Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.154460.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152131 2496 > 1644
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.152131.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.fixed-98038.93177.sbeok.flac16
Source:
SBD -> Dat
Lineage:
Dat -> Cassette Master -> Sound Forge -> CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 100 -> Cassette Master -> CD (shnid=76521) supplies: Eyes Of The World (2:02 - 2:09) Notes: -- Set 2 is seamless -- Diginoise in Eyes Of The World fixed with AUD patch
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.93038.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Source 5 of 13
2:38:04
SBD
Rating:
8.00 / 15 ratings
SHNID:
gd91-03-20.sbd.oconnor.11272.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:03:02
Rating:
8.00 / 1 rating
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 06, 2020
SHNID:
gd1991-03-20.149506.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: first row center, taper’s section
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Last 'Might As Well'; 4/5/88
Taper: Rich Gastwirt
3:00:53
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-20.138740.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
Transferrer: Charlie Miller
18:38
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.aud-schk.miller.34559.sbeok.flac16
Lineage:
Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
Taper: Fitzy
2:54:28
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132417.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:54:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132416.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Hunter Seamons
2:53:19
Rating:
8.40 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-03-20.mtx.seamons.111794.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper Notes:
View Notes1) The cuts in the SBD and AUD in He's Gone overlapped. Boyd McHugh's AUD (shnid=76521) patches about 10 seconds of the AUD here, making the show now complete. 2) There are sound system issues during a portion of Eyes, it appears, particularly in the left channel. 3) There are occasional clicks in the sources. Some were removed or diminished. 4) During Drums, the AUD has different sound effects than the SBD has, for whatever mixing reason. The AUD sounds much more echoey, making the MTX appear to have more of a phasey sound, but this is due to the echoey sound effects used rather than unsyncliness. There's also some 360 degree sound movement.
Taper: Dave Cohen
2:54:55
Rating:
8.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1991-03-20.nak.cohen.107168.flac16
Source:
3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Boyd McHugh
1:41:07
Rating:
8.00 / 1 rating
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1991-03-20.aud-set2.mcgugh.hanscom.76521.sbeok.flac16
Source:
Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.