Not Fade Away | 1984-10-08 | Grateful Dead

1984

Bands

Featured

Grateful Dead

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

1984

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

2:26:40

23 tapes

11/03SBD

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Carrier Dome, Syracuse U.

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Hartford Civic Center

Hartford Civic Center

Ventura County Fairgrounds

Ventura County Fairgrounds

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Cedar Rapids, IA, USA

Pine Knob Music Theater

Indianapolis Sports and Music Center

Indianapolis, IN, USA

Cuyahoga Falls, OH, USA

2:29:28

7 tapes

6/27SBD

Merriweather Post Pavilion

Merriweather Post Pavilion

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Kingswood Music Theater

Maple, Ontario, Canada

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Silva Hall, Hult Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Providence Civic Center

Providence Civic Center

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Niagara Falls Convention Center

Niagara Falls, NY, USA

Community War Memorial Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Carrier Dome, Syracuse U

Sources

Taper: Greg Holtz and Tony Bolton

Greg Holtz and Tony Bolton

Transferrer:

Alex Ford and Jamie Waddell

SHNID:

gd1984-10-08.nak100.holtz-bolton.GEMS.97535.flac16

Source:

Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5

Lineage:

Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96.Editing and Mastering in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither

Taper Notes:

View NotesNotes:
- Final "I Just Want To Make Love To You".
- Thanks To Todd for Everthing GEMS

Source 2 of 18

gd84-10-08.sbd.wiley.14450.sbeok.shnf

Source:

SBD>MC>DAT>CDR

Taper Notes:

View NotesSBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-08.167998.beyer.m160.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View Notes
Notes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Rolfe for the Nakamichi 700 source which supplies an 8:09 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
April 2023

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-08.167997.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View Notes
Notes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Steve Rolfe for the Nakamichi 700 source which supplies an 8:09 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
April 2023

Taper: Steve Rolfe

gd1984-10-08.nak700.rolfe.miller.94303.sbeok.flac24

Source:

(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90)

Lineage:

Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24 (1 DVD FLAC)

Taper Notes:

View NotesNotes:
-- Thanks to Steve Rolfe for lending me his masters

Taper: Steve Rolfe

gd1984-10-08.nak700.rolfe.miller.94302.sbeok.flac16

Source:

(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90)

Lineage:

Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Steve Rolfe for lending me his masters

Transferrer: Charlie Miller

gd1984-10-08.senn421.pauline.miller.91376.sbeok.flac16

Source:

Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

Taper Notes:

View NotesPatch Info:
(FOB) Beyer M88 -> Cassette Master -> FLAC (shnid=77834) supplies:
Supplication (4:03 - 4:11)

Notes:
-- Set 2 disc change is seamless
-- Recorded By Rick Pauline
-- I couldn't find an aud patch for Drums and I chose not to use the sbd

Taper: Doug Lamarre

gd1984-10-08.135917.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger

Taper: Doug Lamarre

gd1984-10-08.135916.aud.lamarre.berger.flac16

Taper: Steve Hill

gd1984-10-08.132550.Nak100CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve 
for recording and sharing his source for this 
show!Some tape Pauses between first set songs 
all and all another excellent share from the 
Hill collection of masters and the Grateful 
Dead's Fall 1984 Tour!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: Steve Hill

gd1984-10-08.132549.Nak100CP4.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve 
for recording and sharing his source for this 
show!Some tape Pauses between first set songs 
all and all another excellent share from the 
Hill collection of masters and the Grateful 
Dead's Fall 1984 Tour!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: chasingwilma

gd1984-10-08.124207.chasingwilma.flac24

Source:

lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: chasingwilma

gd1984-10-08.124185.chasingwilma.flac24

Source:

lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1984-10-08.aud.morris.113963.flac24

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper Notes:

View NotesNotes:
 - Tape flip in drums spliced at 0:30 using Soundforge 9.0.
 - Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris.
 - Thanks to Sam for help.
 - Transfer (Oct 2009) & 24/96 conversion / edits (Jan 2011) by Bob Morris.

Taper: Da Weez

gd1984-10-08.110008.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

Taper: Bob Morris

gd1984-10-08.fob.nak300.morris.crazyfingers.106644.flac16

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Tony Suraci

gd1984-10-08.beyerm88.suraci.77834.flac16

Source:

FOB/*Beyer M88's>Sony D5M(XLIIS)

Lineage:

Sony D5Pro>Lunatec V3>722@24/96 > 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16

Taper Notes:

View Notes*thanks to Eugene for the mics.
Notes: This is the 16 Bit version. 24 Bit is archived on DVDA. I split discs two
and three at the jam out of Miracle. Not a full blown jam, more of a noodle jam.
Section 2 was the front center section at that time. Row M was row 13.

Taper: Mike Rice

gd84-10-08.rice-naks.willy.7773.sbeok.shnf

Source:

Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck

Taper Notes:

View NotesMike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy