Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1984
Sources
Taper: Rob Eaton
2:48:03
SBD
Rating:
8.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-07-06.139531.sbd.pcm.miller-eaton.flac1644
Source:
Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
Taper Notes:
View Notes-- Thanks to Rob Eaton for the Dats
Taper: Stephen Thomas
2:43:31
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-06.163416.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Matta and Ernie Dodd for the Sennheiser 441 source which supplies a 0:37 patch in "Drums", as well as the final 0:24 of "Sugar Magnolia" - Around & Around tease before "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:43:31
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-06.163415.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Matta and Ernie Dodd for the Sennheiser 441 source which supplies a 0:37 patch in "Drums", as well as the final 0:24 of "Sugar Magnolia" - Around & Around tease before "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:57
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-06.141154.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #86943 (Nakamichi CM-300's w/CP-4 shotgun capsules) - s1t07; last seven seconds - s1t08; first eight seconds - s2t06; 5:45 - 5:57 Notes: - tape pauses cross faded - pitch corrected - The one & only Dear Mr. Fantasy - If the the thunder don't get then post space will. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:57
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-06.140032.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #86943 (Nakamichi CM-300's w/CP-4 shotgun capsules) - s1t07; last seven seconds - s1t08; first eight seconds - s2t06; 5:45 - 5:57 Notes: - tape pauses cross faded - pitch corrected - The one & only Dear Mr. Fantasy - If the the thunder don't get then post space will.
Taper: RB
2:15:54
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-06.176473.AKG-460B.PCM-F1.RB.flac24192
Source:
AKG 460B w/ ck1 capsules >: Sony PCM-F Sony SL2000 Beta 2 channel digital recorder
Lineage:
Master Sony L-500 Beta Tape played back on SAME GEAR analog out >Naim NAC 52 Preamplifier > Recorded to Nagra Seven @ 24b/192khz
Taper Notes:
View NotesThis one I just forgot about. This sounds right. Going backwards they are getting better, :) Hopefully July 7th 1984 sounds even better. Tall task I would say. I can't believe according to Setlist.fm I missed the first 4 songs? Really! I can't believe I don't remember that at all! There are plenty of mishaps I surely have never forgotten!! It's still 2 hours 15 minutes! The bass and dynamic range does sound up to my expectations. This one I would say will crank up nicely on your best sound system. Enjoy RB
Taper: Master Audience Recording by Bill Reutelhuber
2:45:40
Taper:
Master Audience Recording by Bill Reutelhuber
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel January 19, 2023
SHNID:
gd1984-07-06.165101.nak100.Reutelhuber.photoleon.flac2448
Source:
(Lawn, Spaced 10') Nakamichi 100 Shotguns > Sony TC-D5m > Master Cassette (TDK MA90s, Dolby B On)
Lineage:
Master Cassette > Nakamichi CR7A (no dolby, azimuth adjusted) > Korg MR2000 (1 bit 5.6 Mhz) > AudioGate > dbx software decode > dolby b software decode > WAV24/48
Taper Notes:
View NotesNotes: - Upgrade to shnid 142540 - s1 tape pauses & flip were cross faded - Last 33 seconds of WDWDIITR contains an Around & Around jam that segues into Sugar Mags. Thanks to; - Bill Reutelhuber for sharing his master recording. - Anon, while hiding out away from the Bay Area, for the transfer. - Ted Carpenter & Andrew F for the patch source.
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:41:45
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150329.beyerm201.holbrook.flac2448
Source:
MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes/ tape paused between songs to save tape // tape flip /// tape swap + missed start # accidental pause before drums
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:41:45
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150328.beyerm201.holbrook.flac1644
Source:
MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes/ tape paused between songs to save tape // tape flip /// tape swap + missed start # accidental pause before drums
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:42:22
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150327.beyerm88.holbrook.flac2448
Source:
MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View NotesJack Straw levels start low, get lifted about 1:15 into tune // tape flip + First Gen from Pinney master, missed start
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:42:22
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150326.beyerm88.holbrook.flac1644
Source:
MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View NotesJack Straw levels start low, get lifted about 1:15 into tune // tape flip + First Gen from Pinney master, missed start
Taper: Bill Reutelhuber
2:44:37
Rating:
10.00 / 1 rating
Taper:
Bill Reutelhuber
Transferrer:
Joe Noel and Philly Crew
SHNID:
gd1984-07-06.142540.Lawn.Nak.Reutelhuber.PhillyCrew.Noel.t-flac1644
Source:
Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew
Lineage:
Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
Taper Notes:
View NotesNotes: - Thanks to Bill Reutelhuber for sharing his master recording. - Thanks to Ted Carpenter & Andrew F for the patch source. - s1 tape pauses & flip were cross faded - Last 33 seconds of WDWDIITR contains an Around & Around jam that segue into Sugar Mags.
Taper: Mike Darby
2:38:49
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-06.Tascam120.Darby.121096.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show!This set of masters picked some hiss in the initial recording,maybe from some lower recording levels still an excellent listen and share just the same! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:38:49
Rating:
8.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-06.Tascam120.Darby.121095.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show!This set of masters picked some hiss in the initial recording,maybe from some lower recording levels still an excellent listen and share just the same! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:44:36
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-06.109746.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes**Tape switch patch is from a different source: Fob: Sennheiser 441's > MC > Dat > CdEac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:08
Rating:
9.33 / 3 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F.
SHNID:
gd1984-07-06.nak300.carpenter.andrewf.86943.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- ShnID-13898 provides patches as follows... - Iko Iko, 0:00 > 1:01. - Candyman, 0:00 > 0:08. - Space (tape-flip), 6:00 > 6:11. - Why Don't We Do It in the Road, 1:30 > 1:36. - Second set disc break is seamless. - Some tape-hub bumping sounds around the tape-flip in space. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 17 of 17
2:43:01
Rating:
8.58 / 26 ratings
SHNID:
gd84-07-06.senn441.dodd.13898.sbeok.shnf
Source:
Fob: Sennheiser 441's > MC > Dat > CdEac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesFob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd