Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1991
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:49:15
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021
SHNID:
gd1991-04-04.152093.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- 152022 24 -> 16 @ 44.1
Taper: Recorded by Don Pearson and Dan Healy
2:49:15
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021
SHNID:
gd1991-04-04.152022.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:46:34
SBD
Rating:
8.80 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-04-04.sbd.miller.99240.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 -> Dat -> CD (shnid=93472) supplies: Stuck Inside Of Mobile With The Memphis Blues Again (0:00 - 0:22) He's Gone (12:35 - 13:02) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:50:54
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel April 03, 2020
SHNID:
gd1991-04-04.149626.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section 5, row FF, seat 7
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View Notes Notes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Oade Brothers - From The Rich Gastwirt Collection
1:45:40
Taper:
Oade Brothers - From The Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-04-04.140691.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - A hometown show for the Oade's, so they brought the goods. - Oh Atlanta, Oh Atlanta!
Taper: Unknown
1:48:12
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-04-04.138838.FOB.Scheops.S2.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- this is not the Schoeps that already circulates. - the likelihood of these tapes being made with Bob Melomed's gear is high. Either by Bob himself or his buddy Dan. - the young lad that lost his marbles when he heard his 'first' Franklin's has been restrained. - can't say I blame him, the boys hit their mark with this H>S>F.
Taper: Baker
2:44:14
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-04-04.133810.Senn441.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Patched With Shnid # 93472 For The First Seven Seconds * Comments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from the Mr. Baker collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Baker
2:44:20
Rating:
8.00 / 1 rating
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-04-04.133809.Senn441.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Patched With Shnid # 93472 For The First Seven Seconds * Comments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from the Mr. Baker collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Transferrer: Keo
2:48:38
Transferrer:
Keo
SHNID:
gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112310.Flac1644
Source:
Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper
Transferrer: Keo
2:48:38
Transferrer:
Keo
SHNID:
gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112309.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper: Greg Holtz
2:45:49
Rating:
10.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1991-04-04.nak300.holtz.jaz.103623.flac16
Source:
Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M
Lineage:
Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
Transferrer: Todd Evans, Jamie Waddell
2:51:52
Rating:
9.00 / 2 ratings
Transferrer:
Todd Evans, Jamie Waddell
Source:
(FOB) Schoeps CMC34 (ORTF) -> Panasonic sv255
Lineage:
Dat Master > Dat 1 > 16 bit 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper: cdipietro
2:41:36
Rating:
10.00 / 2 ratings
Taper:
cdipietro
Transferrer:
cdipietro
SHNID:
gd1991-04-04.at835.dipietro.31954.sbefail.flac16
Source:
Audio Technica 835a's>b18's>D5proII ots
Lineage:
Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac
Taper Notes:
View NotesNotes: * = PA off for the first for seconds of LTGTR ^ = Crazy Tripping Hippy Screaming in the tapers section cassette flip during He's Gone
Taper: Thomas Larson
5:31:20
Rating:
8.67 / 3 ratings
Taper:
Thomas Larson
Transferrer:
Ernie Dodd
SHNID:
gd1991-04-04.akg.dodd.larson.patch-15548.24711.shnf
Source:
FOB> AKGc1000s>Sony Cassette D3 > cdr
Lineage:
Eac > cool edit > shntool > cdwav >shnv3
Taper Notes:
View Notes* Phil bomb to start %--TLEO 6:15 anomalie in right channel (RC) resulting in brief reduction in sound #--Walkin Blues For all of these times listed, I pasted the left channel into the right channel to remove some heavy static which sounded like it was caused by a loose cord for the right channel mics. Some of the spans are so brief that it is hard to notice. Some are longer, and I debated whether the fixes helped. In the end, I felt mono was better than static blips. You can still hear static in the RC in some places to get an idea of what the blimishes were. 4:24-4:27 then slight hiss in RC, 4:33, 4:49-4:50, 4:57-4:58, 4:59-5:01, 5:02, 5:08-5:09, 5:10, 5:50-5:55, 6:15-6:46 +--Ramble on Rose 0:24-0:32, 4:09-4:10 (again, times are LC > RC paste) ^--Promised Land 0:51 (LC > RC paste) <<1:19 NASTY CUT!!!>> &--He's Gone 9:23 (LC > RC paste) @--Jam 0:38 There is a nice jam coming out of He's Gone which has a small cut as it starts to pick up. It sounds like they just jump right in but there was clearly a little to the jam. They tease the other one a bit.
Source 15 of 15
5:26:16
Rating:
8.40 / 5 ratings
SHNID:
gd91-04-04.akg.dodd.15548.sbeok.shnf
Source:
FOB> AKGc1000s>Sony Cassette D3 > cdrEac > cool edit > shntool > cdwav >shnv3Taped by Thomas LarsonDiscs provided by Chris AdamsEac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesFOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd