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Grateful Dead
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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1991
12/30/91
01 - Tuning
0:35
02 - Touch Of Grey
7:09
03 - Wang Dang Doodle
9:11
04 - Row Jimmy
11:37
05 - Big River >
5:21
06 - Maggie's Farm
8:01
07 - Ramble On Rose
9:40
08 - Just Like Tom Thumb's Blues
5:14
09 - Bird Song >
13:26
10 - Promised Land
4:41
11 - Tuning
0:30
12 - China Cat Sunflower >
6:15
13 - I Know You Rider
6:26
14 - Samson And Delilah
7:45
15 - Ship Of Fools
8:12
16 - Saint Of Circumstance >
7:19
17 - Dear Prudence Jam >
3:40
18 - Drums >
21:51
19 - Space >
9:19
20 - The Last Time >
7:10
21 - Stella Blue >
9:49
22 - Turn On Your Lovelight
7:22
23 - The Weight
5:49
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:56:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 10, 2020
SHNID:
gd1991-12-30.151629.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA cuts out for 6 seconds during Drums -- Dear Prudence Jam and Drums with Airto Moreira on drums and vocals -- Multiple masters were used to make this show complete -- 150859 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:56:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 10, 2020
SHNID:
gd1991-12-30.150859.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA cuts out for 6 seconds during Drums -- Dear Prudence Jam and Drums with Airto Moreira on drums and vocals -- Multiple masters were used to make this show complete
Transferrer: Kevin Tobin
2:57:53
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135054.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135052.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -1db Right Channel SBD -1db Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135051.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(53%-SBD/47%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD 0 SET TWO Stereo Matrix SBD -1 AUD 0 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:42
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-12-30.sbd.miller.32574.sbeok.flac16
Source:
SBD (Ultra-Matrix) -> Master Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus ->
Taper Notes:
View NotesNotes: -- Seamless transition between Discs 2 and 3. -- d3t02 & d3t03 With Airto Moreira on Drums and Vocals.
Taper: Tim Dalton
3:03:07
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-12-30.148758.FOB.Schoeps.Dalton-Miller-Noel.t-flac1648
Source:
(FOB) Schoeps MK-4 > Oade Custom Pre Amp > Sony D3 > Master DAT (see notes)
Lineage:
DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesMaster Digital Audience Recording by Tim Dalton Transfer by Charlie Miller Edited & Mastered w/ Adobe Audition by Joe Noel January 12, 2020 Notes: - Thanks to Tim for sharing his DAT - Thanks to Charlie for his work on the transfer. - No recording info was provided with this DAT. - Best guess is its Schoeps. It sounds identical to Tim's 12/28 recording. * w/ Airto Moreira
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
3:04:34
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered by Joe Noel April 30, 2020
SHNID:
gd1991-12-30.150304.FOB.DFC.BK4011.Buick.Noel.t-flac1648
Source:
B&K4011 (@110-ORTF) > MIT shotgun XLR > TAO/Oadie PS > MIT shotgun XLR > Panasonic SV255 > Master DAT (BüStand)
Lineage:
Transfer: Master DAT > Peter Oshman's Panasonic SV3800 > S/PDIF(16bit 48kHz) > Edirol R4 > WAV48/16; (Set 1-tape 1 transfer: 2019-07-14; Set 2-tape 2 transfer: 2019-06-11)
Taper Notes:
View NotesProduction Notes by Marcus Buick (2019-04-29) Night 3 of 4. My 1st show was 12-30-1985, so technically, this was my sixth Deadversary! The 30th fell on a Monday night, and recovering from the weekend was occurring for some, while others were just getting ready to ramp it up for New Year’s! Any four-day run of shows in the Bay Area took a certain stamina, but New Year’s shows always took that little je ‘ne sais quoi! Priority tickets (and the people who wait in line to get them) are required for getting ‘the spot’; most who que in line for these rarities are gunning for the rail but the most ardent tapers know that to get FOB DFC, priority tickets are an essential part of the equation. In addition to securing ‘the spot’ the recordist’s support crew are equally vital; That barrier between the mics and the unknowing public, for who taping is usually a non-consideration more than a nuisance, is a primary concern for capturing the accuracy of the music with absolute minimal distraction. Balloon pops, claps, yammerings-on, and laughing are the sounds to minimize, which only a support crew can do, once mics have been hoisted. The reason I point this out is even though I am a recordist of this event I was, in no way, alone. The amount of people that had a hand in making this recording is easily a dozen (if not two). I won’t name everyone here; They know who they are! The main reason I got into taping the Dead was for the sonics; The accuracy of a Meyer Sound PA (in Quad) on a good night cannot be beat. I believe the Drums & amp; Space performance this evening reaches a level of dynamics uncommon in most human experiences; This recording demonstrates acoustics that can test high performance reproduction systems as well as bodily organs due to bone conduction! The performance is strong, there are no technical issues, and this is a fine capture of this event! Additional Notes: - Thanks to Marcus Buick for sharing his Master DAT - Thanks to John Ammons for coordinating these efforts - Thanks to Pete Oshman for the use of the SV3800 * w/ Airto Moreira (drums & vocals)
Taper: Marcus Buick and James Young
3:03:35
Rating:
9.00 / 2 ratings
Taper:
Marcus Buick and James Young
Transferrer:
Jamie Waddell
SHNID:
gd1991-12-30.fob.bk4011.buick-young.gems.105000.flac16
Source:
B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
Source 10 of 10
3:04:15
Rating:
4.33 / 6 ratings
SHNID:
gd91-12-30.b_ks.georges.6812.sbeok.shnf
Source:
FOB/DFChand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified)DAT master > 1 clone played back through an Edirol UA-5,hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHNseekable SHN files encoded w/Mkw-act.
Taper Notes:
View NotesFOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.