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1984
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June 21st
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12.1k
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34.2k
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26.5k
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1,075 tapes
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23.9k
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25.9k
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27.2k
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72.3k
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20.5k
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36.2k
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201.5k
64 shows
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118.2k
45 shows
298 tapes
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7.4k
25 shows
63 tapes
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79.8k
42 shows
324 tapes
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74.8k
75 shows
445 tapes
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51k
88 shows
361 tapes
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32.5k
82 shows
357 tapes
1970
38k
101 shows
376 tapes
1969
27.4k
112 shows
326 tapes
1968
7.2k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5.2k
32 shows
78 tapes
1965
594
2 shows
2 tapes
1984
10/30/84
Crowd/Tuning
1:59
Dancing In The Street
7:22
Dire Wolf
3:47
Little Red Rooster
9:06
Brown Eyed Women
6:25
Cassidy
6:58
Tennessee Jed
8:28
Let It Grow
12:19
Scarlet Begonias >
10:40
Fire On The Mountain
12:58
Far From Me
5:21
Estimated Prophet >
13:00
Eyes Of The World >
7:52
Drums >
10:27
Space >
7:23
The Other One >
11:49
Stella Blue >
7:18
Sugar Magnolia
9:21
E: US Blues
4:50
FIN
View on archive.org
Sources
Taper: Mark Terry
2:37:23
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.175945.marantz.superscope.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Mark Terry
2:37:23
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.175944.marantz.superscope.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; Marantz Superscope EC-9P mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita (RIP) for the Sennheiser 441 source which supplies some crowd and beginning of "Far From Me" (0:19 total), as well as a 0:39 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Jim Vita
2:32:40
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.168288.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:32:40
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-30.168287.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker (RIP), Paul Scotton and Charlie Miller for the Nakamichi 300 source which supplies some crowd and beginning of "Let It Grow" (0:15 total), some crowd and first notes of "Scarlet Begonias" (0:22 total), a 1:28 patch in the post "Eyes Of The World" jam, as well as a 9:29 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Sean Murtha, Gary Steel, Executive Crew
2:30:07
Taper:
Sean Murtha, Gary Steel, Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-30.150783.mke2002.murtha.holbrook.flac1644
Source:
MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22
Lineage:
Nakmichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes# brief cut at start (probably accidental pause button hit) * repetitive low level distortion throughout track / tape paused between songs to conserve tape // tape flip //+ Cut at end, goes straight into drums; missing 60-90 seconds ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Sean Murtha, Gary Steel, Executive Crew
2:30:07
Taper:
Sean Murtha, Gary Steel, Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-30.150782.mke2002.murtha.holbrook.flac2448
Source:
MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22
Lineage:
Nakmichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes# brief cut at start (probably accidental pause button hit) * repetitive low level distortion throughout track / tape paused between songs to conserve tape // tape flip //+ Cut at end, goes straight into drums; missing 60-90 seconds ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***