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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1984
11/2/84
Jack Straw >
6:36
Peggy-O
7:16
El Paso
6:19
Loser
7:08
Smokestack Lightning >
6:15
Spoonful - Smokestack
4:30
Iko Iko
8:55
Help On the Way >
3:17
Slipknot >
7:50
Franklin's Tower >
11:53
Lost Sailor >
7:00
Saint of Circumstance >
6:45
Wharf Rat >
11:44
Gimme Some Lovin' >
5:20
Drums >
9:46
Space >
11:39
Playin' Reprise >
8:07
Bertha >
6:39
Good Lovin'
10:05
Casey Jones
5:44
FIN
View on archive.org
Sources
Transferrer: Charlie Miller, Peter Braverman, Tony Gardner
2:25:05
SBD
Rating:
8.73 / 11 ratings
Transferrer:
Charlie Miller, Peter Braverman, Tony Gardner
SHNID:
gd1984-11-02.sbd.braverman.9753.sbeok.shnf
Source:
SBD > MC
Lineage:
set 1: Master Cassette> Cassette> DAT> CD> SHN; set 2 PCM> DAT> CD> SHN
Taper Notes:
View NotesSome kinda flip between space and Playing, I'm guessing a PCM tape change. Hard to tell how much is missing, but it's definitely something. This soundboard has been one of the most elusive of the Eighties, and must surely rank as one of the best and most adventurous shows of the middle of that decade. It contains some downright oddities, including the last three songs of the first set. ("Iko" was only played one other time in that position, on 10-24-90, though it seems like a natural there.) This is also the last performance of "Lost Sailor," the first performance of "Gimme Some Lovin," and the last "Casey Jones" for almost eight years. Many thanks to Charlie Miller for the discs. Normalized, retracked, and seeded by Peter Braverman ([email protected]), May 2002. Original seed from Peter had SBE's on all tracks except d1t01. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G ([email protected]) 5-28-02.
Transferrer: Charlie Miller; Peter Braverman
2:25:05
SBD
Rating:
6.50 / 6 ratings
Transferrer:
Charlie Miller; Peter Braverman
SHNID:
gd1984-11-02.sbd.miller.braverman.9382.sbeok.shnf
Source:
SBD
Lineage:
Lineage for set 1: Master Cassette> Cassette> DAT> CD> SHN Lineage for set 2: PCM> DAT> CD> SHN
Taper Notes:
View NotesSome kinda flip between space and Playing, I'm guessing a PCM tape change. Hard to tell how much is missing, but it's definitely something. This soundboard has been one of the most elusive of the Eighties, and must surely rank as one of the best and most adventurous shows of the middle of that decade. It contains some downright oddities, including the last three songs of the first set. ("Iko" was only played one other time in that position, on 10-24-90, though it seems like a natural there.) This is also the first performance of "Gimme Some Lovin," and the last "Casey Jones" for almost eight years. Many thanks to Charlie Miller for the discs. Normalized, retracked, and seeded by Peter Braverman ([email protected]), May 2002.
Taper: Happy Jack
2:11:52
SBD
Taper:
Happy Jack
Transferrer:
Happy Jack
SHNID:
gd1984-11-02.137969.sbd.msc.happyjack.flac16
Source:
Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette;
Lineage:
Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping
Taper Notes:
View NotesShow Notes Interesting 1st set % - 1st time played. If memory serves me well Phil is helping on vocals. 1st taper section. I am surprise more sources are not available Source Notes ^ - Tape flip - no music lost * - Beginning of master aud # - tape flip [very little music lost in song] @ - song cuts at end [end of tape] Did not fade out in case to be used for patching - Unfortunately the master of the sbd was stolen from me some many years ago. Mastering Notes on sbd & Aud DC offset removed by .003% White Noise Removed raised the +db gain where needed All tracks have been pitch corrected Band Memberes Jerry Garcia - guitar & vocals Bob Weir - guitar & vocals Bill Kreutzmann - drums Phil Lesh - bass & vocals Mickey Hart - percussion Brent Mydland - keyboards & vocals SUPPORT THE ARTIST http://www.dead.net/ Buy there Music. Go See Them LIVE !! GREAT SHOW !! INTERESTING 1ST SET. WEST COAST TRIP. SO MY FRIEND & I MADE SURE BOTH OF US WERE TAPING. HE HAD HIS MONITOR MIXS BOARD CONTACT & I USED HIS EQUIPMENT FOR THE AUDIENCE RECORDINGS AS BACKUP. THIS WAS OUR 2ND TRIP OUT WEST I THINK Happy Jack Final Notes *** Thanks to my friend for teaching me & the great times taping from 77-90 The rest has been stolen along with many others while I was in the Hospital for Spinal Bacteria Meningitas. The good news there r about 75 tapes still here I would & Like them see the light & ears of others as my health is declinig. Plus it is good therapy for me to do this once again. I have not touched most of these tapes in 25 - 30 years. God Bless & Enjoy Jack added md5 added ffp added shn tool.len text SBEs Fixed & ok DO NOT SELL !!!! ENJOY/SHARE WITH FAMILY & FRIENDS [That you trust & just loves the music] Happy Jack Please beware of us old school tapers who may have lost the tolerance for being disrespected! After so many years how many end up asking for a show!!! Please Be Kind
Taper: Happy Jack
2:11:52
SBD
Rating:
2.00 / 1 rating
Taper:
Happy Jack
Transferrer:
HappyJack
SHNID:
gd1984-11-02.137968.sbd.msc.happyjack.flac24
Source:
Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette;
Lineage:
Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24
Taper Notes:
View NotesShow Notes Interesting 1st set % - 1st time played. If memory serves me well Phil is helping on vocals. 1st taper section. I am surprise more sources are not available Source Notes ^ - Tape flip - no music lost * - Beginning of master aud # - tape flip [very little music lost in song] @ - song cuts at end [end of tape] Did not fade out in case to be used for patching - Unfortunately masters were stolen from me some many years ago while in the hospital several times . Mastering Notes on sbd & Aud DC offset removed by .003% White Noise Removed raised the +db gain where needed All tracks have been pitch corrected Band Memberes Jerry Garcia - guitar & vocals Bob Weir - guitar & vocals Bill Kreutzmann - drums Phil Lesh - bass & vocals Mickey Hart - percussion Brent Mydland - keyboards & vocals SUPPORT THE ARTIST http://www.dead.net/ Buy there Music. Go See Them LIVE !! GREAT SHOW !! INTERESTING 1ST SET. WEST COAST TRIP. SO MY FRIEND & I MADE SURE BOTH OF US WERE TAPING. HE HAD HIS MONITOR MIXS BOARD CONTACT & I USED HIS EQUIPMENT FOR THE AUDIENCE RECORDINGS AS BACKUP. THIS WAS OUR 2ND TRIP OUT WEST I THINK Happy Jack Final Notes West Coast trip *** Thanks to my friend for teaching me & the great times taping from 77-90 The rest has been stolen along with many others while I was in the Hospital for Spinal Bacteria Meningitas. The good news there r about 75 tapes still here I would & Like them see the light & ears of others as my health is declinig. Plus it is good therapy for me to do this once again. I have not touched most of these tapes in 25 - 30 years. God Bless & Enjoy Jack added md5 added ffp added shn tool.len text DO NOT SELL !!!! ENJOY/SHARE WITH FAMILY & FRIENDS [That you trust & just loves the music] Happy Jack Please beware of us old school tapers who may have lost the tolerance for being disrespected! After so many years how many end up asking for a show!!! Please Be Kind
Taper: Jim Vita
2:31:34
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-02.169043.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:14 patch in "Wharf Rat", as well as the final 1:51 of "Casey Jones" - Thanks to Rich Gastwirt for the Sennheiser source which, when combined with Doug Lamarre's Sennheiser 441 source, supplies an 8:43 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:31:34
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-02.169042.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:14 patch in "Wharf Rat", as well as the final 1:51 of "Casey Jones" - Thanks to Rich Gastwirt for the Sennheiser source which, when combined with Doug Lamarre's Sennheiser 441 source, supplies an 8:43 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023