Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k150
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66494
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k898
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k798
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k404
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k163
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k303
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h928103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k191
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k704
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k198
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k414
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k707
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h84070
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k611
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k664
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.9k477
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k268
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k616
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10316
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
2:53:58
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.154463.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152198 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:53:57
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.152198.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:53:26
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-25.sbd.miller.87731.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Dat -> Sound Forge -> CD (shnid=84645) supplies: It's All Over Now (0:00 - 0:09) Space (6:31 - 6:54) Notes: -- Set 2 is seamless -- Jam out of Spoonful sounds like Nobody's Fault meets Russian Lullaby -- Playing In The Band was started 2 nights earlier
Source 4 of 15
2:49:39
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd91-03-25.sbd.18376.sbeok.shnf
Source:
sbd>cass-master>dat>shn
Taper Notes:
View Notessbd>cass-master>dat>shn
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:58:24
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 12, 2020
SHNID:
gd1991-03-25.149547.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB three rows in front of soundboard
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer. - Thanks to Tim Dalton for suppling the patch source. - taper bust @ 5:29 of T. Jed Patch; - shnid 146016 (Nak 300) supplies - s1t08; 05:46 - end of set - PiTB is finished from the 23rd
Taper: Tim Dalton
2:57:28
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-25.146016.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648
Source:
Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for his recording Thanks to Charlie Miller for the transfer edited and mastered SIRMick April 2019
Taper: Unknown
1:39:05
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-03-25.138814.set2.FOB.Schoeps.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Mic adjustments at the onset have been smoothed over. - Welcome to the sweet spot. - A little plaintive tune outta Spoonful. - PITB is finished from the 23rd
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133309.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133308.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:07:47
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122507.Flac1644
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
3:07:48
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122506.Flac2496
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Floater
2:54:31
Rating:
9.33 / 3 ratings
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111860.flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Floater
2:54:32
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111859.flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Keith Litzenberger
2:56:59
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-03-25.senn-me80.wklitz.91972.flac16
Source:
Sennheiser ME-80's>Techics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper: Andrew F
2:56:21
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-03-25.nak300.andrewf.84645.sbeok.flac16
Source:
Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).
Lineage:
MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Deck was accidentally paused at 0:17 in Shakedown for aprx 5 seconds. - Soundforge used to make fades, and for 48kHz > 44.1kHz resample. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.