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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1984
10/18/84
01 Tuning
0:45
02 Feel Like A Stranger
9:23
03 Candyman
6:19
04 Little Red Rooster
8:34
05 Big Railroad Blues
6:08
06 Cassidy
6:23
07 Althea
9:17
08 Hell In A Bucket
6:22
09 Tuning
0:23
10 Dancing In The Street
7:17
11 Touch Of Grey
6:46
12 Playing In The Band
8:27
13 Uncle John's Band
10:49
14 Playing Jam
1:31
15 China Doll
7:52
16 Drums
5:36
17 Space
6:02
18 Playing In The Band
3:45
19 Throwing Stones
8:29
20 Not Fade Away
8:30
21 Encore Break
1:18
22 It's All Over Now, Baby Blue
7:29
FIN
View on archive.org
Sources
Taper: Rob Eaton DAT
2:14:35
SBD
Rating:
8.00 / 2 ratings
Taper:
Rob Eaton DAT
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 12, 2024
SHNID:
gd1984-10-18.167171.sbd.patched.miller.flac1648
Source:
SBD > Cassette Master > Reel > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/48k
Taper Notes:
View NotesNotes: -- This is a patched remaster of shnid=137213 -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:14:07
SBD
Rating:
7.60 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-10-18.137213.sbd.miller.flac1648
Source:
SBD -> Cassette Master > Reel > Dat (48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Brian Miksis February 1, 2025 [email protected]
2:14:55
SBD
Transferrer:
Brian Miksis February 1, 2025 [email protected]
SHNID:
gd1984-10-18.170019.sbd.patched.miller.miksis.flac1648
Source:
Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View NotesNotes: -Thanks to Charlie Miller and Rob Eaton for the soundboard source -several tape dropouts in the first minute or so in Feel Like A Stranger were repaired -various clicks removed throughout -Thanks to Frank Streeter, Rob Eaton and Matt Smith for the Audience source (shnid=142353) which supplies a tape flip patch in Althea (5:01 - 5:26) -Thanks to D5scott for the Audience source (shnid=110052) which supplies a tape flip patch in Uncle John's Band (9:19-9:43)
Source 4 of 23
2:17:48
SBD
SHNID:
gd1984-10-18.168966.mtx.miksis.miller.d5.scott.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis October 18, 2024
Taper Notes:
View NotesNotes: -Honoring the 40th Anniversary of this show and the night that changed my life forever with the only complete version of this show -Thanks to David Minches for guidance -Thanks to Charlie Miller and Rob Eaton for the soundboard source -Thanks to D5scott for Audience source #1 which supplies main matrix audio plus tape flip patch in soundboard for Althea (5:00-5:31) and Uncle John's Band (9:17-9:39) -Thanks to Joe D'Amico (aka "joebeacon") for Audience source #2 which supplies matrix audio for Drums (3:33-end of track) -several tape dropouts in the soundboard source of the first minute or so in Feel Like A Stranger were repaired and various clicks from both sources removed -Bobby's guitar had RF distortion on stage during his solo in Little Red Rooster -Playing In The Band tease at the end of Uncle John's Band
Taper: The Oade Brothers
2:14:52
SBD
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1984-10-18.128497.schoeps.oade.BCE.flac16
Source:
Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014
Taper Notes:
View NotesSet I transferred at 16/44.1; Set 2 transferred at 16/48. Set I speed was off; used a curvilinear change to get it to match the average of three other sources. In addition to the speed change, set 1 was modified by paragraphic and spectral filter equalization to increase presence. Tracking and very light editing (fade-ins and fade-outs as necessary). Set II had no speed issues and was not changed except for tracking and very slight editing (fade-ins and fade-outs) as necessary, and conversion to 44.1kHz to maintain consistency between the two sets. Patches: Last few minutes of Althea and first few minutes of Hell in a Bucket had irreparable static and echo/feedback noise. These and the crowd between them patched with SHNID 91464. Approximately 2 minutes of space was also patched with SHNID 91464. Thanks to Doug Oade & Jim Wise for making this beautiful recording available. metadata added BCE Collaboration [email protected]
Taper: Jim Vita
2:16:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-18.167179.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Jim Vita
2:16:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-18.167178.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Frank Streeter and Rob Eaton
2:17:25
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1984-10-18.142514.neumann.mr.miller.flac1644
Source:
Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels)
Lineage:
Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24
Taper Notes:
View NotesNotes: -- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total) -- Recorded with a rented deck and Rob Eaton's mics in the soundbooth -- The patch source was also pitch corrected -- Thanks to Frank Streeter for sending us his reels -- Thanks to Scott Clugston for his help 'behind the scenes' -- This file set is 16 bit at 44.1
Taper: Frank Streeter and Rob Eaton
2:17:25
Taper:
Frank Streeter and Rob Eaton
Transferrer:
Matt Smith and Charlie Miller
SHNID:
gd1984-10-18.142353.km86.flac2496
Source:
Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
Taper Notes:
View NotesNotes: -- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total) -- Recorded with a rented deck and Rob Eaton's mics in the soundbooth -- The patch source was also pitch corrected -- Thanks to Frank Streeter for sending us his reels -- Thanks to Scott Clugston for his help 'behind the scenes'
Taper: Rick Pauline
2:15:58
Rating:
10.00 / 3 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: (FOB) 3 Nakamichi 700 -> Cassette Master -> CD (shnid=28290) supplies: Drums (4:04 - end of track) Notes: -- Disc change is seamless -- Recorded By Rick Pauline
Source 11 of 23
2:13:16
REMASTER
Rating:
8.86 / 14 ratings
SHNID:
gd84-10-18.nak.miller.17273.sbeok.shnf
Source:
(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
Taper Notes:
View Notes(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
2:17:05
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-18.149998.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + missed start # PA distortion- later diagnosed to be Garcia's pickups miswired NOTES: Set1-Jerry flubs lyrics, second verse Althea, audience cheers
Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
2:17:05
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-18.149997.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: ** This is a 16 bit fileset ** + missed start # PA distortion- later diagnosed to be Garcia's pickups miswired
Taper: Steve Hill
2:14:15
Rating:
2.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-18.132239.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper: Steve Hill
2:14:16
Rating:
6.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-18.132238.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Stan Roberts
2:14:11
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1984-10-18.120142.aud.roberts.flac16
Source:
Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts
Taper: Bob Morris
2:15:05
Rating:
8.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-10-18.nak300.morris.113970.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:15:03
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:15:05
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-18.nak300.morris.crazyfingers.106651.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90);Recorded from Floor Section 7, Row Y, Seat 4
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:15:36
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-18.nak300.damico.87016.sbeok.flac16
Source:
nak 300 mics > sony d5
Lineage:
nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend
Taper Notes:
View Notesi recorded this from the floor section 7 row r seat 9
Taper: Tony Suraci
2:11:46
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-18.beyerm88.suraci.78116.flac16
Source:
FOB/Beyer M88's>Sony D5
Lineage:
Sony D5Pro>Lunatec V3>SD722
Taper Notes:
View Notes*thanks again to Eugene for the mics. Notes: This is the 16bit version. 24bit is archived on DVDA. The last 2 minutes or so of drums is missing. Encore on Disc one. This was my last night of taping on this tour. I attended Syracuse 10/20/84 but did not tape.
Taper: Doug Mow
2:14:50
Rating:
8.00 / 1 rating
Taper:
Doug Mow
Transferrer:
Doug Mow and Alex Ford
SHNID:
gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16
Source:
3 Nak CM700 > Sony TC-D5M > Maxell MX tape
Lineage:
Lineage: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View NotesMic Location: Row N, DFC Configuration: DIN
Taper: Unknown
2:11:10
Transferrer:
Mike Lai
SHNID:
gd1984-10-18.002342.aud.fried-lai.shnf
Source:
Actual lineage is FOB (probably) Senn 441s (probably) > TC-D5M (definitely) > MC (1x XLIIS 90; 1x MR 90)
Taper Notes:
View Notes any info send to [email protected] thanks to dr bruce fried for lending me the masters. transferred and edited by mike lai.