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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h61583
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.8k344
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2k255
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k437
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.8k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k127
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70378
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k167
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.8k445
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k136
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k189
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.5k402
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k214
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k239
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.7k2.6k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8k1.1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h38842
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.5k734
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.3k937
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.4k218
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h857113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32819
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1984
11/3/84
Tuning/crowd
0:58
Alabama Getaway >
6:35
The Promised Land
5:11
Friend Of The Devil
8:44
Down In The Bottom
8:14
It Must Have Been The Roses
5:26
The Music Never Stopped >
9:02
Deal
9:11
Tuning
2:10
Feel Like A Stranger >
10:04
Cumberland Blues
6:10
Brokedown Palace
6:08
Gloria >
8:44
Jam >
1:54
Why Don't We Do It In The Road >
4:14
Space >
5:02
Drums >
7:10
Space >
9:11
Uncle John's Band >
12:05
Dear Mr. Fantasy >
6:57
Throwing Stones >
9:26
Turn On Your Lovelight
9:40
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:31
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-11-03.sbd.miller.110773.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Rob Eaton and David Gans for the tapes -- Jam has hints of Mind Left Body and Music Never Stopped
Transferrer: John Mollman and Dave Greenberg
2:41:09
SBD
Rating:
2.00 / 1 rating
Transferrer:
John Mollman and Dave Greenberg
SHNID:
gd1984-11-03.sbd.greenbereg.powell.21761.sbeok.shnf
Source:
MSP > D > CD patched with MAC > C > C > D
Taper Notes:
View NotesAbout 20 seconds from the end of Gloria to the first six seconds of Why Don't We Do It In The Road and 19 seconds from Uncle John's Band (10:42 - 11:01) are patched in from AUD. A 1 second glitch at the end of space (12:03) was also fixed.
Source 3 of 11
2:33:12
SBD
Rating:
8.73 / 11 ratings
SHNID:
gd84-11-03.sbd.braverman.8212.sbefail.shnf
Source:
SBD> MC> DAT> CD
Taper Notes:
View NotesSBD> MC> DAT> CD; Seeded to etree by Peter Braverman
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169045.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169044.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150802.mke2002.murthas.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150801.mke2002.murthas.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Doug Lamarre
2:35:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-11-03.147479.aud.lamarre.berger.flac24
Source:
aud cassette master sennheiser 441's > sony d5 center floor, row nn, seat 19
Lineage:
nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac
Taper: Doug Lamarre
2:35:07
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-11-03.147478.aud.lamarre.berger.flac16
Source:
aud cassette master sennheiser 441's > sony d5 center floor, row nn, seat 19
Lineage:
nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac
Transferrer: Rich Gastwirt and GEMS
2:30:36
Rating:
8.00 / 2 ratings
Transferrer:
Rich Gastwirt and GEMS
Source:
Sennheiser 421s? > PCM > DAT
Lineage:
Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav *Adobe Audition 1.5 > Shntool > FLAC lvl8
Source 11 of 11
2:32:16
Rating:
8.36 / 11 ratings
SHNID:
gd84-11-03.aud.willy-vernon.18111.sbeok.shnf
Source:
AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon
Taper Notes:
View NotesAUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon