Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
29.8k
PlaybackListensHours
48h54672
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k138
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k298
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k267
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k812
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.8k722
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k134
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k191
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78487
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k163
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h1k130
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k188
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k191
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k233
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.2k877
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k201
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k227
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.9k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k391
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.9k889
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k483
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k167
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.6k461
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k383
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65190
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12517
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h18913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h432
7d845
30d56133
2 shows
2 tapes
1984
Sources
Transferrer: Charlie Miller
2:44:07
SBD
Rating:
8.67 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.repitch-87467.87658.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless -- This source has been pitch corrected -- Thanks to Joe B. Jones for his help with this project
Transferrer: Charlie Miller
2:48:19
SBD
Rating:
9.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.87467.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless
Source 3 of 17
2:48:54
SBD
Rating:
9.62 / 21 ratings
Source:
SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Taper Notes:
View NotesSBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Source 4 of 17
2:48:52
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd84-06-27.sbd.skankweed.4615.sbeok.shnf
Source:
SBD> MC> C> DAT> CDRx1> EAC> SHN
Taper Notes:
View NotesSBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd
Taper: Rob Eaton
2:49:28
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163307.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Rob Eaton
2:49:28
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163306.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148236.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148235.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Robert Bryant patched out of Oade Brothers
2:42:26
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.141139.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out). - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant (patched out of Oade Brothers)
2:42:26
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.139841.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out).
Taper: Rick Pauline
2:42:45
Rating:
9.33 / 3 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.senn421.pauline.miller.91375.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> Dat -> CD (shnid=6999) supplies: Help On The Way (0:00 - 0:42) Why Don't We Do It In The Road? (0:22 - 0:33) Drums (0:17 - 9:45) Notes: -- Set 2 is seamless -- Recorded By Rick Pauline
Source 12 of 17
1:29:18
SHNID:
gd1984-06-27.getto.aud.122873.flac16
Source:
2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
Taper: Da Weez
2:47:07
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-27.111477.beyer-senn.daweez.d5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes;
Lineage:
Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Kyle Holbrook
2:47:47
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82450.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Kyle Holbrook
2:47:48
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82420.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Steinberg WaveLab 5.01b (resample, dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Jeff Hubbard
2:49:44
Rating:
8.00 / 2 ratings
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1984-06-27.senn.hubbard.bandrofcheck.81509.sbefail.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MAC
Lineage:
MAC (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
Source 17 of 17
2:40:54
Rating:
8.50 / 4 ratings
SHNID:
gd84-06-27.nak-ziemba.connor.6999.sbeok.shnf
Source:
Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT)
Taper Notes:
View NotesAud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones