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June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1984
11/2/84
Jack Straw >
4:47
Peggy - O
7:35
El Paso
6:25
Loser
7:09
Smokestack Lightning >
6:12
Spoonful>
4:16
Smokestack Lightning
0:26
Iko - Iko
8:46
Help on the way >
3:51
Slipknot! >
7:47
Franklins Tower
11:46
Lost Sailor >
6:57
Saint of Circumstance
6:48
Wharfrat >
11:30
Gimmie Some Lovin' >
5:15
Drumz >
9:43
Space >
11:56
Playin' Reprise >
7:37
Bertha >
6:35
Good Lovin'
8:12
Casey Jones
5:51
FIN
View on archive.org
Sources
Transferrer: Charlie Miller, Peter Braverman, Tony Gardner
2:25:05
SBD
Rating:
8.73 / 11 ratings
Transferrer:
Charlie Miller, Peter Braverman, Tony Gardner
SHNID:
gd1984-11-02.sbd.braverman.9753.sbeok.shnf
Source:
SBD > MC
Lineage:
set 1: Master Cassette> Cassette> DAT> CD> SHN; set 2 PCM> DAT> CD> SHN
Taper Notes:
View NotesSome kinda flip between space and Playing, I'm guessing a PCM tape change. Hard to tell how much is missing, but it's definitely something. This soundboard has been one of the most elusive of the Eighties, and must surely rank as one of the best and most adventurous shows of the middle of that decade. It contains some downright oddities, including the last three songs of the first set. ("Iko" was only played one other time in that position, on 10-24-90, though it seems like a natural there.) This is also the last performance of "Lost Sailor," the first performance of "Gimme Some Lovin," and the last "Casey Jones" for almost eight years. Many thanks to Charlie Miller for the discs. Normalized, retracked, and seeded by Peter Braverman ([email protected]), May 2002. Original seed from Peter had SBE's on all tracks except d1t01. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G ([email protected]) 5-28-02.
Transferrer: Charlie Miller; Peter Braverman
2:25:05
SBD
Rating:
6.50 / 6 ratings
Transferrer:
Charlie Miller; Peter Braverman
SHNID:
gd1984-11-02.sbd.miller.braverman.9382.sbeok.shnf
Source:
SBD
Lineage:
Lineage for set 1: Master Cassette> Cassette> DAT> CD> SHN Lineage for set 2: PCM> DAT> CD> SHN
Taper Notes:
View NotesSome kinda flip between space and Playing, I'm guessing a PCM tape change. Hard to tell how much is missing, but it's definitely something. This soundboard has been one of the most elusive of the Eighties, and must surely rank as one of the best and most adventurous shows of the middle of that decade. It contains some downright oddities, including the last three songs of the first set. ("Iko" was only played one other time in that position, on 10-24-90, though it seems like a natural there.) This is also the first performance of "Gimme Some Lovin," and the last "Casey Jones" for almost eight years. Many thanks to Charlie Miller for the discs. Normalized, retracked, and seeded by Peter Braverman ([email protected]), May 2002.
Transferrer: Roger Eichorn
2:32:48
SBD
Transferrer:
Roger Eichorn
SHNID:
gd1984-11-02.152202.sbd.eichorn.flac16
Source:
This is a speed- and pitch-corrected version of SET 1 of shnid:010172
Taper Notes:
View NotesThis is a speed- and pitch-corrected version of SET 1 of shnid:010172, from whence came the info following the triple-hyphen below (except for the .md5 and .ffp info, which is new). Set 2 of the original source needed no speed/pitch correction, but is included here for convenience's sake. Set 1, however, was like sludge. Seriously. It's much better now. Speed-correction done with Celemony Capstan by Roger Eichorn SBE's fixed with Trader's Little Helper New .md5 and .ffp made with Trader's Little Helper April 5, 2021
Taper: Happy Jack
2:11:52
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1984-11-02.137969.sbd.msc.happyjack.flac16
Source:
Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette;
Lineage:
Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping
Taper Notes:
View NotesShow Notes Interesting 1st set % - 1st time played. If memory serves me well Phil is helping on vocals. 1st taper section. I am surprise more sources are not available Source Notes ^ - Tape flip - no music lost * - Beginning of master aud # - tape flip [very little music lost in song] @ - song cuts at end [end of tape] Did not fade out in case to be used for patching - Unfortunately the master of the sbd was stolen from me some many years ago. Mastering Notes on sbd & Aud DC offset removed by .003% White Noise Removed raised the +db gain where needed All tracks have been pitch corrected Band Memberes Jerry Garcia - guitar & vocals Bob Weir - guitar & vocals Bill Kreutzmann - drums Phil Lesh - bass & vocals Mickey Hart - percussion Brent Mydland - keyboards & vocals SUPPORT THE ARTIST http://www.dead.net/ Buy there Music. Go See Them LIVE !! GREAT SHOW !! INTERESTING 1ST SET. WEST COAST TRIP. SO MY FRIEND & I MADE SURE BOTH OF US WERE TAPING. HE HAD HIS MONITOR MIXS BOARD CONTACT & I USED HIS EQUIPMENT FOR THE AUDIENCE RECORDINGS AS BACKUP. THIS WAS OUR 2ND TRIP OUT WEST I THINK Happy Jack Final Notes *** Thanks to my friend for teaching me & the great times taping from 77-90 The rest has been stolen along with many others while I was in the Hospital for Spinal Bacteria Meningitas. The good news there r about 75 tapes still here I would & Like them see the light & ears of others as my health is declinig. Plus it is good therapy for me to do this once again. I have not touched most of these tapes in 25 - 30 years. God Bless & Enjoy Jack added md5 added ffp added shn tool.len text SBEs Fixed & ok DO NOT SELL !!!! ENJOY/SHARE WITH FAMILY & FRIENDS [That you trust & just loves the music] Happy Jack Please beware of us old school tapers who may have lost the tolerance for being disrespected! After so many years how many end up asking for a show!!! Please Be Kind
Taper: Happy Jack
2:11:52
SBD
Rating:
2.00 / 1 rating
Taper:
Happy Jack
Transferrer:
HappyJack
SHNID:
gd1984-11-02.137968.sbd.msc.happyjack.flac24
Source:
Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette;
Lineage:
Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24
Taper Notes:
View NotesShow Notes Interesting 1st set % - 1st time played. If memory serves me well Phil is helping on vocals. 1st taper section. I am surprise more sources are not available Source Notes ^ - Tape flip - no music lost * - Beginning of master aud # - tape flip [very little music lost in song] @ - song cuts at end [end of tape] Did not fade out in case to be used for patching - Unfortunately masters were stolen from me some many years ago while in the hospital several times . Mastering Notes on sbd & Aud DC offset removed by .003% White Noise Removed raised the +db gain where needed All tracks have been pitch corrected Band Memberes Jerry Garcia - guitar & vocals Bob Weir - guitar & vocals Bill Kreutzmann - drums Phil Lesh - bass & vocals Mickey Hart - percussion Brent Mydland - keyboards & vocals SUPPORT THE ARTIST http://www.dead.net/ Buy there Music. Go See Them LIVE !! GREAT SHOW !! INTERESTING 1ST SET. WEST COAST TRIP. SO MY FRIEND & I MADE SURE BOTH OF US WERE TAPING. HE HAD HIS MONITOR MIXS BOARD CONTACT & I USED HIS EQUIPMENT FOR THE AUDIENCE RECORDINGS AS BACKUP. THIS WAS OUR 2ND TRIP OUT WEST I THINK Happy Jack Final Notes West Coast trip *** Thanks to my friend for teaching me & the great times taping from 77-90 The rest has been stolen along with many others while I was in the Hospital for Spinal Bacteria Meningitas. The good news there r about 75 tapes still here I would & Like them see the light & ears of others as my health is declinig. Plus it is good therapy for me to do this once again. I have not touched most of these tapes in 25 - 30 years. God Bless & Enjoy Jack added md5 added ffp added shn tool.len text DO NOT SELL !!!! ENJOY/SHARE WITH FAMILY & FRIENDS [That you trust & just loves the music] Happy Jack Please beware of us old school tapers who may have lost the tolerance for being disrespected! After so many years how many end up asking for a show!!! Please Be Kind
Source 6 of 11
2:33:30
SBD
Rating:
8.80 / 20 ratings
SHNID:
gd84-11-02.sbd.connor.10172.sbeok.shnf
Source:
Tony G shntool fix of original <a href= "http://db.etree.org/shninfo_detail.php?shnid=9382">Braverman</a> SBD seed
Taper Notes:
View NotesTony G shntool fix of original <a href="http://db.etree.org/shninfo_detail.php?shnid=9382" rel="nofollow">Braverman</a> SBD seed;
Taper: Jim Vita
2:31:34
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-02.169043.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:14 patch in "Wharf Rat", as well as the final 1:51 of "Casey Jones" - Thanks to Rich Gastwirt for the Sennheiser source which, when combined with Doug Lamarre's Sennheiser 441 source, supplies an 8:43 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:31:34
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-02.169042.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:14 patch in "Wharf Rat", as well as the final 1:51 of "Casey Jones" - Thanks to Rich Gastwirt for the Sennheiser source which, when combined with Doug Lamarre's Sennheiser 441 source, supplies an 8:43 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Doug Lamarre
2:21:24
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-11-02.147486.aud.lamarre.berger.flac24
Source:
aud cassette master sennheiser 441's > sony d5 center floor, row nn, seat 27
Lineage:
nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac
Taper: Doug Lamarre
2:21:24
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-11-02.147485.aud.lamarre.berger.flac16
Source:
aud cassette master sennheiser 441's > sony d5 center floor, row nn, seat 27
Lineage:
nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac
Transferrer: Rich Gastwirt and GEMS
2:29:24
Rating:
8.00 / 1 rating
Transferrer:
Rich Gastwirt and GEMS
Source:
Sennheiser 421s? > PCM > DAT
Lineage:
TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > *Adobe Audition 1.5 > shntool > FLAC (lvl8)
Taper Notes:
View Notesset1 few minor glitches in El Paso (the song) stop/start noise removed 12:05.205 - 12:05.212, 36:52.465 - 36:52.473 fade-out 45:36.625 - 45:38.739 set2 cut silence 0:00.000 - 0:02.322, new 0:00.000 fade-in 0:00.000 - 0:03.000 gap 46:40.408 - 46:41.537 wharfrat, 0:27.864 patched 1:29:30.900 - 1:29:32.781 good lovin, 0:15.302 patched right channel drops 1:30:37.691 - 1:30:38.294 stop/start noise removed 1:37:33.162 - 1:37:33.173 gap 1:41:01.317 - 1:41:01.427 casey jones, 0:01.964 patched fade-out 1:43:21.000 - 1:43:24.000