1984
1984
Sources
Transferrer: Matrix by dusborne
2:45:14
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1984-10-09.124414.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:14499) Main Source: SBD>MC>DAT>CDR with Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice and Audience (shnid:120082) Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
Taper Notes:
View NotesNotes ---I did my best to fix the constant swirling noise during Revolution. ---This is not a digital artifact, it is on all SBD and AUD sources. ---Thank you T. Wiley for your work on the SBD. ---Thank you Andy L. for providing the SBD discs. ---Thank you Willy M. for providing the Aud SHNs for SBD patches. ---Thank you Mike Rice for recording the show. ---Thank you David Dyche for recording and seeding the AUD source. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 04-12-2013 ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 04-12-2013
Taper: Steve Hill
2:30:08
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-09.132544.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses in the first set between songs.Another Excellent share from the Hill collection of masters and the Grateful Dead's Fall 1984 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Da Weez
2:28:10
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-09.110019.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:33:54
Rating:
10.00 / 1 rating
Taper:
Ted Carpenter
Transferrer:
Jim Wise and Andrew F.
SHNID:
gd1984-10-09.nak300.carpenter.wise.andrewf.81386.sbeok.flac16
Source:
FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby
Lineage:
MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner) > EAC > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- Tape flip at the start of Let it Grow cross-faded. - Drop-out in He's Gone patched with ShnID-77880, from 3:07 > 3:17. - Tape flip in Drums patched with ShnID-77880, from 1:57 > 2:37. - Set two is seamless for reassembly onto longer media. - There was a tape-deck malfunction that caused a hi-pitched whine in a few spots. This was attenuated with the Soundforge EQ, but is still audible in headphones (near the beginning of Big Railroad, and the beginning of Smokestack). - The "whooshing" sound during the second half of Revolution came from the PA, and is not a problem with the tape recording.