1984
1984
Sources
Taper: PO and Stucco TINA HolmesJamie's notes: - The mix in Shakedown Street was a live work in progress for the first 6 minutes. The levels here were adjusted for a more even listening experience. - Shnid 96394 provided patch material for a small blip in Rooster, a few seconds of crowd before China Cat, about 4 minutes of drums, a 10 second spot in space and a tiny dropout in The Other One Jason's notes: - 96394 and 88940 adjusted for the following additional patch points: s1t01: 0:00:00 - 0:01:51 - 88940 s1t02: 0:00:00 - 0:00:08 - 96394 s1t02: 0:00:08 - 0:00:20 - 88940 s1t02: 0:13:40 - 0:14:22 - 88940 s1t03: 0:00:00 - 0:00:04 - 88940 s1t03: 0:08:50 - 0:08:56 - 88940 s1t04: all - 88940 s1t05: 0:00:00 - 0:00:13 - 96394 s1t05: 0:08:14 - 0:08:27 - 88940 s1t06: all - 88940 s1t07: 0:00:00 - 0:00:02 - 88940 s1t12: 0:04:38 - 0:04:46 - 88940 s2t01: 0:00:00 - 0:00:26 - 88940 s2t10: 0:04:15 - 0:05:11 - 88940 s2t11: 0:00:00 - 0:00:10 - 88940 s2t11: 0:06:26 - 0:06:33 - 88940
2:33:45
SBD
Taper:
PO and Stucco TINA HolmesJamie's notes: - The mix in Shakedown Street was a live work in progress for the first 6 minutes. The levels here were adjusted for a more even listening experience. - Shnid 96394 provided patch material for a small blip in Rooster, a few seconds of crowd before China Cat, about 4 minutes of drums, a 10 second spot in space and a tiny dropout in The Other One Jason's notes: - 96394 and 88940 adjusted for the following additional patch points: s1t01: 0:00:00 - 0:01:51 - 88940 s1t02: 0:00:00 - 0:00:08 - 96394 s1t02: 0:00:08 - 0:00:20 - 88940 s1t02: 0:13:40 - 0:14:22 - 88940 s1t03: 0:00:00 - 0:00:04 - 88940 s1t03: 0:08:50 - 0:08:56 - 88940 s1t04: all - 88940 s1t05: 0:00:00 - 0:00:13 - 96394 s1t05: 0:08:14 - 0:08:27 - 88940 s1t06: all - 88940 s1t07: 0:00:00 - 0:00:02 - 88940 s1t12: 0:04:38 - 0:04:46 - 88940 s2t01: 0:00:00 - 0:00:26 - 88940 s2t10: 0:04:15 - 0:05:11 - 88940 s2t11: 0:00:00 - 0:00:10 - 88940 s2t11: 0:06:26 - 0:06:33 - 88940
Transferrer:
Jamie Waddell
SHNID:
gd1984-07-21.136717.sbd.GEMS.flac16
Source:
Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain
Taper Notes:
View NotesJamie's notes: - The mix in Shakedown Street was a live work in progress for the first 6 minutes. The levels here were adjusted for a more even listening experience. - Shnid 96394 provided patch material for a small blip in Rooster, a few seconds of crowd before China Cat, about 4 minutes of drums, a 10 second spot in space and a tiny dropout in The Other One Jason's notes: - 96394 and 88940 adjusted for the following additional patch points: s1t01: 0:00:00 - 0:01:51 - 88940 s1t02: 0:00:00 - 0:00:08 - 96394 s1t02: 0:00:08 - 0:00:20 - 88940 s1t02: 0:13:40 - 0:14:22 - 88940 s1t03: 0:00:00 - 0:00:04 - 88940 s1t03: 0:08:50 - 0:08:56 - 88940 s1t04: all - 88940 s1t05: 0:00:00 - 0:00:13 - 96394 s1t05: 0:08:14 - 0:08:27 - 88940 s1t06: all - 88940 s1t07: 0:00:00 - 0:00:02 - 88940 s1t12: 0:04:38 - 0:04:46 - 88940 s2t01: 0:00:00 - 0:00:26 - 88940 s2t10: 0:04:15 - 0:05:11 - 88940 s2t11: 0:00:00 - 0:00:10 - 88940 s2t11: 0:06:26 - 0:06:33 - 88940
Taper: Dan Gale
2:35:17
SBD
Rating:
8.00 / 3 ratings
Taper:
Dan Gale
Transferrer:
Dan Gale
Source:
Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C)
Lineage:
Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
Taper Notes:
View Notes- Patches provided from Sbd > CASM > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC (SHN id#77327) Patches as follows: d2t01 (Truckin'): 0:00-0:07 (cassette flip on master) d2t04 (Space): 5:08 - 6:01 (cassette flip on master) - All patches crossfaded in/out using SoundForge (v. 6.0) - Seamless transition between discs 1 and 2 - 48>44.1kHz resample done with SoundForge (v. 6.0) using high (4) interpolation accuracy and applying an anti-alias filter
Taper: Robert Bryant (patched out of Oade Brothers)
2:26:37
Rating:
10.00 / 2 ratings
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller
SHNID:
gd1984-07-21.139445.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- IMO, this is an upgrade to what is in general circulation (9/17) -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Bottom end bumped up a bit -- Mix/levels vary during Shakedown -- Smoothed between song transitions -- Tape flip in "Drums" (9:33 thru 9:45) patched with walker.scotton.miller.sbd shnid=96410 24/96 source
Taper: Robert Bryant (patched out of Oade Brothers)
2:26:37
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-07-21.139444.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- IMO, this is an upgrade to what is in general circulation (9/17) -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Bottom end bumped up a bit -- Mix/levels vary during Shakedown -- Smoothed between song transitions -- Tape flip in "Drums" (9:33 thru 9:45) patched with walker.scotton.miller.sbd shnid=96410 24/96 source
Source 14 of 17
2:27:27
SHNID:
gd1984-07-21.153529.mtx.seamons.ht135.flac1644
Source:
Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021
Taper Notes:
View NotesNotes: Heavy SBD mix fluctuations during Shakedown Street, mostly for the first five minutes. A very loud section near the beginning was reduced. Smooth transitions were applied to the AUD cuts between songs, and level adjustments were made throughout the matrix as usual to achieve balance. Songs were EQ'd differently to maintain a consistent, palatable sound. High end frequencies were softened to be similar to the 7/22 matrix EQ last year. Slightly different EQ settings were applied to the SBD tracks as needed using a 31 band equalizer - a little more thorough work than on 7/22, and a touch less high end overall: