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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.9k397
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h713100
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.2k577
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k133
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2k261
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k379
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k520
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h975108
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k242
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k204
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k205
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k235
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k289
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k687
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.6k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.4k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92478
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k582
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k717
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54567
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51739
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h432
7d1277
30d57234
2 shows
2 tapes
1991
6/17/91
Tuning
0:56
Eyes Of The World >
15:01
Walkin' Blues
7:02
Brown Eyed Women
6:10
Dark Star Jam >
1:33
When I Paint My Masterpiece
6:27
Loose Lucy
9:16
Cassidy >
7:12
Might As Well
6:24
Tuning
3:01
Saint Of Circumstance >
7:00
Ship Of Fools >
8:01
Dark Star Jam >
1:14
Truckin' >
6:56
New Speedway Boogie >
10:06
Uncle John's Band >
20:19
Drums >
11:17
Space >
8:25
China Doll >
5:18
Playing In The Band Reprise >
4:18
Dark Star Jam >
0:15
Sugar Magnolia
9:20
Encore Break
2:37
The Weight
6:01
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:44:09
SBD
Rating:
8.00 / 2 ratings
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-06-17.150677.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make the show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:44:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-06-17.150633.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make the show complete
Transferrer: Charlie Miller
2:37:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-06-17.137547.sbd.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete -- This is the 24bit 137545 > 16bit with r8brain
Transferrer: Charlie Miller
2:37:36
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-06-17.137545.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete
Source 5 of 22
2:44:01
SBD
Rating:
9.25 / 16 ratings
SHNID:
gd91-06-17.sbd.miller.25608.sbeok.shnf
Source:
Recording Info: SBD -> Master Dat (44.1k) -> Dat CloneTransfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller[Note: This is the only circulating source without an analog gen in i
Taper Notes:
View NotesRecording Info: SBD -> Master Dat (44.1k) -> Dat Clone Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller [Note: This is the only circulating source without an analog gen in it.]
Transferrer: DTS Mix by Kevin Tobin
2:44:03
SBD
Transferrer:
DTS Mix by Kevin Tobin
SHNID:
gd1991-06-17.135943.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:44:03
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1991-06-17.135942.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Product
Transferrer: 5.1 Surround Sound Mix by Kevin Tobin
2:44:03
SBD
Transferrer:
5.1 Surround Sound Mix by Kevin Tobin
SHNID:
gd1991-06-17.135941.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) <b>flac16/48</b>; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Matrix by Dave Usborne
2:44:43
SBD
Rating:
9.00 / 6 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-06-17.128692.mtx.dusborne.flac16
Source:
3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
Taper Notes:
View NotesMatrix by dusborne 04-30-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-30-2014
Transferrer: Dan Haugh
2:44:02
SBD
Rating:
9.80 / 10 ratings
Transferrer:
Dan Haugh
SHNID:
gd1991-06-17.mtx.dan.31606.sbeok.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Source 11 of 22
2:36:16
SBD
Rating:
9.46 / 60 ratings
SHNID:
gd91-06-17.sbd.gardner.3591.sbeok.shnf
Source:
sbd> ?> cdr> eac> shn
Taper Notes:
View Notessbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
Source 12 of 22
2:36:28
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1991-06-17.484.sbd.shnf
Source:
SBD > DAT > CD-R > .SHN
Taper Notes:
View NotesFirst second or two of Eyes is missing Jeff Tiedrich's Tapes in Circulation webpage lists this as a direct Master SBD DAT > circulation show. Lineage is therefore SBD > DAT > CD-R > .SHN
Taper: Dan Rogosa
2:43:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-17.170673.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX 90, 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades) > FLAC 2496
Taper: Dan Rogosa
2:43:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-17.170672.me88.mc.rogosa.flac1644_202504
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX 90, 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:46:06
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel May 04, 2020
SHNID:
gd1991-06-17.150371.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16/48) Location: FOB, Section B, Row 30, Seat 20 (hand held)
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info; - shnid 134054 (AKG-414) supplies - s2t07; 06:27 - 06:36 Notes: - Thanks to Dave Brotman & Jeff Metchick or recording the show. - Thanks to Charlie Miller for the transfer. - Thanks to Ted Mattes for coordinating this project. - Thanks to Dan Tepper for the patch source - Little Feat opened - There is an Other One tease out of the Uncle John Band jam & after the Dark Star Jam before drums. - last first-set "Eyes": 08-13-75 [1083] - last "Dark Star Jam": 06-23-74 [1110] - thanks to Dan Tepper for the patch source
Taper: Dan Tepper
2:39:16
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1991-06-17.134054.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Mr. Currier
2:53:11
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-17.AKG451.Currier.Keo.122791.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Please Note that we think the first set may be possibly a first generation copy from the Master Dat patched out of Mr. Currier's PDM 430>Sony TCD-D10,still the only AKG source and from cassettes! * Comments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!Some right channel problems first minute or so.What an excellent show this was and a fine share from Mr. Currier's collection of masters!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:53:11
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-17.AKG451.Currier.Keo.122790.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Please Note that we think the first set may be possibly a first generation copy from the Master Dat patched out of Mr. Currier's PDM 430>Sony TCD-D10,still the only AKG source and from cassettes! * Comments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!Some right Channel problems first minute or so.What an excellent show this was and a fine share from Mr. Currier's collection of masters!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: James Young and Clay Brennecke
2:42:39
Rating:
9.14 / 7 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-06-17.fob.brennecke-young.GEMS.95644.flac16
Source:
B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
Taper: Andrew F
2:43:23
Rating:
8.00 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-06-17.aud.andrewf.86660.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Seamless break between Discs Two and Three.
Taper: Andrew F
2:43:24
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-06-17.nak300.andrewf.86659.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. - TLH used for FLAC compression and making checksums.
Transferrer: Dan Haugh
2:44:02
Rating:
8.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1991-06-17.dts.dan.33670.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix