
30d5k948
45 shows
45 tapes
2002
268
PlaybackListensHours
48h212m
7d497
30d26839
3 shows
3 tapes
2000
15.8k
PlaybackListensHours
48h1.3k239
7d2.5k447
30d15.8k2.7k
56 shows
56 tapes
1999
16.4k
PlaybackListensHours
48h844156
7d2.1k403
30d16.4k3k
64 shows
64 tapes
1998
20.2k
PlaybackListensHours
48h1.1k176
7d2.7k448
30d20.2k3.3k
70 shows
70 tapes
1997
21.3k
PlaybackListensHours
48h1.6k261
7d3.4k609
30d21.3k3.8k
81 shows
81 tapes
1996
8.7k
PlaybackListensHours
48h35252
7d1.1k155
30d8.7k1.2k
71 shows
71 tapes
1995
13k
PlaybackListensHours
48h1.3k194
7d2.6k390
30d13k1.9k
82 shows
82 tapes
1994
28.2k
PlaybackListensHours
48h1.8k213
7d6.1k815
30d28.2k3.6k
124 shows
124 tapes
1993
11.6k
PlaybackListensHours
48h52164
7d1.7k201
30d11.6k1.4k
109 shows
109 tapes
1992
6.3k
PlaybackListensHours
48h25530
7d70281
30d6.3k719
109 shows
109 tapes
1991
5.4k
PlaybackListensHours
48h30032
7d72174
30d5.4k568
117 shows
119 tapes
1990
4.5k
PlaybackListensHours
48h24729
7d46252
30d4.5k513
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h698
7d29538
30d1.9k252
66 shows
66 tapes
1988
2.5k
PlaybackListensHours
48h12718
7d39150
30d2.5k314
44 shows
44 tapes
1987
582
PlaybackListensHours
48h465
7d16820
30d58273
18 shows
18 tapes
1986
363
PlaybackListensHours
48h212
7d424
30d36339
7 shows
7 tapes
1985
237
PlaybackListensHours
48h61
7d81
30d23736
7 shows
7 tapes
1984
122
PlaybackListensHours
48h112
7d223
30d12217
2 shows
2 tapes
1983
59
PlaybackListensHours
48h217m
7d433m
30d599
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.