RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h52369
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h969124
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.5k327
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.1k271
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h6.4k893
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h4.5k563
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.7k340
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k131
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.8k198
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h68976
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.4k166
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h934121
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k194
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h1.9k248
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h7.5k802
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k180
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k225
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h20.4k2.8k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h2.9k396
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85180
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h5.9k756
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h3.8k497
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.7k328
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k175
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h5.5k547
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k364
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h48064
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9613
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h17414
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1984
11/3/84
Alabama Getaway >
6:44
Promised Land
4:55
Friend Of The Devil
8:42
Down In The Bottom
7:58
It Must Have Been The Roses
5:24
The Music Never Stopped >
8:54
Deal
9:00
Feel Like A Stranger >
11:53
Cumberland Blues
6:09
Gloria >
10:24
Why Don't We Do It In The Road >
9:13
Drums >
11:14
Space >
11:50
Uncle John's Band >
11:46
Dear Mr. Fantasy >
6:59
Throwing Stones/ >
9:25
Turn On Your Love Light
9:10
e: Brokedown Palace
5:27
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:31
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-11-03.sbd.miller.110773.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Rob Eaton and David Gans for the tapes -- Jam has hints of Mind Left Body and Music Never Stopped
Transferrer: John Mollman and Dave Greenberg
2:41:09
SBD
Rating:
2.00 / 1 rating
Transferrer:
John Mollman and Dave Greenberg
SHNID:
gd1984-11-03.sbd.greenbereg.powell.21761.sbeok.shnf
Source:
MSP > D > CD patched with MAC > C > C > D
Taper Notes:
View NotesAbout 20 seconds from the end of Gloria to the first six seconds of Why Don't We Do It In The Road and 19 seconds from Uncle John's Band (10:42 - 11:01) are patched in from AUD. A 1 second glitch at the end of space (12:03) was also fixed.
Source 3 of 11
2:33:12
SBD
Rating:
8.73 / 11 ratings
SHNID:
gd84-11-03.sbd.braverman.8212.sbefail.shnf
Source:
SBD> MC> DAT> CD
Taper Notes:
View NotesSBD> MC> DAT> CD; Seeded to etree by Peter Braverman
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169045.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169044.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150802.mke2002.murthas.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150801.mke2002.murthas.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Doug Lamarre
2:35:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-11-03.147479.aud.lamarre.berger.flac24
Source:
aud cassette master sennheiser 441's > sony d5 center floor, row nn, seat 19
Lineage:
nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac
Taper: Doug Lamarre
2:35:07
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-11-03.147478.aud.lamarre.berger.flac16
Source:
aud cassette master sennheiser 441's > sony d5 center floor, row nn, seat 19
Lineage:
nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac
Transferrer: Rich Gastwirt and GEMS
2:30:36
Rating:
8.00 / 2 ratings
Transferrer:
Rich Gastwirt and GEMS
Source:
Sennheiser 421s? > PCM > DAT
Lineage:
Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav *Adobe Audition 1.5 > Shntool > FLAC lvl8
Source 11 of 11
2:32:16
Rating:
8.36 / 11 ratings
SHNID:
gd84-11-03.aud.willy-vernon.18111.sbeok.shnf
Source:
AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon
Taper Notes:
View NotesAUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon