Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.8k388
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h729103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k593
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k136
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.1k277
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k380
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.2k527
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k161
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k307
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h988110
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k209
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k209
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k244
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k298
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h6k696
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k196
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.5k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.2k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h94080
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.6k572
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.6k603
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k397
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k252
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k733
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59674
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51338
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h513
7d1277
30d57234
2 shows
2 tapes
1984
Sources
Taper: Joani Walker and Paul Scotton
2:26:58
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 1, 2021
SHNID:
gd1984-07-21.152322.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- First show taped on Joani's new tape deck -- Shakedown Street mix is all over the place -- Thanks to Joani Walker and Paul Scotton for the Cassettes -- Thanks to Robert Bryant, Scott Clugston and the Oade Brothers for the patch source -- Thanks to Joe B. Jones for confirming the pitch -- 152178 24 > 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:26:58
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 1, 2021
SHNID:
gd1984-07-21.152178.sbd.walkler.scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- First show taped on Joani's new tape deck -- Shakedown Street mix is all over the place -- Thanks to Joani Walker and Paul Scotton for the Cassettes -- Thanks to Robert Bryant, Scott Clugston and the Oade Brothers for the patch source -- Thanks to Joe B. Jones for confirming the pitch
Taper: Joani Walker and Paul Scotton
2:26:33
SBD
Rating:
10.00 / 3 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-07-21.sbd.walker-scotton.miller.96410.flac24
Source:
SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM-939LT -> Cassette Master (shnid=88940) supplies: Space (0:36 - 1:08) Notes: -- Changes in the mix and levels during Shakedown Street -- First show taped on Joani's new Sony D5 -- Thanks to Paul Scotton and Joani Walker for the Cassettes
Taper: Joani Walkerand Paul Scotton
2:26:34
SBD
Rating:
8.00 / 4 ratings
Taper:
Joani Walkerand Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-07-21.sbd.walker-scotton.miller.96394.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM-939LT -> Cassette Master (shnid=88940) supplies: Space (0:36 - 1:08) Notes: -- Disc change is seamless -- Changes in the mix and levels during Shakedown Street -- First show taped on Joani's new Sony D5 -- Thanks to Paul Scotton and Joani Walker for the Cassettes
Transferrer: Charlie Miller
2:24:29
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-21.sbd.walker-scotton.miller.77327.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MA-R90) D
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- Changes in the mix and levels during Shakedown Street -- First show taped on Joani's new Sony D5 -- Tape flip during Space
Taper: PO and Stucco TINA HolmesJamie's notes: - The mix in Shakedown Street was a live work in progress for the first 6 minutes. The levels here were adjusted for a more even listening experience. - Shnid 96394 provided patch material for a small blip in Rooster, a few seconds of crowd before China Cat, about 4 minutes of drums, a 10 second spot in space and a tiny dropout in The Other One Jason's notes: - 96394 and 88940 adjusted for the following additional patch points: s1t01: 0:00:00 - 0:01:51 - 88940 s1t02: 0:00:00 - 0:00:08 - 96394 s1t02: 0:00:08 - 0:00:20 - 88940 s1t02: 0:13:40 - 0:14:22 - 88940 s1t03: 0:00:00 - 0:00:04 - 88940 s1t03: 0:08:50 - 0:08:56 - 88940 s1t04: all - 88940 s1t05: 0:00:00 - 0:00:13 - 96394 s1t05: 0:08:14 - 0:08:27 - 88940 s1t06: all - 88940 s1t07: 0:00:00 - 0:00:02 - 88940 s1t12: 0:04:38 - 0:04:46 - 88940 s2t01: 0:00:00 - 0:00:26 - 88940 s2t10: 0:04:15 - 0:05:11 - 88940 s2t11: 0:00:00 - 0:00:10 - 88940 s2t11: 0:06:26 - 0:06:33 - 88940
2:33:45
SBD
Taper:
PO and Stucco TINA HolmesJamie's notes: - The mix in Shakedown Street was a live work in progress for the first 6 minutes. The levels here were adjusted for a more even listening experience. - Shnid 96394 provided patch material for a small blip in Rooster, a few seconds of crowd before China Cat, about 4 minutes of drums, a 10 second spot in space and a tiny dropout in The Other One Jason's notes: - 96394 and 88940 adjusted for the following additional patch points: s1t01: 0:00:00 - 0:01:51 - 88940 s1t02: 0:00:00 - 0:00:08 - 96394 s1t02: 0:00:08 - 0:00:20 - 88940 s1t02: 0:13:40 - 0:14:22 - 88940 s1t03: 0:00:00 - 0:00:04 - 88940 s1t03: 0:08:50 - 0:08:56 - 88940 s1t04: all - 88940 s1t05: 0:00:00 - 0:00:13 - 96394 s1t05: 0:08:14 - 0:08:27 - 88940 s1t06: all - 88940 s1t07: 0:00:00 - 0:00:02 - 88940 s1t12: 0:04:38 - 0:04:46 - 88940 s2t01: 0:00:00 - 0:00:26 - 88940 s2t10: 0:04:15 - 0:05:11 - 88940 s2t11: 0:00:00 - 0:00:10 - 88940 s2t11: 0:06:26 - 0:06:33 - 88940
Transferrer:
Jamie Waddell
SHNID:
gd1984-07-21.136717.sbd.GEMS.flac16
Source:
Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain
Taper Notes:
View NotesJamie's notes: - The mix in Shakedown Street was a live work in progress for the first 6 minutes. The levels here were adjusted for a more even listening experience. - Shnid 96394 provided patch material for a small blip in Rooster, a few seconds of crowd before China Cat, about 4 minutes of drums, a 10 second spot in space and a tiny dropout in The Other One Jason's notes: - 96394 and 88940 adjusted for the following additional patch points: s1t01: 0:00:00 - 0:01:51 - 88940 s1t02: 0:00:00 - 0:00:08 - 96394 s1t02: 0:00:08 - 0:00:20 - 88940 s1t02: 0:13:40 - 0:14:22 - 88940 s1t03: 0:00:00 - 0:00:04 - 88940 s1t03: 0:08:50 - 0:08:56 - 88940 s1t04: all - 88940 s1t05: 0:00:00 - 0:00:13 - 96394 s1t05: 0:08:14 - 0:08:27 - 88940 s1t06: all - 88940 s1t07: 0:00:00 - 0:00:02 - 88940 s1t12: 0:04:38 - 0:04:46 - 88940 s2t01: 0:00:00 - 0:00:26 - 88940 s2t10: 0:04:15 - 0:05:11 - 88940 s2t11: 0:00:00 - 0:00:10 - 88940 s2t11: 0:06:26 - 0:06:33 - 88940
Taper: Dan Gale
2:35:17
SBD
Rating:
8.00 / 3 ratings
Taper:
Dan Gale
Transferrer:
Dan Gale
Source:
Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C)
Lineage:
Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
Taper Notes:
View Notes- Patches provided from Sbd > CASM > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC (SHN id#77327) Patches as follows: d2t01 (Truckin'): 0:00-0:07 (cassette flip on master) d2t04 (Space): 5:08 - 6:01 (cassette flip on master) - All patches crossfaded in/out using SoundForge (v. 6.0) - Seamless transition between discs 1 and 2 - 48>44.1kHz resample done with SoundForge (v. 6.0) using high (4) interpolation accuracy and applying an anti-alias filter
Source 8 of 17
2:21:05
SBD
Rating:
8.80 / 15 ratings
SHNID:
gd84-07-21.sbd.cole.14329.sbeok.shnf
Source:
Cool Edit fix of <a href= "http://db.etree.org/shninfo_detail.php?shnid=1616">previous shn set</a> SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole
Taper Notes:
View NotesCool Edit fix of <a href="http://db.etree.org/shninfo_detail.php?shnid=1616" rel="ugc nofollow">previous shn set</a> SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole
Transferrer: Mike Lai
2:21:18
SBD
Transferrer:
Mike Lai
SHNID:
gd1984-07-21.sbd.lai.1616.sbefail.shnf
Source:
Master Reel->DAT->ZA2->CD
Taper: Jim Vita
2:28:26
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-21.166981.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to scarletdog for the Sennheiser 441 blend source which supplies a 0:44 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:28:26
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-21.166980.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to scarletdog for the Sennheiser 441 blend source which supplies a 0:44 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Robert Bryant (patched out of Oade Brothers)
2:26:37
Rating:
10.00 / 2 ratings
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller
SHNID:
gd1984-07-21.139445.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- IMO, this is an upgrade to what is in general circulation (9/17) -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Bottom end bumped up a bit -- Mix/levels vary during Shakedown -- Smoothed between song transitions -- Tape flip in "Drums" (9:33 thru 9:45) patched with walker.scotton.miller.sbd shnid=96410 24/96 source
Taper: Robert Bryant (patched out of Oade Brothers)
2:26:37
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-07-21.139444.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- IMO, this is an upgrade to what is in general circulation (9/17) -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Bottom end bumped up a bit -- Mix/levels vary during Shakedown -- Smoothed between song transitions -- Tape flip in "Drums" (9:33 thru 9:45) patched with walker.scotton.miller.sbd shnid=96410 24/96 source
Source 14 of 17
2:27:27
SHNID:
gd1984-07-21.153529.mtx.seamons.ht135.flac1644
Source:
Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021
Taper Notes:
View NotesNotes: Heavy SBD mix fluctuations during Shakedown Street, mostly for the first five minutes. A very loud section near the beginning was reduced. Smooth transitions were applied to the AUD cuts between songs, and level adjustments were made throughout the matrix as usual to achieve balance. Songs were EQ'd differently to maintain a consistent, palatable sound. High end frequencies were softened to be similar to the 7/22 matrix EQ last year. Slightly different EQ settings were applied to the SBD tracks as needed using a 31 band equalizer - a little more thorough work than on 7/22, and a touch less high end overall:
Taper: Executive Crew Sean Murtha, John Hance
2:28:23
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-21.150380.beyerm88.holbrook.flac2448
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper: Executive Crew Sean Murtha, John Hance
2:28:23
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-21.150379.beyerm88.holbrook.flac1644
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper: Da Weez
2:28:50
Rating:
5.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-21.112806.beyer-senn.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------