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Phish
Today In History
June 8th
4 shows
4 tapes
Years
2026
59.4k
PlaybackListensHours
48h2.4k435
7d6.8k1.2k
30d59.4k10.6k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.1k195
7d3.1k556
30d17.1k3.1k
42 shows
42 tapes
2024
6.2k
PlaybackListensHours
48h46183
7d1.4k266
30d6.2k1.1k
39 shows
39 tapes
2023
4.4k
PlaybackListensHours
48h33858
7d914158
30d4.4k717
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h21436
7d3.3k521
30d7.8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h24349
7d800141
30d3.8k679
35 shows
35 tapes
2020
314
PlaybackListensHours
48h845m
7d456
30d31444
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h28640
7d65995
30d3.1k441
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h16926
7d49177
30d4.3k658
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h19335
7d604103
30d2.5k429
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h16522
7d52974
30d2.2k292
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h14020
7d42665
30d1.8k293
31 shows
31 tapes
2014
1.7k
PlaybackListensHours
48h18826
7d36050
30d1.7k237
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h9315
7d24036
30d1.5k228
41 shows
41 tapes
2012
2.3k
PlaybackListensHours
48h776103
7d725100
30d2.3k311
37 shows
37 tapes
2011
8.4k
PlaybackListensHours
48h45266
7d3.2k462
30d8.4k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h20730
7d47064
30d2.5k335
50 shows
50 tapes
2009
4.5k
PlaybackListensHours
48h1.1k146
7d2.3k308
30d4.5k628
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h12322
7d23049
30d1.8k349
20 shows
20 tapes
2003
5.3k
PlaybackListensHours
48h35672
7d1k197
30d5.3k1k
45 shows
45 tapes
2002
301
PlaybackListensHours
48h264
7d345
30d30145
3 shows
3 tapes
2000
14.8k
PlaybackListensHours
48h657120
7d1.9k336
30d14.8k2.5k
56 shows
56 tapes
1999
17.6k
PlaybackListensHours
48h1.2k217
7d3.4k620
30d17.6k3.3k
64 shows
64 tapes
1998
20.8k
PlaybackListensHours
48h1.4k231
7d4k652
30d20.8k3.4k
70 shows
70 tapes
1997
21.5k
PlaybackListensHours
48h2k317
7d4.3k745
30d21.5k3.9k
81 shows
81 tapes
1996
9.3k
PlaybackListensHours
48h1.4k195
7d2k294
30d9.3k1.3k
71 shows
71 tapes
1995
11.6k
PlaybackListensHours
48h1k145
7d2.3k333
30d11.6k1.7k
82 shows
82 tapes
1994
28.8k
PlaybackListensHours
48h1k126
7d2.9k366
30d28.8k3.6k
124 shows
124 tapes
1993
13.4k
PlaybackListensHours
48h861102
7d2.1k255
30d13.4k1.6k
109 shows
109 tapes
1992
8.8k
PlaybackListensHours
48h48057
7d967113
30d8.8k1k
109 shows
109 tapes
1991
6.9k
PlaybackListensHours
48h34135
7d1.1k110
30d6.9k737
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h27630
7d1.1k122
30d5k568
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h526
7d10214
30d1.9k252
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h12214
7d28535
30d2.7k343
44 shows
44 tapes
1987
777
PlaybackListensHours
48h101
7d719
30d77794
18 shows
18 tapes
1986
414
PlaybackListensHours
48h91
7d829
30d41444
7 shows
7 tapes
1985
262
PlaybackListensHours
48h203
7d517
30d26238
7 shows
7 tapes
1984
157
PlaybackListensHours
48h214m
7d122
30d15722
2 shows
2 tapes
1983
80
PlaybackListensHours
48h81
7d122
30d8012
1 show
1 tape
1998
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.