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Today In History
June 5th
Years
2026
72.7k
PlaybackListensHours
48h2.4k427
7d7k1.3k
30d72.7k12.9k
13 shows
13 tapes
2025
16.8k
PlaybackListensHours
48h1.2k214
7d2.7k472
30d16.8k3k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h50895
7d1.4k249
30d6k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h32359
7d823139
30d4.2k681
45 shows
45 tapes
2022
5.9k
PlaybackListensHours
48h1.7k272
7d2.7k415
30d5.9k957
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h25846
7d696121
30d3.7k660
35 shows
35 tapes
2020
301
PlaybackListensHours
48h263
7d10916
30d30142
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h17727
7d692104
30d3.2k461
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h19331
7d40361
30d4.3k660
39 shows
39 tapes
2017
2.3k
PlaybackListensHours
48h18230
7d735124
30d2.3k398
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h19728
7d40154
30d2.2k288
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h15223
7d30747
30d1.8k286
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h11717
7d27939
30d1.6k223
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h12919
7d21533
30d1.5k230
41 shows
41 tapes
2012
1.9k
PlaybackListensHours
48h26737
7d47063
30d1.9k258
37 shows
37 tapes
2011
6.5k
PlaybackListensHours
48h1.6k229
7d2.7k394
30d6.5k947
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h19326
7d36048
30d2.5k331
50 shows
50 tapes
2009
3.6k
PlaybackListensHours
48h63888
7d1.6k218
30d3.6k514
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h10222
7d26651
30d1.7k348
20 shows
20 tapes
2003
5k
PlaybackListensHours
48h39773
7d908171
30d5k969
45 shows
45 tapes
2002
332
PlaybackListensHours
48h172
7d416
30d33249
3 shows
3 tapes
2000
14.5k
PlaybackListensHours
48h799141
7d1.8k309
30d14.5k2.4k
56 shows
56 tapes
1999
16.9k
PlaybackListensHours
48h1.2k216
7d3.3k613
30d16.9k3.2k
64 shows
64 tapes
1998
19.7k
PlaybackListensHours
48h1.4k235
7d4k650
30d19.7k3.3k
70 shows
70 tapes
1997
21k
PlaybackListensHours
48h1.3k247
7d4k722
30d21k3.8k
81 shows
81 tapes
1996
8.5k
PlaybackListensHours
48h47971
7d1.1k159
30d8.5k1.2k
71 shows
71 tapes
1995
11.3k
PlaybackListensHours
48h876126
7d2.6k385
30d11.3k1.7k
82 shows
82 tapes
1994
29.5k
PlaybackListensHours
48h912115
7d3.4k441
30d29.5k3.7k
124 shows
124 tapes
1993
14.7k
PlaybackListensHours
48h65981
7d2.7k312
30d14.7k1.7k
109 shows
109 tapes
1992
9.8k
PlaybackListensHours
48h33842
7d1k109
30d9.8k1.1k
109 shows
109 tapes
1991
6.7k
PlaybackListensHours
48h37739
7d80386
30d6.7k721
117 shows
119 tapes
1990
4.8k
PlaybackListensHours
48h42643
7d1.2k149
30d4.8k555
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h507
7d14820
30d2k263
66 shows
66 tapes
1988
2.8k
PlaybackListensHours
48h649
7d37444
30d2.8k357
44 shows
44 tapes
1987
760
PlaybackListensHours
48h233
7d10812
30d76092
18 shows
18 tapes
1986
390
PlaybackListensHours
48h576
7d637
30d39041
7 shows
7 tapes
1985
264
PlaybackListensHours
48h304
7d324
30d26439
7 shows
7 tapes
1984
184
PlaybackListensHours
48h534m
7d203
30d18426
2 shows
2 tapes
1983
83
PlaybackListensHours
48h00m
7d122
30d8312
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.