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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h812114
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h53977
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.8k641
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k343
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7.3k976
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k353
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.8k352
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84093
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k211
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k149
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k177
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k214
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.1k568
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k166
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.4k317
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13.6k1.9k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.9k530
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h71164
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k537
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k603
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k958
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k397
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39447
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10115
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1984
10/20/84
Bertha > Greatest Story Ever Told
11:02
West LA Fadeaway
7:53
CC Rider
7:49
Take A Step Back
1:10
Ramble On Rose
7:53
You Gotta Move Back.....and Stay Back
2:17
My Brother Esau
4:40
Bird Song
11:00
Jack Straw
7:26
Shakedown Street
14:00
Samson & Delilah
8:35
He's Gone >
11:13
Smokestack Lightning >
7:31
Drums >
10:44
Space >
6:41
The Wheel >
4:48
The Other One >
6:38
Black Peter >
8:52
Turn On Your Love Light
8:22
E: Revolution
5:21
FIN
View on archive.org
Sources
Transferrer: Original Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 28, 2020
2:42:32
SBD
Transferrer:
Original Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 28, 2020
SHNID:
gd1984-10-20.150967.sbd.eaton-latvala.miller.flac1644
Source:
SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800)
Lineage:
DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton and Dick Latvala for this source -- The patches in West L.A. Fadeaway are mostly just half a second long
Transferrer: matrix by dusborne
2:38:31
SBD
Rating:
9.71 / 7 ratings
Transferrer:
matrix by dusborne
SHNID:
gd1984-10-20.122859.mtx.dusborne.flac16
Source:
Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott
Taper Notes:
View NotesTagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 11-14-2012
Transferrer: Charlie Miller
2:33:09
SBD
Rating:
8.15 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-10-20.sbd.miller.105445.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Encore is from a different source -- This is a re-master of shnid=15673 -- Some horrible processing was done to this before I got it -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 21
2:31:38
SBD
Rating:
8.29 / 42 ratings
SHNID:
gd84-10-20.sbd.mattman.15673.sbeok.shnf
Source:
SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT
Taper Notes:
View NotesSBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs
Taper: Jim Vita
2:33:55
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-20.168183.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ray Ackerman for the Sennheiser 441 source which supplies a 0:07 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:32 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Jim Vita
2:33:55
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-20.168182.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ray Ackerman for the Sennheiser 441 source which supplies a 0:07 patch in the "Shakedown Street > Samson & Delilah" transition, as well as a 0:32 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Ray Ackerman
2:33:27
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-20.140929.fob.senn441.ackerman.miller.clugston.flac2496
Source:
Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master FOB cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid10834 Nakamichi CM300 source which supplies the first 0:18 of "Bertha", a 0:16 patch in the transition between "My Brother Esau" and "Bird Song", as well as a 1:31 patch in "Drums" - Pitch corrected - Transitions smoothed Mastered by Scott Clugston February 2, 2018
Transferrer: Scott Clugston and Charlie Miller
2:33:27
Rating:
9.33 / 3 ratings
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-20.140928.fob.senn441.ackerman.miller.clugston.flac1644
Source:
Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k)> Adobe Audition 3 > TLH flac24/96; 24 bit > 16 bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master FOB cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid10834 Nakamichi CM300 source which supplies the first 0:18 of "Bertha", a 0:16 patch in the transition between "My Brother Esau" and "Bird Song", as well as a 1:31 patch in "Drums" - Pitch corrected - Transitions smoothed Mastered by Scott Clugston February 2, 2018
Source 9 of 21
2:38:26
Rating:
2.00 / 1 rating
SHNID:
gd1984-10-20.154034.mtx.photoleon.flac1644
Source:
Matrix created in Adobe Audition by Joe Noel June 2021
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his master cassette & transfer while hiding out away from the Bay Area - Thanks to Rob Eaton & Dick Latvala for providing the SBD recording & transfer.
Taper: Recorded, Transferred & Mastered by Anon
2:37:13
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited with add'l Mastering in Adobe Audition by Joe Noel February 16, 2021
SHNID:
gd1984-10-20.152672.FOBNak100-SGMasterCassetteAnonNoel.t-flac16
Source:
Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: Three rows directly in front of Healy (sorry Dan!); stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his master cassette & transfer while hiding out away from the Bay Area - Thanks to all involved with the patch source - Tape pause cross faded - This D5 was the lead deck.
Taper: Recorded, Transferred & Mastered by Anon
2:37:12
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited with add'l Mastering in Adobe Audition by Joe Noel February 16, 2021
SHNID:
gd1984-10-20.152671.FOBNak100-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: Three rows directly in front of Healy (sorry Dan!); stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his master cassette & transfer while hiding out away from the Bay Area - Thanks to all involved with the patch source - Tape pause cross faded - This D5 was the lead deck.
Taper: Steve Hill
2:32:45
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-20.Nak100CP4.Hill.Keo.131799.Flac2496
Source:
Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve and Sandy for recording and sharing Steve's source for this show!Some Tape pauses between the first set songs, and one in set 2 a cut in "Bird Song" and during "Drums", still all and all another excellent share from the Hill collection of masters and the Grateful Dead's Fall 1984 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:32:45
Rating:
10.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-20.Nak100CP4.Hill.Keo.131798.Flac1644
Source:
Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 24/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve and Sandy for recording and sharing Steve's source for this show!Some Tape pauses between the first set songs, and one in set 2 a cut in "Bird Song" and during "Drums", still all and all another excellent share from the Hill collection of masters and the Grateful Dead's Fall 1984 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: The Oade Brothers
1:33:54
Rating:
6.00 / 1 rating
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1984-10-20.128437.set2.schoeps.oade.BCE.flac16
Source:
Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesPatches: gd1984-10-20.nak300.carpenter.108304.flac2496 --First few notes of He's Gone --Smokestack Lightning @ 33:35 --Drums @ 42:04, 47:50 --Lovelight @ 1:21:58, 1:23:52 --First few notes of Revolution metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:18:56
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-10-20.124527.chasingwilma.flac24
Source:
lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:33:21
Rating:
6.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-20.110063.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes---------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! ----------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:35:38
Taper:
Bob Morris
SHNID:
gd1984-10-20.aud.morris.108407.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris
Taper: Ted Carpenter
2:32:56
Rating:
9.20 / 5 ratings
Taper:
Ted Carpenter
SHNID:
gd1984-10-20.nak300.carpenter.108304.flac2496
Source:
FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F.
Taper: Bob Morris
2:33:29
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-20.nak300.morris.crazyfingers.106652.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded from Floor Section 3, Row L, Seat 9
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Ted Carpenter
2:31:35
Rating:
8.50 / 4 ratings
Taper:
Ted Carpenter
Transferrer:
Jim Wise and Andrew F.
SHNID:
gd1984-10-20.nak300.carpenter.wise.andrewf.33341.sbeok.flac16
Source:
FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > MAC (UD-XLII, no Dolby)
Lineage:
MAC > CD, CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression) > FLAC
Taper Notes:
View NotesI used Soundforge to make fades, small edits, and patch-in an alternate source over cuts and tape-flips. The patches are in the following spots: - He's Gone, 0:00 > 0:07 - Smokestack, 7:54 > 7:56 - Drums, 4:33 > 6:28 - Space, 0:00 > 0:13 The first notes are slightly clipped on Bertha, West LA, and CC Rider. (This was also present on the alternate AUD source, so they couldn't be patched.) There's brief muffling of the left channel, 4:03 > 4:09 of Bro Easu, and 8:35 > 8:40 of Shakedown. This is a really hot show, and a seriously in your face recording.
Transferrer: Mike Lai
2:29:12
Rating:
9.33 / 3 ratings
Transferrer:
Mike Lai
Source:
aud>>nak300>>cassette master>>cd wav
Lineage:
cd wav>>cool edit pro>>shn>>cdr