Bands
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Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h58779
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h781106
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.1k409
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.5k312
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3k387
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k353
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k138
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k230
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h84393
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k188
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h995131
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k211
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k274
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.6k702
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k242
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.2k439
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85382
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k593
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k549
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3k368
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.8k198
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7.8k792
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37346
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11016
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22817
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1984
Sources
Source 1 of 11
2:32:31
SBD
Rating:
8.00 / 4 ratings
SHNID:
gd84-10-30.mixed.ladner.22256.sbeok.shnf
Source:
Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN & AUD(Senn 441’s>Sony D-5)>MC>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSource: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441Âs>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)
Taper: Mark Terry
2:37:23
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.175945.marantz.superscope.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Mark Terry
2:37:23
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.175944.marantz.superscope.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Jim Vita
2:32:40
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.168288.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:32:40
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.168287.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Joani Walker and Paul Scotton
2:43:44
Rating:
8.86 / 8 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-10-30.aud.walker-scotton.miller.106168.flac16
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes
Taper: Sean Murtha, Gary Steel, Executive Crew
2:30:07
Taper:
Sean Murtha, Gary Steel, Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-30.150783.mke2002.murtha.holbrook.flac1644
Source:
MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22
Lineage:
Nakmichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes# brief cut at start (probably accidental pause button hit) * repetitive low level distortion throughout track / tape paused between songs to conserve tape // tape flip //+ Cut at end, goes straight into drums; missing 60-90 seconds ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Sean Murtha, Gary Steel, Executive Crew
2:30:07
Taper:
Sean Murtha, Gary Steel, Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-30.150782.mke2002.murtha.holbrook.flac2448
Source:
MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22
Lineage:
Nakmichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes# brief cut at start (probably accidental pause button hit) * repetitive low level distortion throughout track / tape paused between songs to conserve tape // tape flip //+ Cut at end, goes straight into drums; missing 60-90 seconds ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Doug Lamarre
2:21:28
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-30.145583.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's center floor, row mm, seat 11
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:21:28
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-30.145582.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's center floor, row mm, seat 11
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Source 11 of 11
2:22:09
Rating:
9.20 / 5 ratings
SHNID:
gd84-10-30.senn.vernon.17415.sbeok.shnf
Source:
Senn 441’s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
Lineage:
AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
Taper Notes:
View NotesSenn 441Âs>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon