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Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1984
Sources
Taper: Rob Eaton
2:48:03
SBD
Rating:
8.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-07-06.139531.sbd.pcm.miller-eaton.flac1644
Source:
Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
Taper Notes:
View Notes-- Thanks to Rob Eaton for the Dats
Taper: Stephen Thomas
2:43:31
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-06.163416.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Matta and Ernie Dodd for the Sennheiser 441 source which supplies a 0:37 patch in "Drums", as well as the final 0:24 of "Sugar Magnolia" - Around & Around tease before "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:43:31
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-06.163415.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Matta and Ernie Dodd for the Sennheiser 441 source which supplies a 0:37 patch in "Drums", as well as the final 0:24 of "Sugar Magnolia" - Around & Around tease before "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:57
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-06.141154.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #86943 (Nakamichi CM-300's w/CP-4 shotgun capsules) - s1t07; last seven seconds - s1t08; first eight seconds - s2t06; 5:45 - 5:57 Notes: - tape pauses cross faded - pitch corrected - The one & only Dear Mr. Fantasy - If the the thunder don't get then post space will. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:57
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-06.140032.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #86943 (Nakamichi CM-300's w/CP-4 shotgun capsules) - s1t07; last seven seconds - s1t08; first eight seconds - s2t06; 5:45 - 5:57 Notes: - tape pauses cross faded - pitch corrected - The one & only Dear Mr. Fantasy - If the the thunder don't get then post space will.
Taper: RB
2:15:54
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-06.176473.AKG-460B.PCM-F1.RB.flac24192
Source:
AKG 460B w/ ck1 capsules >: Sony PCM-F Sony SL2000 Beta 2 channel digital recorder
Lineage:
Master Sony L-500 Beta Tape played back on SAME GEAR analog out >Naim NAC 52 Preamplifier > Recorded to Nagra Seven @ 24b/192khz
Taper Notes:
View NotesThis one I just forgot about. This sounds right. Going backwards they are getting better, :) Hopefully July 7th 1984 sounds even better. Tall task I would say. I can't believe according to Setlist.fm I missed the first 4 songs? Really! I can't believe I don't remember that at all! There are plenty of mishaps I surely have never forgotten!! It's still 2 hours 15 minutes! The bass and dynamic range does sound up to my expectations. This one I would say will crank up nicely on your best sound system. Enjoy RB
Taper: Master Audience Recording by Bill Reutelhuber
2:45:40
Taper:
Master Audience Recording by Bill Reutelhuber
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel January 19, 2023
SHNID:
gd1984-07-06.165101.nak100.Reutelhuber.photoleon.flac2448
Source:
(Lawn, Spaced 10') Nakamichi 100 Shotguns > Sony TC-D5m > Master Cassette (TDK MA90s, Dolby B On)
Lineage:
Master Cassette > Nakamichi CR7A (no dolby, azimuth adjusted) > Korg MR2000 (1 bit 5.6 Mhz) > AudioGate > dbx software decode > dolby b software decode > WAV24/48
Taper Notes:
View NotesNotes: - Upgrade to shnid 142540 - s1 tape pauses & flip were cross faded - Last 33 seconds of WDWDIITR contains an Around & Around jam that segues into Sugar Mags. Thanks to; - Bill Reutelhuber for sharing his master recording. - Anon, while hiding out away from the Bay Area, for the transfer. - Ted Carpenter & Andrew F for the patch source.
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:41:45
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150329.beyerm201.holbrook.flac2448
Source:
MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes/ tape paused between songs to save tape // tape flip /// tape swap + missed start # accidental pause before drums
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:41:45
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150328.beyerm201.holbrook.flac1644
Source:
MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes/ tape paused between songs to save tape // tape flip /// tape swap + missed start # accidental pause before drums
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:42:22
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150327.beyerm88.holbrook.flac2448
Source:
MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View NotesJack Straw levels start low, get lifted about 1:15 into tune // tape flip + First Gen from Pinney master, missed start
Taper: Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
2:42:22
Taper:
Executive Crew;Sean Murtha;Tom Pinney;Gary Steel;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-06.150326.beyerm88.holbrook.flac1644
Source:
MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion
Lineage:
Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View NotesJack Straw levels start low, get lifted about 1:15 into tune // tape flip + First Gen from Pinney master, missed start
Taper: Bill Reutelhuber
2:44:37
Rating:
10.00 / 1 rating
Taper:
Bill Reutelhuber
Transferrer:
Joe Noel and Philly Crew
SHNID:
gd1984-07-06.142540.Lawn.Nak.Reutelhuber.PhillyCrew.Noel.t-flac1644
Source:
Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew
Lineage:
Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
Taper Notes:
View NotesNotes: - Thanks to Bill Reutelhuber for sharing his master recording. - Thanks to Ted Carpenter & Andrew F for the patch source. - s1 tape pauses & flip were cross faded - Last 33 seconds of WDWDIITR contains an Around & Around jam that segue into Sugar Mags.
Taper: Mike Darby
2:38:49
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-06.Tascam120.Darby.121096.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show!This set of masters picked some hiss in the initial recording,maybe from some lower recording levels still an excellent listen and share just the same! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:38:49
Rating:
8.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-06.Tascam120.Darby.121095.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show!This set of masters picked some hiss in the initial recording,maybe from some lower recording levels still an excellent listen and share just the same! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:44:36
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-06.109746.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes**Tape switch patch is from a different source: Fob: Sennheiser 441's > MC > Dat > CdEac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:08
Rating:
9.33 / 3 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F.
SHNID:
gd1984-07-06.nak300.carpenter.andrewf.86943.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- ShnID-13898 provides patches as follows... - Iko Iko, 0:00 > 1:01. - Candyman, 0:00 > 0:08. - Space (tape-flip), 6:00 > 6:11. - Why Don't We Do It in the Road, 1:30 > 1:36. - Second set disc break is seamless. - Some tape-hub bumping sounds around the tape-flip in space. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 17 of 17
2:43:01
Rating:
8.58 / 26 ratings
SHNID:
gd84-07-06.senn441.dodd.13898.sbeok.shnf
Source:
Fob: Sennheiser 441's > MC > Dat > CdEac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesFob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd