Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
2:53:58
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.154463.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152198 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:53:57
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 3, 2021
SHNID:
gd1991-03-25.152198.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:53:26
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-25.sbd.miller.87731.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Dat -> Sound Forge -> CD (shnid=84645) supplies: It's All Over Now (0:00 - 0:09) Space (6:31 - 6:54) Notes: -- Set 2 is seamless -- Jam out of Spoonful sounds like Nobody's Fault meets Russian Lullaby -- Playing In The Band was started 2 nights earlier
Source 4 of 15
2:49:39
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd91-03-25.sbd.18376.sbeok.shnf
Source:
sbd>cass-master>dat>shn
Taper Notes:
View Notessbd>cass-master>dat>shn
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:58:24
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 12, 2020
SHNID:
gd1991-03-25.149547.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB three rows in front of soundboard
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer. - Thanks to Tim Dalton for suppling the patch source. - taper bust @ 5:29 of T. Jed Patch; - shnid 146016 (Nak 300) supplies - s1t08; 05:46 - end of set - PiTB is finished from the 23rd
Taper: Tim Dalton
2:57:28
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-25.146016.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648
Source:
Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for his recording Thanks to Charlie Miller for the transfer edited and mastered SIRMick April 2019
Taper: Unknown
1:39:05
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-03-25.138814.set2.FOB.Schoeps.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Mic adjustments at the onset have been smoothed over. - Welcome to the sweet spot. - A little plaintive tune outta Spoonful. - PITB is finished from the 23rd
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133309.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:51:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-25.133308.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s > Sony D6, Same Transfer Lineage From DSD Files 2015 * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some songs with missing starts and ends, thanks to Mr. Baker for the patch source used for them. All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Mr. Currier
3:07:47
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122507.Flac1644
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
3:07:48
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-03-25.AKG451.Currier.Keo.122506.Flac2496
Source:
Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Currier for recording and sharing his source for this show!A few right channel drops during space after the tape flip but very minut and not a total loss of music,other than that a flawless set of pristine masters from Mr. Currier's collection! Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Floater
2:54:31
Rating:
9.33 / 3 ratings
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111860.flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Floater
2:54:32
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-25.Nak300CP4.Floater.Keo.111859.flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper
Taper Notes:
View NotesHuge thanks to Floater for these source tapes to work on!This run of shows was a lot of fun and as always the boys didn't dissapoint us at the Knick and put on another fine show!Enjoy!
Taper: Keith Litzenberger
2:56:59
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-03-25.senn-me80.wklitz.91972.flac16
Source:
Sennheiser ME-80's>Techics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper: Andrew F
2:56:21
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-03-25.nak300.andrewf.84645.sbeok.flac16
Source:
Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).
Lineage:
MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Deck was accidentally paused at 0:17 in Shakedown for aprx 5 seconds. - Soundforge used to make fades, and for 48kHz > 44.1kHz resample. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.