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June 16th
5 shows
82 tapes
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31.2k
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91.9k
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6.3k
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1974
89.9k
42 shows
324 tapes
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90.4k
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62.9k
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1971
33.7k
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39.3k
101 shows
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28.3k
112 shows
326 tapes
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8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1984
7/13/84
crowd - tuning
1:55
Bertha ->
6:18
Greatest Story Ever Told
3:55
tuning
2:24
Dire Wolf
4:26
C.C. Rider
9:09
Loser
7:06
Cassidy
6:18
Dupree's Diamond Blues
7:25
Hell in a Bucket ->
7:27
Might as Well
4:38
Scarlet Begonias ->
12:14
Touch of Grey ->
6:23
Fire on the Mountain ->
12:21
Man Smart (Women are Smarter) ->
7:00
Drums ->
8:27
Space ->
7:07
The Wheel ->
5:57
I Need a Miracle ->
4:04
Stella Blue ->
8:39
Sugar Magnolia
10:08
encore break
1:31
Dark Star
16:27
FIN
View on archive.org
Sources
Transferrer: Speed Correction by joshd
2:34:38
SBD
Rating:
7.78 / 10 ratings
Transferrer:
Speed Correction by joshd
SHNID:
gd1984-07-13.sbd.ferguson.joshd.fix-353.90464.flac16
Source:
SBD > ? > CDR
Lineage:
SHN id=353 > WAV > Cool Edit Pro (see notes) > FLAC(8)
Taper Notes:
View NotesNotes: Speed corrected using Cool Edit Pro: - joined wavs using 'Open Append' - speed/pitch adjusted using 'Pitch Bender' - re-tracked The proper pitch was determined by comparing to a guitar tuned to A=440. d1 through d3t04 adjusted -23 cents encore d3t05 adjusted +67 cents The whole show needed the same adjustment, *except for the encore*. The encore looks like the same source as the rest, but the pitch is clearly different. The -23 cents correction doesn't bring it in tune like the rest of the show. A -33 cents correction does bring it into tune, but then Dark Star is in the key of Ab, while it's always played in A. I highly doubt they actually played it in Ab, and Jerry sounds awfully sluggish. With this in mind, I found that raising the pitch +67 cents brought it into A, and Jerry sounds normal again. My guess (just a guess), is that the encore was transferred from a DAT at a different time than the rest of the show, or using different equipment or settings, and a 48khz > 44.1khz conversion was not done properly, introducing the new pitch problem for the encore. I'm fairly certain that it is correct now though. joshd 2/13/06
Taper: ANON
2:33:36
SBD
Rating:
10.00 / 1 rating
Taper:
ANON
Transferrer:
Speed Corrections by Jason Chastain Mastering by Jim Blackwood and Jamie Waddell
SHNID:
gd1984-07-13.150404.sbd.anon.gems.2444
Source:
Soundboard Cassette Masters Sony D-6
Taper Notes:
View Notes- full moon and Friday the 13th - shooting star over stage during start of Dark Star - first Dark Star since 12 31 1981, more than two and a half years, 167 shows, and another wouldn't be played for 359 shows, more than five years until the famous Warlocks show on 10 9 1989 - Betamania source provides a few spots of tape flip and tape pause patching - a "best of" radio show from this run debuted these tapes July 19, 2020 on Dead Air 91.3 FM KXCI Tucson - https://spinitron.com/KXCI/pl/11283404/Dead-Air "“Yes, I absolutely did see the shooting star at the song’s intro. It whistled through the sky and disappeared behind the eucalyptus trees lining the Greek. MANY people saw it, and it took our breath away (a serious murmur went through the crowd). There’s no way Jerry could have set THAT up!”" Glide Magazine July 8, 2009 https://glidemagazine.com/142656/dark-star-stories-the-greek-07131984/ originally shared at www.shnflac.net July 26, 2020 **gems**
Taper: Bob Wagner
2:39:47
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-13.163362.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Quirk and David Perez for the Beyer M160 source which supplies some crowd and first few notes of "Dupree's Diamond Blues" (0:10 total) - Thanks to the Oade's and Robert Bryant for the Schoeps CMC4 MK41 source which supplies 0:50 patch in "Drums" - Sound quality steadily improves and is pretty much dialed in by "Loser" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Bob Wagner
2:39:47
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-13.163361.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Quirk and David Perez for the Beyer M160 source which supplies some crowd and first few notes of "Dupree's Diamond Blues" (0:10 total) - Thanks to the Oade's and Robert Bryant for the Schoeps CMC4 MK41 source which supplies 0:50 patch in "Drums" - Sound quality steadily improves and is pretty much dialed in by "Loser" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Walt Keeler
2:41:19
Taper:
Walt Keeler
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-13.145333.fob.sony.ecm150.keeler.miller.noel.t-flac16
Source:
Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > Flac 24/96 October 20, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 140048 (FOB - Schoeps CMC4/MK41) - s2t05; 04:24 - 05:00 Notes: - Thank you Walt, thank you for getting real close & poppin' that fresh tape in for the encore. - Thank you Charlie for transferring & coordinating. - Thanks to the Oade Bros/Robert Bryant for the patch source. - Levels fluctuate for first thirty seconds of Bertha. - Tape pauses & flip (s1) cross faded. - Pitch corrected * last "Dark Star": 12-31-81 [167] * shooting star before Dark Star * Dark Star for the planetary alignment
Taper: Walt Keeler
2:41:20
Taper:
Walt Keeler
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1984-07-13.143392.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496
Source:
Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > Flac 24/96 October 20, 2018 Patch info: - shnid 140048 (FOB - Schoeps CMC4/MK41) - s2t05; 04:24 - 05:00 Notes: - Thank you Walt, thank you for getting real close & poppin' that fresh tape in for the encore. - Thank you Charlie for transferring & coordinating. - Thanks to the Oade Bros/Robert Bryant for the patch source. - Levels fluctuate for first thirty seconds of Bertha. - Tape pauses & flip (s1) cross faded. - Pitch corrected * last "Dark Star": 12-31-81 [167] * shooting star before Dark Star * Dark Star for the planetary alignment
Taper: Robert Bryant patched out of Oade Brothers
1:23:25
Rating:
4.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-13.141156.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #31989 (Beyer M160s > D5) s2t05; last 12 seconds s2t06; first 3 seconds Notes: - tape pauses cross faded - pitch corrected - s2t01 levels/channels fluctuate (6:00 - 6:12) on master. This has been attended to best as possible. - If you like the Beyer FOB, you're gonna love this. - Where's the Dark Star?? - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers
1:23:25
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-13.140048.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
Source:
Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #31989 (Beyer M160s > D5) s2t05; last 12 seconds s2t06; first 3 seconds Notes: - tape pauses cross faded - pitch corrected - s2t01 levels/channels fluctuate (6:00 - 6:12) on master. This has been attended to best as possible. - If you like the Beyer FOB, you're gonna love this. - Where's the Dark Star??