RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1991
9/26/91
Tuning
5:07
Jack Straw >
5:47
Cold Rain And Snow
9:24
Black Throated Wind
9:46
Candyman
10:22
Picasso Moon
5:38
Cumberland Blues
7:46
Picasso Moon >
6:42
Box Of Rain
4:57
Dark Star >
15:28
Saint Of Circumstance >
6:43
Eyes Of The World >
12:44
Drums >
12:10
Space >
8:09
The Other One >
7:31
Dark Star >
6:42
Attics Of My Life >
5:20
Good Lovin'
6:56
Brokedown Palace >
5:26
And We Bid You Goodnight
3:03
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:35:41
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected]
SHNID:
gd1991-09-26.149662.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC3/MK4 (shnid=84853) supplies: Space (6:38 - 7:09) All Transfers and Mastering By Charlie Miller [email protected] April 15, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- There's 2:10 of noodling leading into Dark Star -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:35:41
SBD
Rating:
10.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 15, 2020
SHNID:
gd1991-09-26.149553.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There's 2:10 of noodling leading into Dark Star
Transferrer: Charlie Miller
2:35:54
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-09-26.sbd.miller.95534.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=76050 -- Two cassette masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:32:46
SBD
Rating:
9.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-09-26.sbd.miller.76050.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA100) D D
Lineage:
Cassette Master (Sony TC-WE475) -> Apogee MiniMe ->
Taper Notes:
View NotesNotes: -- Encores moved to end of 1st Set to fit show onto 2 Discs -- All Transfers and Mastering done in 24bit/48k -- Resampled and dithered to 16bit/44.k1 with Samplitude -- This is an upgrade to all other circulating copies -- Last 2 seconds of Cumberland supplied by Jeff Fishman's source -- Most of d2t01 supplied by Jeff Fishman's source
Taper: PO and Stucco TINA Holmes
2:35:14
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-26.138152.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: Dan Haugh
2:41:46
SBD
Transferrer:
Dan Haugh
SHNID:
gd1991-09-26.dts.mtx.haugh.102067.flac16
Source:
DTS Audio 5.1 Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording
Transferrer: Hunter Seamons
2:41:48
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-09-26.mtx.seamons.95247.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 22, 2006 Notes: -- Last 2 seconds of Cumberland supplied by Jeff Fishman's source -- Most of d2t01 supplied by Jeff Fishman's source ---------------------------------------------------- AUD: Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to Keith Litzenberger for recording the show and providing the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) October 11, 2008 Notes: 1) SBD source was about 1.5% fast. 2) Cut in the SBD between Cumberland and Moon, before encores, and for the first two minutes of the recording. Brief cut in the SBD near the end of Saint. Sizable Cuts in SBD and AUD during Space - these cuts did not overlap, so the whole song is now present. Brief dropout in the AUD mid Attics. 3) Because of just plain weirdness in the Tuning track of the SBD in set 2, which was mostly the Fishman patch, I opted to only have the AUD play. 4) I noticed some faint clicks/static in the SBD here and there.
Source 8 of 26
2:23:30
SBD
Rating:
8.63 / 19 ratings
SHNID:
gd91-09-26.sbd.fishman.21242.sbeok.shnf
Source:
SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHNThis may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some yea
Taper Notes:
View NotesSBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman
Transferrer: Jay Ashley
2:26:30
SBD
Rating:
9.50 / 5 ratings
Transferrer:
Jay Ashley
SHNID:
gd1991-09-26.sbd.ashley.1575.sbeok.shnf
Source:
SBD>>MC>>DAT>>CDA
Taper: Dan Rogosa
2:41:51
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-26.156741.sennME88.rogosa.miller.sirmick.complete.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan Rogosa for providing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2022
Taper: Dan Rogosa
1:08:10
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-26.156465.s1.sennME88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan Rogosa for providing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2022
Taper: Tim Dalton
2:42:20
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-09-26.148727.Neumann.Dalton-Miller-Noel.t-flac1648
Source:
Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT
Lineage:
Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesMaster Digital Audience recording by Tim Dalton Transfer by Charlie Miller Edited & Mastered w/ Adobe Audition by Joe Noel January 06, 2020 Notes: - Thanks to Tim for sharing his Master DAT's - Thanks to Charlie for his work on the transfer.
Source 13 of 26
2:40:33
SHNID:
gd1991-09-26.153422.mtx.photoleon.flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesMatrix Created in Adobe Audition by Joe Noel Augus 12, 2021 Notes: - Thanks to James Young & Clay Brennecke for the FOB recording. - Thanks to Tim Dalton for the OTS recording. - Thanks to PO, Stucco TINA Holmes & the GEMS team for their work on both the DSBD & FOB recording. - Thanks to Todd Evans & Charlie Miller for their respective transfer. - Thanks to Jack Schlottman for the critique. - shnid 138152 was pitch corrected. - shnid 14966 (sbd.cm) supplies a 3 minute patch in source 3 (s2t06; 02:49 - 5:40) - The first 0:18 of Set II are Source 1 only, from there to the 1:09 mark its source 1 & 2
Taper: Dave Boedicker
2:32:46
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1991-09-26.148585.dak.boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes(1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section U, Row E,Seat 7.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Cumberland Blues:(No Music 2)Tape Flip Dueing "Space" 3)Tape Flip After "Good Lovin"(No Music Missed On Encores) Enjoy!!!!
Taper: Dan Liff
2:35:31
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1991-09-26.139874.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
Taper: Mr. Currier
2:37:46
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-26.AKG451.Currier.Keo.124759.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!This is Mr. Currier's last recorded and seen GD show, what an awesome show to be at for his last one! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:37:46
Rating:
6.00 / 2 ratings
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-26.AKG451.Currier.Keo.124758.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!This is Mr. Currier's last recorded and seen GD show, what an awesome show to be at for his last one! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: jb
2:37:21
Taper:
jb
Transferrer:
Keo
SHNID:
gd1991-09-26.Nak300CP4.JB.Keo.121759.Flac1644
Source:
Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to JB for recording and giving me the OK to share any of his sources we can find which were gave and scattered amongst our friends! Plenty of sources circulate for this date but a new Nak300/CP4 source on metal tapes were begging to be transferred and shared.Some higher recording levels present after the space in "The Other One",but still an excellent recording and share from JB's Masters! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: jb
2:37:21
Taper:
jb
Transferrer:
Keo
SHNID:
gd1991-09-26.Nak300CP4.JB.Keo.121758.Flac2496
Source:
Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to JB for recording and giving me the OK to share any of his sources we can find which were gave and scattered amongst our friends! Plenty of sources circulate for this date but a new Nak300/CP4 source on metal tapes were begging to be transferred and shared.Some higher recording levels present after the space in "The Other One",but still an excellent recording and share from JB's Masters! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Transferrer: Dan Haugh and Jamie Waddell
2:49:04
Rating:
8.86 / 9 ratings
Transferrer:
Dan Haugh and Jamie Waddell
SHNID:
gd1991-09-26.mtx.haugh.101543.flac16
Source:
Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443)
Taper Notes:
View NotesMatrix Notes: This Matrix Recording is a mix of the soundboard source at 60 % and the audience source at 40%. Mix down was -2 dB on the SBD and -7 dB on AUD. The audience source used was the master 16bit/48kHz file that supplied shnid 101443. The SBD source was Sample Rate Converted for the synch work as the original transfers were no longer available. All mixing after a bit rate conversion to 24bit/48kHz by Amdig ([email protected]) - Set One "Crowd & Tuning" First 2:19 is AUD source only. Completed the transition with crossfade to the SBD. - "Cumberland Blues" Missing 1:34 of crowd (tape flip) after song. Patched with AUD and crossfaded the transitions to the SBD. - Set Two "Crowd & Tuning" First 1:34 is AUD source only. Completed the transition with crossfade to the SBD. - "St. Of Circumstance" A subsecond dropout .917 was missing from SBD. Patched with AUD and crossfaded the transitions to the SBD. - "Space" Missing 26.156 from SBD (tape flip). Patched with AUD and crossfaded the transitions to the SBD. - "Good Lovin'" from SBD Missing 44.451 of crowd after song. Patched with AUD and crossfaded the transitions to the SBD. Editing and Mastering on FOB and Final Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT - 44.1kHz SRC and POWR-3 Dither Encoding in TradersLilHelper FLAC Level 8 SBE Free Meta-Data Tagging with Tag & Rename by Jamie Waddell
Taper: James Young and Clay Brennecke
2:42:07
Rating:
8.00 / 1 rating
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-26.fob.bk4011.brennecke-young.gems.101443.flac16
Source:
Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.
Taper: Keith Litzenberger
2:40:03
Rating:
9.33 / 3 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-09-26.sennME80.wklitz.94247.flac16
Source:
Sennheiser ME-80's> Technics SV-MD1 (DAT)
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC
Taper: Andrew F
2:41:03
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-26.schoeps.andrewf.84853.sbeok.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do not downsample and recirculate these files for CDR... Notes: - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - There's a minor low-end rumble noticeable at times. Since no one was standing or walking near the mics, I'm guessing this might be from the Gaahdin's ventilation system blowing onto the mics?...
Taper: Andrew F
2:41:03
Rating:
7.33 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-26.aud.andrewf.84852.sbeok.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media. - There's a minor low-end rumble noticeable at times. Since no one was standing or walking near the mics, I'm guessing this might be from the Gaahdin's ventilation system blowing onto the mics?...
Taper: Clay Brennecke
1:33:38
Rating:
8.00 / 1 rating
Taper:
Clay Brennecke
Transferrer:
Todd Evans and blingfree
SHNID:
gd1991-09-26.bk4011-set2.brennecke.gems.34852.sbeok.flac16
Source:
DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro
Lineage:
DAT (2) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Taper Notes:
View Notes*Adobe Audition 1.5 Edits: Tick Fixed @ 11:52.146 13:34.033 22:54.306 41:34.924 48:22.727 51:46.421 56:01.229 1:19:48.104 1:26:35.726 Clipping Fixed @ 23:34.734 R 23:40.499 L 1:19:56.921 L 1:22:50.000 1:33:25.072 Fade Out Applied @ 1:33:37.825 - 1:33:42.818 Convert 16bit48kHz to 16bit44.1kHz Tracks are seamless along discs.
Taper: Clay Brennecke
1:33:38
Rating:
9.00 / 2 ratings
Taper:
Clay Brennecke
Transferrer:
Todd Evans and blingfree
SHNID:
gd1991-09-26.bk4011-set2.brennecke.gems.34851.sbeok.flac1648
Source:
DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro
Taper Notes:
View Notes*Adobe Audition 1.5 Edits: Tick Fixed @ 11:52.146 13:34.033 22:54.306 41:34.924 48:22.727 51:46.421 56:01.229 1:19:48.104 1:26:35.726 Clipping Fixed @ 23:34.734 R 23:40.499 L 1:19:56.921 L 1:22:50.000 1:33:25.072 Fade Out Applied @ 1:33:37.825 - 1:33:42.818