Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
2:53:58
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.154463.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152198 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:53:57
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.152198.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:53:26
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-25.sbd.miller.87731.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Dat -> Sound Forge -> CD (shnid=84645) supplies: It's All Over Now (0:00 - 0:09) Space (6:31 - 6:54) Notes: -- Set 2 is seamless -- Jam out of Spoonful sounds like Nobody's Fault meets Russian Lullaby -- Playing In The Band was started 2 nights earlier
Source 4 of 15
2:49:39
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd91-03-25.sbd.18376.sbeok.shnf
Source:
sbd>cass-master>dat>shn
Taper Notes:
View Notessbd>cass-master>dat>shn
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:58:24
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 12, 2020
SHNID:
gd1991-03-25.149547.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB three rows in front of soundboard
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer. - Thanks to Tim Dalton for suppling the patch source. - taper bust @ 5:29 of T. Jed Patch; - shnid 146016 (Nak 300) supplies - s1t08; 05:46 - end of set - PiTB is finished from the 23rd
Taper: Tim Dalton
2:57:28
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-25.146016.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648
Source:
Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for his recording Thanks to Charlie Miller for the transfer edited and mastered SIRMick April 2019
Taper: Unknown
1:39:05
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-03-25.138814.set2.FOB.Schoeps.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Mic adjustments at the onset have been smoothed over. - Welcome to the sweet spot. - A little plaintive tune outta Spoonful. - PITB is finished from the 23rd
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133309.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133308.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:07:47
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122507.Flac1644
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
3:07:48
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122506.Flac2496
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Floater
2:54:31
Rating:
9.33 / 3 ratings
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111860.flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Floater
2:54:32
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111859.flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Keith Litzenberger
2:56:59
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-03-25.senn-me80.wklitz.91972.flac16
Source:
Sennheiser ME-80's>Techics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper: Andrew F
2:56:21
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-03-25.nak300.andrewf.84645.sbeok.flac16
Source:
Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).
Lineage:
MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Deck was accidentally paused at 0:17 in Shakedown for aprx 5 seconds. - Soundforge used to make fades, and for 48kHz > 44.1kHz resample. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.