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June 12th
4 shows
4 tapes
Years
2026
49.4k
PlaybackListensHours
48h2k357
7d5.8k1k
30d49.4k8.8k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.3k235
7d2.9k511
30d17.1k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h32765
7d1.2k220
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h25640
7d810130
30d4.2k696
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h24942
7d739121
30d8k1.3k
47 shows
48 tapes
2021
4k
PlaybackListensHours
48h33855
7d772138
30d4k726
35 shows
35 tapes
2020
352
PlaybackListensHours
48h00m
7d9213
30d35248
4 shows
4 tapes
2019
3.3k
PlaybackListensHours
48h58589
7d730105
30d3.3k475
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h16827
7d54782
30d4.2k636
39 shows
39 tapes
2017
2.7k
PlaybackListensHours
48h20239
7d552102
30d2.7k464
28 shows
28 tapes
2016
2.4k
PlaybackListensHours
48h18323
7d58977
30d2.4k315
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h19329
7d42262
30d1.9k307
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h14120
7d38354
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h15122
7d22936
30d1.5k231
41 shows
41 tapes
2012
4.2k
PlaybackListensHours
48h72789
7d2.3k308
30d4.2k556
37 shows
37 tapes
2011
9.3k
PlaybackListensHours
48h835111
7d1.5k207
30d9.3k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h47066
7d49568
30d2.5k331
50 shows
50 tapes
2009
5.9k
PlaybackListensHours
48h41557
7d2.1k297
30d5.9k822
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h5513
7d28458
30d1.8k349
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h29454
7d736138
30d5.2k999
45 shows
45 tapes
2002
262
PlaybackListensHours
48h426
7d335
30d26238
3 shows
3 tapes
2000
16.1k
PlaybackListensHours
48h1.1k202
7d2.6k483
30d16.1k2.7k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h929178
7d2.8k503
30d17.3k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.3k208
7d3.7k611
30d21.2k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.5k270
7d4.3k743
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h52874
7d2.3k324
30d9.2k1.3k
71 shows
71 tapes
1995
13.7k
PlaybackListensHours
48h1.4k202
7d3.8k546
30d13.7k2k
82 shows
82 tapes
1994
27.6k
PlaybackListensHours
48h3.5k467
7d3.5k423
30d27.6k3.4k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h75089
7d2k235
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h37344
7d950113
30d8.3k940
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h32633
7d79285
30d5.9k625
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h14317
7d938102
30d5.1k578
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h17923
7d30339
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h15521
7d39248
30d2.7k355
44 shows
44 tapes
1987
584
PlaybackListensHours
48h12816
7d324
30d58473
18 shows
18 tapes
1986
359
PlaybackListensHours
48h162
7d465
30d35938
7 shows
7 tapes
1985
249
PlaybackListensHours
48h759m
7d376
30d24937
7 shows
7 tapes
1984
130
PlaybackListensHours
48h19m
7d81
30d13018
2 shows
2 tapes
1983
75
PlaybackListensHours
48h18m
7d132
30d7511
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.