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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1991
3/27/91
01 - Tuning
0:44
02 - Hell In A Bucket
8:35
03 - Cold Rain And Snow
7:51
04 - New Minglewood Blues
11:23
05 - Row Jimmy
13:23
06 - Mama Tried >
2:32
07 - Maggie's Farm
7:19
08 - Loose Lucy
10:22
09 - Picasso Moon
7:03
10 - Rubin And Cherise
7:57
11 - Scarlet Begonias >
11:13
12 - Fire On The Mountain
16:00
13 - Estimated Prophet >
13:00
14 - Uncle John's Band >
10:12
15 - Drums >
12:22
16 - Space >
10:15
17 - All Along The Watchtower >
7:33
18 - Stella Blue >
9:32
19 - Sugar Magnolia
9:58
20 - Encore Break
1:44
21 - Box Of Rain
5:21
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.154474.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 152199 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.152199.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
3:02:36
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120857.sbd.miller.flac24
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:02:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120855.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 5 of 20
2:56:04
SBD
Rating:
7.88 / 17 ratings
SHNID:
gd91-03-27.sbd.miller.14486.sbeok.shnf
Transferrer: Bill Tetzeli
2:56:45
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1991-03-27.sbd.miller.tetzeli.fix-14486.35163.reflac.flac16
Source:
Fix of shnid 14486
Taper Notes:
View NotesI used the FOB on archive.org (shnid 28390) to patch 40 seconds of tape flip in drums (from about 2:00), then to patch another few seconds that were missing in the transition from CD 2 to CD 3. The 2nd set is now seamless. SBEs were fixed using shntool and all SHNs converted to FLAC. I chose a quiet place between drums and space to make the transition between CDs 2 and 3, so no fade tracks were necessary. All patches were done in CE Pro with crossfades. AUD patch source was time/pitch stretched to 98.78%. Bill Tetzeli ([email protected]) 1:13 PM 6/16/2006
Transferrer: Chris Ladner
2:56:17
SBD
Transferrer:
Chris Ladner
SHNID:
gd1991-03-27.sbd.harrison-braverman.ladner.10310.shnf
Source:
Soundboard
Lineage:
sbefix of shnid 9405
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. ** REPAIR NOTES ** There were sector boundary errors on d1t09, all of disc 2, and the last 2 tracks of disc 3. To correct these, the SHN's were converted to WAV and then the resulting wav's were grouped by set (d1 and d2+d3) and fixed using the command "shntool fix *.wav" run on all of the wav files for each set. Shntool 1.01 was used. Shorten 1.4 was used to make SHN's from the wav's. I also removed the dropout from d2t02 using soundforge 5. The resulting fixed wavs were compressed back to SHN and new md5's were made - Chris L.
Transferrer: Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
5:52:33
SBD
Transferrer:
Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
SHNID:
gd1991-03-27.sbd.harrison-braverman.gardner.9980.shnf
Source:
Soundboard
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. Original seed from Peter had SBE's on many tracks. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G ([email protected]) 6-9-02.
Source 9 of 20
5:52:32
SBD
SHNID:
gd1991-03-27.sbd.braverman.9405.shnf
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002.
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:08:46
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 18, 2020
SHNID:
gd1991-03-27.149559.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section B1, row 19, seat 8
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Tim Dalton
3:11:09
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-27.146181.neuman-skm150.dalton.miller.sirmick.flac1648
Source:
(FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for providing his master. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2019
Taper: Rich Gastwirk
3:07:39
Taper:
Rich Gastwirk
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-27.139159.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
Taper: JC Mahoney
1:47:30
Rating:
4.67 / 3 ratings
Taper:
JC Mahoney
Transferrer:
Charlie Miller
SHNID:
gd91-03-27.set2.fob-schoeps-mahoney-oneill.miller.28390.sbeok.shnf
Source:
Set 2 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k)
Lineage:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View Notesset2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller
Taper: Ray Ackerman
3:00:33
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-03-27.141407.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - tape pauses cross faded
Source 15 of 20
3:05:36
Rating:
10.00 / 1 rating
SHNID:
gd1991-03-27.172999.mtx.seamons.ht178.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 1, 2025
Taper Notes:
View NotesNotes: The SBD source was pitch corrected faster, between 0.8% and 0.6%. The SBD mix fluctuates a little for the first couple of songs. Two SBD dropouts, in Minglewood Blues and Row Jimmy, were patched with the AUD. Some static in Row Jimmy was cleaned up. The UltraMatrix SBD source became noticeably dryer beginning with Loose Lucy, which allowed for higher AUD levels in the mix, and even higher thereafter. For a minute during Drums, 0:50 - 1:50, the AUD source suddenly picks up a distinct echo effect from the PA, also present in the other AUD tapes. (The SBD and AUD sources are not out of sync for this section of the matrix.) "Apocalypse Now" bass effects begin midway into Space. Very light EQ applied, with a few areas receiving slightly different configurations in the SBD.
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133608.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133607.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Andrew F
3:04:39
Taper:
Andrew F
Transferrer:
AndrewF
SHNID:
gd1991-03-27.nak300.andrewf.113159.flac1644
Source:
AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS.
Lineage:
Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged.
Taper Notes:
View NotesD1 s1t01 > s1t09, D2 s2t01 > s2t06, D3 s2t07 > s2t12.
Taper: Keith Litzenberger
3:05:20
Taper:
Keith Litzenberger
SHNID:
gd1991-03-27.senn-me80.litzenberger.91484.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC
Source 20 of 20
3:01:33
Rating:
8.67 / 3 ratings
SHNID:
gd91-03-27.aud.eD.9189.sbeok.shnf
Source:
AUD>DAT>CDR
Taper Notes:
View NotesAUD>DAT>CDR; Seeded to etree by eD