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June 12th
Years
1995
30.1k
PlaybackListensHours
48h53372
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.2k150
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k433
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3k397
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.5k688
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h5.5k709
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.7k340
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k131
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.2k359
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h993112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k201
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.6k421
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k179
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k141
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k258
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.2k372
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k208
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k255
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.8k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23025
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k476
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h8.2k1.2k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k257
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k171
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k178
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h46959
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h10714
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1984
6/27/84
Crowd/Tuning
2:09
Jack Straw
6:40
Friend Of The Devil >
9:57
Little Red Rooster
9:15
Cumberland Blues
8:10
My Brother Esau
5:29
Loser
8:41
Let It Grow
12:56
Crowd/Tuning
1:00
Help On The Way >
3:55
Slipknot! >
8:27
Franklin's Tower >
11:08
Estimated Prophet >
11:17
Eyes Of The World >
11:05
Why Don't We Do It In The Road? >
2:54
Drums >
8:58
Space >
11:00
Morning Dew >
11:31
Throwing Stones >
8:45
Not Fade Away
10:20
Brokedown Palace
5:51
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:07
SBD
Rating:
8.67 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.repitch-87467.87658.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless -- This source has been pitch corrected -- Thanks to Joe B. Jones for his help with this project
Transferrer: Charlie Miller
2:48:19
SBD
Rating:
9.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.87467.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless
Source 3 of 17
2:48:54
SBD
Rating:
9.62 / 21 ratings
Source:
SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Taper Notes:
View NotesSBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Source 4 of 17
2:48:52
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd84-06-27.sbd.skankweed.4615.sbeok.shnf
Source:
SBD> MC> C> DAT> CDRx1> EAC> SHN
Taper Notes:
View NotesSBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd
Taper: Rob Eaton
2:49:28
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163307.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Rob Eaton
2:49:28
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163306.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148236.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148235.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Robert Bryant patched out of Oade Brothers
2:42:26
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.141139.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out). - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant (patched out of Oade Brothers)
2:42:26
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.139841.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out).
Taper: Rick Pauline
2:42:45
Rating:
9.33 / 3 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.senn421.pauline.miller.91375.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> Dat -> CD (shnid=6999) supplies: Help On The Way (0:00 - 0:42) Why Don't We Do It In The Road? (0:22 - 0:33) Drums (0:17 - 9:45) Notes: -- Set 2 is seamless -- Recorded By Rick Pauline
Source 12 of 17
1:29:18
SHNID:
gd1984-06-27.getto.aud.122873.flac16
Source:
2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
Taper: Da Weez
2:47:07
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-27.111477.beyer-senn.daweez.d5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes;
Lineage:
Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Kyle Holbrook
2:47:47
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82450.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Kyle Holbrook
2:47:48
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82420.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Steinberg WaveLab 5.01b (resample, dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Jeff Hubbard
2:49:44
Rating:
8.00 / 2 ratings
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1984-06-27.senn.hubbard.bandrofcheck.81509.sbefail.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MAC
Lineage:
MAC (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
Source 17 of 17
2:40:54
Rating:
8.50 / 4 ratings
SHNID:
gd84-06-27.nak-ziemba.connor.6999.sbeok.shnf
Source:
Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT)
Taper Notes:
View NotesAud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones