02 Feel Like A Stranger | 1984-10-18 | Grateful Dead

Playback	Listens	Hours
48h	7	1
7d	3	30m
30d	96	13

2:44:31

11/02SBD

239

Playback	Listens	Hours
48h	0	0m
7d	30	4
30d	239	29

2:33:30

10/31SBD

138

Playback	Listens	Hours
48h	0	0m
7d	39	5
30d	138	17

2:36:46

10/30SBD

Playback	Listens	Hours
48h	23	3
7d	12	2
30d	91	14

2:43:44

10/28SBD

122

Playback	Listens	Hours
48h	13	2
7d	43	6
30d	122	17

2:22:53

10/27SBD

Carrier Dome, Syracuse U.

Playback	Listens	Hours
48h	18	2
7d	1	7m
30d	13	2

2:36:31

9 tapes

10/20SBD

Syracuse, NY, USA

274

Playback	Listens	Hours
48h	0	0m
7d	52	6
30d	274	35

East Rutherford, NJ, USA

Playback	Listens	Hours
48h	5	37m
7d	17	2
30d	95	12

East Rutherford, NJ, USA

126

Playback	Listens	Hours
48h	14	1
7d	36	4
30d	126	16

2:47:18

16 tapes

10/15SBD

Hartford Civic Center

Hartford, CT, USA

187

Playback	Listens	Hours
48h	1	18m
7d	26	4
30d	187	33

2:41:51

16 tapes

10/14SBD

Hartford Civic Center

Hartford, CT, USA

Playback	Listens	Hours
48h	8	1
7d	6	50m
30d	86	12

Playback	Listens	Hours
48h	56	7
7d	101	13
30d	754	95

Playback	Listens	Hours
48h	10	1
7d	11	1
30d	145	19

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	161	19

Playback	Listens	Hours
48h	10	1
7d	21	3
30d	79	11

Playback	Listens	Hours
48h	6	1
7d	36	6
30d	114	18

Playback	Listens	Hours
48h	0	0m
7d	44	7
30d	185	27

2:47:19

22 tapes

7/22SBD

Ventura County Fairgrounds

Ventura, CA, USA

305

Playback	Listens	Hours
48h	0	0m
7d	38	5
30d	305	40

2:40:05

14 tapes

7/21SBD

Ventura County Fairgrounds

Ventura, CA, USA

124

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	124	15

Playback	Listens	Hours
48h	24	3
7d	43	6
30d	330	43

Playback	Listens	Hours
48h	4	27m
7d	65	8
30d	416	50

Playback	Listens	Hours
48h	48	7
7d	158	23
30d	829	116

2:41:20

21 tapes

7/07SBD

Alpine Valley Music Theatre

East Troy, WI, USA

249

Playback	Listens	Hours
48h	0	0m
7d	47	5
30d	249	27

2:26:23

18 tapes

7/06SBD

Alpine Valley Music Theatre

East Troy, WI, USA

303

Playback	Listens	Hours
48h	5	47m
7d	63	8
30d	303	38

Cedar Rapids, IA, USA

297

Playback	Listens	Hours
48h	17	2
7d	23	3
30d	297	39

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	116	16

2:34:35

16 tapes

7/01SBD

Pine Knob Music Theater

Clarkston, MI, USA

140

Playback	Listens	Hours
48h	53	6
7d	22	3
30d	140	17

2:16:35

10 tapes

6/30SBD

Indianapolis Sports and Music Center

Indianapolis, IN, USA

150

Playback	Listens	Hours
48h	7	56m
7d	26	3
30d	150	19

Cuyahoga Falls, OH, USA

Playback	Listens	Hours
48h	9	1
7d	18	3
30d	58	8

2:29:28

7 tapes

6/27SBD

Merriweather Post Pavilion

Columbia, MD, USA

627

Playback	Listens	Hours
48h	62	9
7d	150	21
30d	627	89

2:49:44

17 tapes

6/26SBD

Merriweather Post Pavilion

Columbia, MD, USA

281

Playback	Listens	Hours
48h	0	0m
7d	55	7
30d	281	35

2:49:30

17 tapes

6/24SBD

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

182

Playback	Listens	Hours
48h	11	1
7d	33	4
30d	182	20

Playback	Listens	Hours
48h	17	2
7d	26	3
30d	75	9

2:33:11

17 tapes

6/21SBD

Kingswood Music Theater

Maple, Ontario, Canada

167

Playback	Listens	Hours
48h	47	6
7d	42	8
30d	167	24

2:49:15

23 tapes

6/14SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	1k	131
7d	875	110
30d	1k	132

2:12:01

15 tapes

6/13SBD

Red Rocks Amphitheatre

Morrison, CO, USA

2.9k

Playback	Listens	Hours
48h	190	22
7d	2.8k	303
30d	2.9k	322

2:20:16

6/12SBD

Red Rocks Amphitheatre

Morrison, CO, USA

2.2k

Playback	Listens	Hours
48h	36	4
7d	2k	229
30d	2.2k	251

Playback	Listens	Hours
48h	14	2
7d	3.1k	354
30d	3.3k	372

Playback	Listens	Hours
48h	10	56m
7d	542	63
30d	2.5k	291

2:21:49

Veterans Memorial Coliseum

5/08SBD

Silva Hall, Hult Center

Eugene, OR, USA

533

Playback	Listens	Hours
48h	27	3
7d	75	9
30d	533	65

3:00:02

10 tapes

5/07SBD

Silva Hall, Hult Center

Eugene, OR, USA

247

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	247	33

2:35:52

8 tapes

5/06SBD

Silva Hall, Hult Center

Eugene, OR, USA

283

Playback	Listens	Hours
48h	24	3
7d	44	5
30d	283	30

Playback	Listens	Hours
48h	0	0m
7d	34	5
30d	136	18

Playback	Listens	Hours
48h	0	0m
7d	28	4
30d	176	26

3:08:30

14 tapes

4/27SBD

Providence Civic Center

Providence, RI, USA

179

Playback	Listens	Hours
48h	0	0m
7d	49	5
30d	179	20

2:43:15

19 tapes

4/26SBD

Providence Civic Center

Providence, RI, USA

244

Playback	Listens	Hours
48h	53	8
7d	41	7
30d	244	39

3:06:15

21 tapes

4/24SBD

New Haven, CT, USA

Playback	Listens	Hours
48h	0	0m
7d	3	17m
30d	83	10

2:40:49

14 tapes

4/23SBD

Veterans Memorial Coliseum

New Haven, CT, USA

118

Playback	Listens	Hours
48h	12	1
7d	25	3
30d	118	16

2:36:34

19 tapes

4/21SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

341

Playback	Listens	Hours
48h	4	12m
7d	28	3
30d	341	40

3:04:18

25 tapes

4/20SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

673

Playback	Listens	Hours
48h	56	8
7d	207	29
30d	673	94

2:52:20

24 tapes

4/19SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

492

Playback	Listens	Hours
48h	5	43m
7d	93	14
30d	492	71

2:52:53

24 tapes

4/17SBD

Niagara Falls Convention Center

Niagara Falls, NY, USA

500

Playback	Listens	Hours
48h	3	16m
7d	46	6
30d	500	63

2:45:30

33 tapes

4/16SBD

Community War Memorial Auditorium

Rochester, NY, USA

163

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	163	20

Playback	Listens	Hours
48h	0	0m
7d	43	6
30d	274	37

Playback	Listens	Hours
48h	35	4
7d	55	7
30d	391	56

Playback	Listens	Hours
48h	17	2
7d	41	5
30d	110	14

Playback	Listens	Hours
48h	46	5
7d	137	16
30d	386	47

Playback	Listens	Hours
48h	16	2
7d	54	6
30d	254	28

2:36:42

4 tapes

4/01SBD

342

Playback	Listens	Hours
48h	33	4
7d	38	5
30d	342	41

2:33:59

3/31SBD

246

Playback	Listens	Hours
48h	28	5
7d	40	5
30d	246	36

2:40:51

3/29SBD

476

Playback	Listens	Hours
48h	25	3
7d	129	15
30d	476	57

2:27:36

9 tapes

3/28

All Transfers and Mastering by Charlie Miller [email protected] March 12, 2024

152

Playback	Listens	Hours
48h	0	0m
7d	50	6
30d	152	17

Playback	Listens	Hours
48h	0	0m
7d	4	24m
30d	29	3

41:58

1 tape

1/20

Carrier Dome, Syracuse U

Syracuse, NY

211

Playback	Listens	Hours
48h	23	2
7d	57	7
30d	211	25

2:38:26

1 tape

Sources

Taper: Rob Eaton DAT

gd1984-10-18.167171.sbd.patched.miller.flac1648

SBD > Cassette Master > Reel > DAT (48k)

DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/48k

gd1984-10-18.137213.sbd.miller.flac1648

View NotesNotes:
-- This is a patched remaster of shnid=137213
-- Thanks to Rob Eaton for the Dat
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: Charlie Miller

SBD -> Cassette Master > Reel > Dat (48k)

Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/

View NotesNotes:
-- Thanks to Rob Eaton for the Dat
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Brian Miksis February 1, 2025 [email protected]

2:14:55

SBD

Brian Miksis February 1, 2025 [email protected]

gd1984-10-18.170019.sbd.patched.miller.miksis.flac1648

Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16

View NotesNotes:
-Thanks to Charlie Miller and Rob Eaton for the soundboard source
-several tape dropouts in the first minute or so in Feel Like A Stranger were repaired
-various clicks removed throughout
-Thanks to Frank Streeter, Rob Eaton and Matt Smith for the Audience source (shnid=142353) which supplies a tape flip patch in Althea (5:01 - 5:26)
-Thanks to D5scott for the Audience source (shnid=110052) which supplies a tape flip patch in Uncle John's Band (9:19-9:43)

Source 4 of 23

2:17:48

SBD

gd1984-10-18.168966.mtx.miksis.miller.d5.scott.flac1648

SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis October 18, 2024

gd1984-10-18.128497.schoeps.oade.BCE.flac16

View NotesNotes:
-Honoring the 40th Anniversary of this show and the night that changed my life forever with the only complete version of this show
-Thanks to David Minches for guidance
-Thanks to Charlie Miller and Rob Eaton for the soundboard source
-Thanks to D5scott for Audience source #1 which supplies main matrix audio plus tape flip patch in soundboard for Althea (5:00-5:31) and Uncle John's Band (9:17-9:39)
-Thanks to Joe D'Amico (aka "joebeacon") for Audience source #2 which supplies matrix audio for Drums (3:33-end of track)
-several tape dropouts in the soundboard source of the first minute or so in Feel Like A Stranger were repaired and various clicks from both sources removed
-Bobby's guitar had RF distortion on stage during his solo in Little Red Rooster
-Playing In The Band tease at the end of Uncle John's Band

Taper: The Oade Brothers

Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014

Scott Clugston, Charlie Miller

View NotesSet I transferred at 16/44.1; Set 2 transferred at 16/48.

Set I speed was off; used a curvilinear change to get it to match the average of three other sources.
In addition to the speed change, set 1 was modified by paragraphic and spectral filter equalization to 
increase presence. Tracking and very light editing (fade-ins and fade-outs as necessary).

Set II had no speed issues and was not changed except for tracking and very slight editing 
(fade-ins and fade-outs) as necessary, and conversion to 44.1kHz to maintain consistency between the two sets.

Patches:
Last few minutes of Althea and first few minutes of Hell in a Bucket had irreparable static and 
echo/feedback noise.  These and the crowd between them patched with SHNID  91464.
Approximately 2 minutes of space was also patched with SHNID 91464.


Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

metadata added

BCE Collaboration
[email protected]

Taper: Jim Vita

gd1984-10-18.167179.beyer.m160.vita.miller.clugston.flac2496

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Jim Vita

gd1984-10-18.167178.beyer.m160.vita.miller.clugston.flac1648

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Frank Streeter and Rob Eaton

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Frank Streeter and Rob Eaton

Scott Clugston and Charlie Miller and Matt Smith

gd1984-10-18.142514.neumann.mr.miller.flac1644

Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels)

Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24

Frank Streeter and Rob Eaton

View NotesNotes:
-- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total)
-- Recorded with a rented deck and Rob Eaton's mics in the soundbooth
-- The patch source was also pitch corrected
-- Thanks to Frank Streeter for sending us his reels
-- Thanks to Scott Clugston for his help 'behind the scenes'
-- This file set is 16 bit at 44.1

Taper: Frank Streeter and Rob Eaton

2:17:25

Taper:

Matt Smith and Charlie Miller

gd1984-10-18.142353.km86.flac2496

Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller

gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16

View NotesNotes:
-- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total)
-- Recorded with a rented deck and Rob Eaton's mics in the soundbooth
-- The patch source was also pitch corrected
-- Thanks to Frank Streeter for sending us his reels
-- Thanks to Scott Clugston for his help 'behind the scenes'

Taper: Rick Pauline

Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

gd84-10-18.nak.miller.17273.sbeok.shnf

View NotesPatch Info:
(FOB) 3 Nakamichi 700 -> Cassette Master -> CD (shnid=28290) supplies:
Drums (4:04 - end of track)
Notes:
-- Disc change is seamless
-- Recorded By Rick Pauline

Source 11 of 23

(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller

Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

View Notes(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller

Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

2:17:05

Taper:

Kyle Holbrook

gd1984-10-18.149998.mke2002.holbrook.flac2448

Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.

Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Recording Information:
+  missed start
#  PA distortion- later diagnosed to be Garcia's pickups miswired

NOTES: Set1-Jerry flubs lyrics, second verse Althea, audience cheers

Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel

2:17:05

Taper:

Kyle Holbrook

gd1984-10-18.149997.mke2002.holbrook.flac1644

Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.

gd1984-10-18.132239.Nak100CP4.Hill.Keo.Flac2496

View Notes
***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Recording Information: ** This is a 16 bit fileset **
+  missed start
#  PA distortion- later diagnosed to be Garcia's pickups miswired

Taper: Steve Hill

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper: Steve Hill

gd1984-10-18.132238.Nak100CP4.Hill.Keo.Flac1644

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper: Stan Roberts

gd1984-10-18.120142.aud.roberts.flac16

Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts

Taper: Bob Morris

gd1984-10-18.nak300.morris.113970.flac24

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper: Da Weez

gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

gd1984-10-18.nak300.morris.crazyfingers.106651.flac16

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

Taper: Bob Morris

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90);Recorded from Floor Section 7, Row Y, Seat 4

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Joe D'Amico

gd1984-10-18.nak300.damico.87016.sbeok.flac16

nak 300 mics > sony d5

nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend

gd1984-10-18.beyerm88.suraci.78116.flac16

View Notesi recorded this from the floor section 7  row r  seat 9

Taper: Tony Suraci

FOB/Beyer M88's>Sony D5

Sony D5Pro>Lunatec V3>SD722

View Notes*thanks again to Eugene for the mics.
Notes: This is the 16bit version. 24bit is archived on DVDA. 
The last 2 minutes or so of drums is missing. Encore on Disc one. This 
was my last night of taping on this tour. I attended Syracuse 10/20/84 but
did not tape.

Taper: Doug Mow

Doug Mow and Alex Ford

gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16

3 Nak CM700 > Sony TC-D5M > Maxell MX tape

Lineage: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16

gd1984-10-18.002342.aud.fried-lai.shnf

View NotesMic Location: Row N, DFC
Configuration: DIN

Taper: Unknown

Actual lineage is FOB (probably) Senn 441s (probably) > TC-D5M (definitely) > MC (1x XLIIS 90; 1x MR 90)