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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1984
10/18/84
Crowd/Tuning
0:33
Feel Like A Stranger
9:02
Candyman
6:31
Little Red Rooster
8:43
Big Railroad Blues
6:10
Cassidy >
6:25
Althea
8:36
Hell In A Bucket
6:22
Dancing In The Street >
7:39
Touch Of Grey
6:43
Playin' In The Band >
8:45
Uncle John's Band > Playin' Jam >
12:11
China Doll >
7:55
Drums >
5:42
Space >
6:04
Playin' In The Band Reprise >
3:46
Throwing Stones >
8:33
Not Fade Away
9:18
E: It's All Over Now, Baby Blue
7:31
FIN
View on archive.org
Sources
Taper: Rob Eaton DAT
2:14:35
SBD
Rating:
8.00 / 2 ratings
Taper:
Rob Eaton DAT
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 12, 2024
SHNID:
gd1984-10-18.167171.sbd.patched.miller.flac1648
Source:
SBD > Cassette Master > Reel > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/48k
Taper Notes:
View NotesNotes: -- This is a patched remaster of shnid=137213 -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:14:07
SBD
Rating:
7.60 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-10-18.137213.sbd.miller.flac1648
Source:
SBD -> Cassette Master > Reel > Dat (48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Brian Miksis February 1, 2025 [email protected]
2:14:55
SBD
Transferrer:
Brian Miksis February 1, 2025 [email protected]
SHNID:
gd1984-10-18.170019.sbd.patched.miller.miksis.flac1648
Source:
Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View NotesNotes: -Thanks to Charlie Miller and Rob Eaton for the soundboard source -several tape dropouts in the first minute or so in Feel Like A Stranger were repaired -various clicks removed throughout -Thanks to Frank Streeter, Rob Eaton and Matt Smith for the Audience source (shnid=142353) which supplies a tape flip patch in Althea (5:01 - 5:26) -Thanks to D5scott for the Audience source (shnid=110052) which supplies a tape flip patch in Uncle John's Band (9:19-9:43)
Source 4 of 23
2:17:48
SBD
SHNID:
gd1984-10-18.168966.mtx.miksis.miller.d5.scott.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis October 18, 2024
Taper Notes:
View NotesNotes: -Honoring the 40th Anniversary of this show and the night that changed my life forever with the only complete version of this show -Thanks to David Minches for guidance -Thanks to Charlie Miller and Rob Eaton for the soundboard source -Thanks to D5scott for Audience source #1 which supplies main matrix audio plus tape flip patch in soundboard for Althea (5:00-5:31) and Uncle John's Band (9:17-9:39) -Thanks to Joe D'Amico (aka "joebeacon") for Audience source #2 which supplies matrix audio for Drums (3:33-end of track) -several tape dropouts in the soundboard source of the first minute or so in Feel Like A Stranger were repaired and various clicks from both sources removed -Bobby's guitar had RF distortion on stage during his solo in Little Red Rooster -Playing In The Band tease at the end of Uncle John's Band
Taper: The Oade Brothers
2:14:52
SBD
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1984-10-18.128497.schoeps.oade.BCE.flac16
Source:
Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014
Taper Notes:
View NotesSet I transferred at 16/44.1; Set 2 transferred at 16/48. Set I speed was off; used a curvilinear change to get it to match the average of three other sources. In addition to the speed change, set 1 was modified by paragraphic and spectral filter equalization to increase presence. Tracking and very light editing (fade-ins and fade-outs as necessary). Set II had no speed issues and was not changed except for tracking and very slight editing (fade-ins and fade-outs) as necessary, and conversion to 44.1kHz to maintain consistency between the two sets. Patches: Last few minutes of Althea and first few minutes of Hell in a Bucket had irreparable static and echo/feedback noise. These and the crowd between them patched with SHNID 91464. Approximately 2 minutes of space was also patched with SHNID 91464. Thanks to Doug Oade & Jim Wise for making this beautiful recording available. metadata added BCE Collaboration [email protected]
Taper: Jim Vita
2:16:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-18.167179.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Jim Vita
2:16:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-18.167178.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Frank Streeter and Rob Eaton
2:17:25
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1984-10-18.142514.neumann.mr.miller.flac1644
Source:
Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels)
Lineage:
Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24
Taper Notes:
View NotesNotes: -- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total) -- Recorded with a rented deck and Rob Eaton's mics in the soundbooth -- The patch source was also pitch corrected -- Thanks to Frank Streeter for sending us his reels -- Thanks to Scott Clugston for his help 'behind the scenes' -- This file set is 16 bit at 44.1
Taper: Frank Streeter and Rob Eaton
2:17:25
Taper:
Frank Streeter and Rob Eaton
Transferrer:
Matt Smith and Charlie Miller
SHNID:
gd1984-10-18.142353.km86.flac2496
Source:
Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
Taper Notes:
View NotesNotes: -- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total) -- Recorded with a rented deck and Rob Eaton's mics in the soundbooth -- The patch source was also pitch corrected -- Thanks to Frank Streeter for sending us his reels -- Thanks to Scott Clugston for his help 'behind the scenes'
Taper: Rick Pauline
2:15:58
Rating:
10.00 / 3 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: (FOB) 3 Nakamichi 700 -> Cassette Master -> CD (shnid=28290) supplies: Drums (4:04 - end of track) Notes: -- Disc change is seamless -- Recorded By Rick Pauline
Source 11 of 23
2:13:16
REMASTER
Rating:
8.86 / 14 ratings
SHNID:
gd84-10-18.nak.miller.17273.sbeok.shnf
Source:
(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
Taper Notes:
View Notes(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
2:17:05
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-18.149998.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + missed start # PA distortion- later diagnosed to be Garcia's pickups miswired NOTES: Set1-Jerry flubs lyrics, second verse Althea, audience cheers
Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
2:17:05
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-18.149997.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: ** This is a 16 bit fileset ** + missed start # PA distortion- later diagnosed to be Garcia's pickups miswired
Taper: Steve Hill
2:14:15
Rating:
2.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-18.132239.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper: Steve Hill
2:14:16
Rating:
6.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-18.132238.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Stan Roberts
2:14:11
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1984-10-18.120142.aud.roberts.flac16
Source:
Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts
Taper: Bob Morris
2:15:05
Rating:
8.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-10-18.nak300.morris.113970.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:15:03
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:15:05
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-18.nak300.morris.crazyfingers.106651.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90);Recorded from Floor Section 7, Row Y, Seat 4
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:15:36
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-18.nak300.damico.87016.sbeok.flac16
Source:
nak 300 mics > sony d5
Lineage:
nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend
Taper Notes:
View Notesi recorded this from the floor section 7 row r seat 9
Taper: Tony Suraci
2:11:46
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-18.beyerm88.suraci.78116.flac16
Source:
FOB/Beyer M88's>Sony D5
Lineage:
Sony D5Pro>Lunatec V3>SD722
Taper Notes:
View Notes*thanks again to Eugene for the mics. Notes: This is the 16bit version. 24bit is archived on DVDA. The last 2 minutes or so of drums is missing. Encore on Disc one. This was my last night of taping on this tour. I attended Syracuse 10/20/84 but did not tape.
Taper: Doug Mow
2:14:50
Rating:
8.00 / 1 rating
Taper:
Doug Mow
Transferrer:
Doug Mow and Alex Ford
SHNID:
gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16
Source:
3 Nak CM700 > Sony TC-D5M > Maxell MX tape
Lineage:
Lineage: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View NotesMic Location: Row N, DFC Configuration: DIN
Taper: Unknown
2:11:10
Transferrer:
Mike Lai
SHNID:
gd1984-10-18.002342.aud.fried-lai.shnf
Source:
Actual lineage is FOB (probably) Senn 441s (probably) > TC-D5M (definitely) > MC (1x XLIIS 90; 1x MR 90)
Taper Notes:
View Notes any info send to [email protected] thanks to dr bruce fried for lending me the masters. transferred and edited by mike lai.