Bands
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Bands
Grateful Dead
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h58979
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h751111
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k460
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.3k707
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.9k869
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k389
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k364
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k151
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k560
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k116
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k211
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k427
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k191
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k160
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.1k727
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k240
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k277
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28831
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k493
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.7k778
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k318
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h2k217
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k176
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k178
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42954
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14919
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41730
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1984
Sources
Source 1 of 11
2:32:31
SBD
Rating:
8.00 / 4 ratings
SHNID:
gd84-10-30.mixed.ladner.22256.sbeok.shnf
Source:
Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN & AUD(Senn 441’s>Sony D-5)>MC>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSource: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441Âs>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)
Taper: Mark Terry
2:37:23
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.175945.marantz.superscope.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Mark Terry
2:37:23
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.175944.marantz.superscope.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Jim Vita
2:32:40
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.168288.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:32:40
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.168287.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Joani Walker and Paul Scotton
2:43:44
Rating:
8.86 / 8 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-10-30.aud.walker-scotton.miller.106168.flac16
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes
Taper: Sean Murtha, Gary Steel, Executive Crew
2:30:07
Taper:
Sean Murtha, Gary Steel, Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-30.150783.mke2002.murtha.holbrook.flac1644
Source:
MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22
Lineage:
Nakmichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes# brief cut at start (probably accidental pause button hit) * repetitive low level distortion throughout track / tape paused between songs to conserve tape // tape flip //+ Cut at end, goes straight into drums; missing 60-90 seconds ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Sean Murtha, Gary Steel, Executive Crew
2:30:07
Taper:
Sean Murtha, Gary Steel, Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-30.150782.mke2002.murtha.holbrook.flac2448
Source:
MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22
Lineage:
Nakmichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes# brief cut at start (probably accidental pause button hit) * repetitive low level distortion throughout track / tape paused between songs to conserve tape // tape flip //+ Cut at end, goes straight into drums; missing 60-90 seconds ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Doug Lamarre
2:21:28
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-30.145583.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's center floor, row mm, seat 11
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:21:28
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-30.145582.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's center floor, row mm, seat 11
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Source 11 of 11
2:22:09
Rating:
9.20 / 5 ratings
SHNID:
gd84-10-30.senn.vernon.17415.sbeok.shnf
Source:
Senn 441’s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
Lineage:
AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
Taper Notes:
View NotesSenn 441Âs>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon