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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.9k397
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h713100
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.2k577
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k133
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2k261
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k379
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k520
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h975108
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k242
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k204
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k205
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k235
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k289
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k687
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.6k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.4k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92478
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k582
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k717
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54567
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51739
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h432
7d1277
30d57234
2 shows
2 tapes
1984
Sources
Transferrer: Charlie Miller
2:44:07
SBD
Rating:
8.67 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.repitch-87467.87658.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless -- This source has been pitch corrected -- Thanks to Joe B. Jones for his help with this project
Transferrer: Charlie Miller
2:48:19
SBD
Rating:
9.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.87467.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless
Source 3 of 17
2:48:54
SBD
Rating:
9.62 / 21 ratings
Source:
SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Taper Notes:
View NotesSBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Source 4 of 17
2:48:52
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd84-06-27.sbd.skankweed.4615.sbeok.shnf
Source:
SBD> MC> C> DAT> CDRx1> EAC> SHN
Taper Notes:
View NotesSBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd
Taper: Rob Eaton
2:49:28
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163307.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Rob Eaton
2:49:28
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163306.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148236.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148235.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Robert Bryant patched out of Oade Brothers
2:42:26
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.141139.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out). - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant (patched out of Oade Brothers)
2:42:26
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.139841.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out).
Taper: Rick Pauline
2:42:45
Rating:
9.33 / 3 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.senn421.pauline.miller.91375.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> Dat -> CD (shnid=6999) supplies: Help On The Way (0:00 - 0:42) Why Don't We Do It In The Road? (0:22 - 0:33) Drums (0:17 - 9:45) Notes: -- Set 2 is seamless -- Recorded By Rick Pauline
Source 12 of 17
1:29:18
SHNID:
gd1984-06-27.getto.aud.122873.flac16
Source:
2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
Taper: Da Weez
2:47:07
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-27.111477.beyer-senn.daweez.d5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes;
Lineage:
Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Kyle Holbrook
2:47:47
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82450.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Kyle Holbrook
2:47:48
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82420.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Steinberg WaveLab 5.01b (resample, dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Jeff Hubbard
2:49:44
Rating:
8.00 / 2 ratings
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1984-06-27.senn.hubbard.bandrofcheck.81509.sbefail.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MAC
Lineage:
MAC (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
Source 17 of 17
2:40:54
Rating:
8.50 / 4 ratings
SHNID:
gd84-06-27.nak-ziemba.connor.6999.sbeok.shnf
Source:
Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT)
Taper Notes:
View NotesAud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones