Bands
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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h60481
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.7k338
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.9k247
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k435
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.3k290
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k128
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k203
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70479
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k170
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4k472
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.1k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k135
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.6k196
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.4k386
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k210
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k240
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.6k2.5k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8.5k1.2k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37140
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.2k698
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.7k1k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.1k266
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k187
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.3k204
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h856112
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12918
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33920
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h604
7d1076
30d59434
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
2:53:58
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.154463.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152198 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:53:57
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.152198.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:53:26
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-25.sbd.miller.87731.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Dat -> Sound Forge -> CD (shnid=84645) supplies: It's All Over Now (0:00 - 0:09) Space (6:31 - 6:54) Notes: -- Set 2 is seamless -- Jam out of Spoonful sounds like Nobody's Fault meets Russian Lullaby -- Playing In The Band was started 2 nights earlier
Source 4 of 15
2:49:39
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd91-03-25.sbd.18376.sbeok.shnf
Source:
sbd>cass-master>dat>shn
Taper Notes:
View Notessbd>cass-master>dat>shn
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:58:24
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 12, 2020
SHNID:
gd1991-03-25.149547.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB three rows in front of soundboard
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer. - Thanks to Tim Dalton for suppling the patch source. - taper bust @ 5:29 of T. Jed Patch; - shnid 146016 (Nak 300) supplies - s1t08; 05:46 - end of set - PiTB is finished from the 23rd
Taper: Tim Dalton
2:57:28
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-25.146016.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648
Source:
Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for his recording Thanks to Charlie Miller for the transfer edited and mastered SIRMick April 2019
Taper: Unknown
1:39:05
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-03-25.138814.set2.FOB.Schoeps.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Mic adjustments at the onset have been smoothed over. - Welcome to the sweet spot. - A little plaintive tune outta Spoonful. - PITB is finished from the 23rd
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133309.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133308.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:07:47
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122507.Flac1644
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
3:07:48
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122506.Flac2496
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Floater
2:54:31
Rating:
9.33 / 3 ratings
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111860.flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Floater
2:54:32
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111859.flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Keith Litzenberger
2:56:59
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-03-25.senn-me80.wklitz.91972.flac16
Source:
Sennheiser ME-80's>Techics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper: Andrew F
2:56:21
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-03-25.nak300.andrewf.84645.sbeok.flac16
Source:
Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).
Lineage:
MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Deck was accidentally paused at 0:17 in Shakedown for aprx 5 seconds. - Soundforge used to make fades, and for 48kHz > 44.1kHz resample. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.