Dancing In The Street | 1984-10-30 | Grateful Dead

View NotesSource:	Set 1:  SBD>MC>DAT>CDR>WAV>SHN.
	Set 2:  SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks)
	            AUD(Senn 441Âs>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)

Taper: Mark Terry

2:37:23

Taper:

Mark Terry

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-30.175945.marantz.superscope.terry.miller.clugston.flac2496

Source:

Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-30.175944.marantz.superscope.terry.miller.clugston.flac1648

Source:

Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-30.168288.senn441.vita.miller.clugston.flac2496

Source:

Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums"
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
October 2023

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-30.168287.senn441.vita.miller.clugston.flac1648

Source:

Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums"
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
October 2023

Taper: Joani Walker and Paul Scotton

Joani Walker and Paul Scotton

Transferrer:

Charlie Miller

SHNID:

gd1984-10-30.aud.walker-scotton.miller.106168.flac16

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes

Taper: Sean Murtha, Gary Steel, Executive Crew

2:30:07

Taper:

Sean Murtha, Gary Steel, Executive Crew

Transferrer:

Kyle Holbrook

SHNID:

gd1984-10-30.150783.mke2002.murtha.holbrook.flac1644

Source:

MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22

Lineage:

Nakmichi LX5 > Marantz PMD661|SD

Taper Notes:

View Notes#    brief cut at start (probably accidental pause button hit)
*    repetitive low level distortion throughout track
/    tape paused between songs to conserve tape
//   tape flip
//+  Cut at end, goes straight into drums; missing 60-90 seconds

***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Sean Murtha, Gary Steel, Executive Crew

2:30:07

Taper:

Sean Murtha, Gary Steel, Executive Crew

Transferrer:

Kyle Holbrook

SHNID:

gd1984-10-30.150782.mke2002.murtha.holbrook.flac2448

Source:

MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22

Lineage:

Nakmichi LX5 > Marantz PMD661|SD

Taper Notes:

View Notes#    brief cut at start (probably accidental pause button hit)
*    repetitive low level distortion throughout track
/    tape paused between songs to conserve tape
//   tape flip
//+  Cut at end, goes straight into drums; missing 60-90 seconds

***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Taper: Doug Lamarre

gd1984-10-30.145583.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's center floor, row mm, seat 11

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Taper: Doug Lamarre

gd1984-10-30.145582.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's center floor, row mm, seat 11

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Source 11 of 11

gd84-10-30.senn.vernon.17415.sbeok.shnf

Source:

Senn 441Âs>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon

Lineage:

AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon

Taper Notes:

View NotesSenn 441Âs>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon