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Bands
Grateful Dead
Today In History
June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
2:40:28
SBD
Rating:
10.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-06-16.150162.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:40:18
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-06-16.149986.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: Dolphinsmile
2:36:02
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dolphinsmile
SHNID:
gd1991-06-16.142609.dsbd.dolphinsmile.flac16
Source:
DSDB>clone snail mailed to me back in the day>File cloned in Microtrack using Tascam Dat deck> Goldwave tracking>tlh8
Transferrer: Kevin Tobin
2:40:07
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1991-06-16.135892.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2016 - Trader Little Helper - Tagged 30-MAY-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:40:06
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-06-16.135891.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2016 - Trader Little Helper - Tagged 30-MAY-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:40:06
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-06-16.135890.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2016 - Trader Little Helper - Tagged 30-MAY-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:40:06
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1991-06-16.135888.upg-sbd.tobin.flac16
Source:
(original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected soundboard --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2016 - Trader Little Helper - Tagged 30-MAY-2016 - Tag&Rename --------------------------------------------------------- 1st set only needed minor patching and 2nd set was missing over a minute at the end of Drums. Speedwise the audience was close when compared to other recordings - .250 seconds per minute slow. Brokedown House Production
Transferrer: Matrix by Dave Usborne
2:42:40
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-06-16.128625.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
Taper Notes:
View NotesMatrix by dusborne 04-20-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-20-2014
Transferrer: Bill Tetzeli
2:35:56
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1991-06-16.sbd.gjf.tetzeli.fix-17028.34783.reflac.flac16
Source:
Fix of shnid 17028
Taper Notes:
View Notes------------------------------------------------------------------------------ Fix of shnid 17028 I made the transition between CDs 2 and 3 seamless and converted the non-seekable shns to FLAC. Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3. For seamless playback simply remove the fade tracks. Bill Tetzeli ([email protected]) 3/30/2006 ------------------------------------------------------------------------------
Source 10 of 19
2:36:24
SBD
Rating:
6.67 / 26 ratings
SHNID:
gd91-06-16.sbd.shn.17028.sbeok.shnf
Source:
DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF
Taper Notes:
View NotesSource: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF
Transferrer: Chirs Ladner and John Valter
5:13:46
SBD
Transferrer:
Chirs Ladner and John Valter
SHNID:
gd1991-06-16.sbd.valter-chrisl.4798.shnf
Source:
SBD > ? > DAT > CDR > WAV > SHNv3
Taper Notes:
View Notesbrief bout of digistatic ~ 31 seconds into d1t05 ****** IMPORTANT TRACKING NOTE ****** The entire show can be fit onto 2- 80 min/700 MB discs if d2t1 &d2t2 are added to the end of the first set. The discs came to me as above and personally i like the transition between crazy fingers directly into china cat. big thanks go out to John Valter for coordinating the summer of '91 project -- by far the best season i've enjoyed on the planet. Chris L.
Taper: Dan Rogosa
1:36:43
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-16.170695.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D5 (no Dolby)
Lineage:
Transfer: MC (MX 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesDan's first time taping. Pitch checked against and Space patched with SHNID 150370. Unfortunately, set I was stolen by plumbers.
Taper: Dan Rogosa
1:36:43
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-16.170694.me88.mc.rogosa.flac1644
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D5 (no Dolby)
Lineage:
Transfer: MC (MX 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesDan's first time taping. Pitch checked against and Space patched with SHNID 150370. Unfortunately, set I was stolen by plumbers.
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:45:30
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel May 02, 2020
SHNID:
gd1991-06-16.150370.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16/48) Location: FOB, Section B, Row 30, Seat 20 (hand held)
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - Little Feat opened - the PA isn't quite right for the first 14:40 of the first set
Transferrer: Kevin Tobin
2:40:06
Transferrer:
Kevin Tobin
SHNID:
gd1991-06-16.135889.upg-aud.tobin.flac16
Source:
(original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 30-MAY-2016 - Trader Little Helper - Tagged 30-MAY-2016 - Tag&Rename --------------------------------------------------------- 1st set only needed minor patching and 2nd set was missing 4 minutes in the middle of Drums and 3 minutes at the end of Space. Speedwise the audience was close when compared to other recordings - .100 seconds per minute slow. Brokedown House Production
Taper: Dan Tepper
2:34:26
Rating:
8.00 / 1 rating
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1991-06-16.134056.bk4011ortf-fob-dantepper.flac16
Source:
Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Mr. Currier
2:52:08
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-16.AKG451.Currier.Keo.122648.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this first night at Giants Stadium.This recording sounds sweet and tapes were in pristine shape! Thank You Mr. Currier!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:52:08
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-16.AKG451.Currier.Keo.122647.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this first night at Giants Stadium.This recording sounds sweet and tapes were in pristine shape! Thank You Mr. Currier!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Baker
2:34:45
Rating:
10.00 / 1 rating
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-06-16.Nak300CP4Baker.109124.flac16
Source:
Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44
Lineage:
Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz. 1St Set no Dolby,2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44
Taper Notes:
View NotesNotes:Thanks to the taper for lending me his tapes to transfer!Another fine couple of days with the Grateful Dead and we were graced with two fine days of music and Little Feat as the opening band too!I used dolby on the second set but not on the first,I thought dolby took too much away from the music so there is some hiss in the first set,but not too bad.* In Stagger lee taper notes that he used to have problems when flipping tapes and the channels would drop out or fade for a bit and then come back after tape was rolling.This shows up during the start of stagger lee with some loss of all music for a second or two,low levels for a bit but then levels/music comes back.Even though there's a few small bugs in this recording its still a fine listen!Enjoy!