Little Red Rooster | 1984-10-18 | Grateful Dead

SBD -> Cassette Master > Reel > Dat (48k)

Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/

View NotesNotes:
-- Thanks to Rob Eaton for the Dat
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Brian Miksis February 1, 2025 [email protected]

2:14:55

SBD

Brian Miksis February 1, 2025 [email protected]

gd1984-10-18.170019.sbd.patched.miller.miksis.flac1648

Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16

View NotesNotes:
-Thanks to Charlie Miller and Rob Eaton for the soundboard source
-several tape dropouts in the first minute or so in Feel Like A Stranger were repaired
-various clicks removed throughout
-Thanks to Frank Streeter, Rob Eaton and Matt Smith for the Audience source (shnid=142353) which supplies a tape flip patch in Althea (5:01 - 5:26)
-Thanks to D5scott for the Audience source (shnid=110052) which supplies a tape flip patch in Uncle John's Band (9:19-9:43)

Source 4 of 23

2:17:48

SBD

gd1984-10-18.168966.mtx.miksis.miller.d5.scott.flac1648

SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis October 18, 2024

gd1984-10-18.128497.schoeps.oade.BCE.flac16

View NotesNotes:
-Honoring the 40th Anniversary of this show and the night that changed my life forever with the only complete version of this show
-Thanks to David Minches for guidance
-Thanks to Charlie Miller and Rob Eaton for the soundboard source
-Thanks to D5scott for Audience source #1 which supplies main matrix audio plus tape flip patch in soundboard for Althea (5:00-5:31) and Uncle John's Band (9:17-9:39)
-Thanks to Joe D'Amico (aka "joebeacon") for Audience source #2 which supplies matrix audio for Drums (3:33-end of track)
-several tape dropouts in the soundboard source of the first minute or so in Feel Like A Stranger were repaired and various clicks from both sources removed
-Bobby's guitar had RF distortion on stage during his solo in Little Red Rooster
-Playing In The Band tease at the end of Uncle John's Band

Taper: The Oade Brothers

Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014

Scott Clugston, Charlie Miller

View NotesSet I transferred at 16/44.1; Set 2 transferred at 16/48.

Set I speed was off; used a curvilinear change to get it to match the average of three other sources.
In addition to the speed change, set 1 was modified by paragraphic and spectral filter equalization to 
increase presence. Tracking and very light editing (fade-ins and fade-outs as necessary).

Set II had no speed issues and was not changed except for tracking and very slight editing 
(fade-ins and fade-outs) as necessary, and conversion to 44.1kHz to maintain consistency between the two sets.

Patches:
Last few minutes of Althea and first few minutes of Hell in a Bucket had irreparable static and 
echo/feedback noise.  These and the crowd between them patched with SHNID  91464.
Approximately 2 minutes of space was also patched with SHNID 91464.


Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

metadata added

BCE Collaboration
[email protected]

Taper: Jim Vita

gd1984-10-18.167179.beyer.m160.vita.miller.clugston.flac2496

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Jim Vita

gd1984-10-18.167178.beyer.m160.vita.miller.clugston.flac1648

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Frank Streeter and Rob Eaton

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Frank Streeter and Rob Eaton

Scott Clugston and Charlie Miller and Matt Smith

gd1984-10-18.142514.neumann.mr.miller.flac1644

Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels)

Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24

Frank Streeter and Rob Eaton

View NotesNotes:
-- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total)
-- Recorded with a rented deck and Rob Eaton's mics in the soundbooth
-- The patch source was also pitch corrected
-- Thanks to Frank Streeter for sending us his reels
-- Thanks to Scott Clugston for his help 'behind the scenes'
-- This file set is 16 bit at 44.1

Taper: Frank Streeter and Rob Eaton

2:17:25

Taper:

Matt Smith and Charlie Miller

gd1984-10-18.142353.km86.flac2496

Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller

gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16

View NotesNotes:
-- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total)
-- Recorded with a rented deck and Rob Eaton's mics in the soundbooth
-- The patch source was also pitch corrected
-- Thanks to Frank Streeter for sending us his reels
-- Thanks to Scott Clugston for his help 'behind the scenes'

Taper: Rick Pauline

Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

gd84-10-18.nak.miller.17273.sbeok.shnf

View NotesPatch Info:
(FOB) 3 Nakamichi 700 -> Cassette Master -> CD (shnid=28290) supplies:
Drums (4:04 - end of track)
Notes:
-- Disc change is seamless
-- Recorded By Rick Pauline

Source 11 of 23

(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller

Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

View Notes(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller

Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

2:17:05

Taper:

Kyle Holbrook

gd1984-10-18.149998.mke2002.holbrook.flac2448

Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.

Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Recording Information:
+  missed start
#  PA distortion- later diagnosed to be Garcia's pickups miswired

NOTES: Set1-Jerry flubs lyrics, second verse Althea, audience cheers

Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

2:17:05

Taper:

Kyle Holbrook

gd1984-10-18.149997.mke2002.holbrook.flac1644

Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.

gd1984-10-18.132239.Nak100CP4.Hill.Keo.Flac2496

View Notes
***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Recording Information: ** This is a 16 bit fileset **
+  missed start
#  PA distortion- later diagnosed to be Garcia's pickups miswired

Taper: Steve Hill

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper: Steve Hill

gd1984-10-18.132238.Nak100CP4.Hill.Keo.Flac1644

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper: Stan Roberts

gd1984-10-18.120142.aud.roberts.flac16

Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts

Taper: Bob Morris

gd1984-10-18.nak300.morris.113970.flac24

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper: Da Weez

gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

gd1984-10-18.nak300.morris.crazyfingers.106651.flac16

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

Taper: Bob Morris

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90);Recorded from Floor Section 7, Row Y, Seat 4

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Joe D'Amico

gd1984-10-18.nak300.damico.87016.sbeok.flac16

nak 300 mics > sony d5

nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend

gd1984-10-18.beyerm88.suraci.78116.flac16

View Notesi recorded this from the floor section 7  row r  seat 9

Taper: Tony Suraci

FOB/Beyer M88's>Sony D5

Sony D5Pro>Lunatec V3>SD722

View Notes*thanks again to Eugene for the mics.
Notes: This is the 16bit version. 24bit is archived on DVDA. 
The last 2 minutes or so of drums is missing. Encore on Disc one. This 
was my last night of taping on this tour. I attended Syracuse 10/20/84 but
did not tape.

Taper: Doug Mow

Doug Mow and Alex Ford

gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16

3 Nak CM700 > Sony TC-D5M > Maxell MX tape

Lineage: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16

gd1984-10-18.002342.aud.fried-lai.shnf

View NotesMic Location: Row N, DFC
Configuration: DIN

Taper: Unknown

Actual lineage is FOB (probably) Senn 441s (probably) > TC-D5M (definitely) > MC (1x XLIIS 90; 1x MR 90)