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June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1984
6/27/84
Crowd/Tuning
2:09
Jack Straw
6:40
Friend Of The Devil >
9:57
Little Red Rooster
9:15
Cumberland Blues
8:10
My Brother Esau
5:29
Loser
8:41
Let It Grow
12:56
Crowd/Tuning
1:00
Help On The Way >
3:55
Slipknot! >
8:27
Franklin's Tower >
11:08
Estimated Prophet >
11:17
Eyes Of The World >
11:05
Why Don't We Do It In The Road? >
2:54
Drums >
8:58
Space >
11:00
Morning Dew >
11:31
Throwing Stones >
8:45
Not Fade Away
10:20
Brokedown Palace
5:51
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:07
SBD
Rating:
8.67 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.repitch-87467.87658.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless -- This source has been pitch corrected -- Thanks to Joe B. Jones for his help with this project
Transferrer: Charlie Miller
2:48:19
SBD
Rating:
9.60 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.sbd.miller.87467.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> CD (By Steve Ziemba) supplies: Loser (0:00 - 0:08) Franklin's Tower (7:37 - 7:53) Drums (0:00 - 0:02) Space (6:01 - 6:21) Notes: -- Set 2 is seamless
Source 3 of 17
2:48:54
SBD
Rating:
9.62 / 21 ratings
Source:
SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Taper Notes:
View NotesSBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Source 4 of 17
2:48:52
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd84-06-27.sbd.skankweed.4615.sbeok.shnf
Source:
SBD> MC> C> DAT> CDRx1> EAC> SHN
Taper Notes:
View NotesSBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd
Taper: Rob Eaton
2:49:28
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163307.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Rob Eaton
2:49:28
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-06-27.163306.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Ron Pauline and Charlie Miller for the Sennheiser 421 source which supplies a 0:17 patch in the "Eyes Of The World > Why Don't We Do It In The Road" transition, as well as a 7:45 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148236.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:43:06
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-27.148235.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid139841 Schoeps CMC4 MK41 source which supplies an 0:11 patch in the "Eyes Of The World > Why Don't We Do It In The Road?" transition, a 0:13 patch in "Why Don't We Do It In The Road?", as well as a 8:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Robert Bryant patched out of Oade Brothers
2:42:26
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.141139.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out). - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant (patched out of Oade Brothers)
2:42:26
Taper:
Robert Bryant (patched out of Oade Brothers)
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-27.139841.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #89559 (Sennheiser 421 -> MAC) - s1t06; 05:20 - 05:27 - s1t07; 00:00 - 00:34 - s2t02; 07:00 - 07:10 - s2t03; 00:21 - 01:22 - s2t05; 10:54 - 11:15 - s2t06; 00:00 - 00:18 - s2t09; 08:46 - 09:41 - s2t10; 05:15 - 05:43 - s2t11; 07:53 - 08:07 - s2t12; 00:00 - 00:49 Notes: - tape pauses cross faded - pitch corrected - hand claps cleaned up - Quintessential mid '80's first set. - Second set, she's no slouch either. - First of seven "Why Don't We Do It In The Road" (Garcia sits this one out).
Taper: Rick Pauline
2:42:45
Rating:
9.33 / 3 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-06-27.senn421.pauline.miller.91375.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: Nakamichi 300 -> Cassette Master -> Dat -> CD (shnid=6999) supplies: Help On The Way (0:00 - 0:42) Why Don't We Do It In The Road? (0:22 - 0:33) Drums (0:17 - 9:45) Notes: -- Set 2 is seamless -- Recorded By Rick Pauline
Source 12 of 17
1:29:18
SHNID:
gd1984-06-27.getto.aud.122873.flac16
Source:
2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
Taper: Da Weez
2:47:07
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-27.111477.beyer-senn.daweez.d5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes;
Lineage:
Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Kyle Holbrook
2:47:47
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82450.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Kyle Holbrook
2:47:48
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-27.beyerm88.holbrook.burke.82420.sbeok.flac16
Source:
Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Steinberg WaveLab 5.01b (resample, dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Let It Grow, Eyes Of The World and at 8:31 of Throwing Stones. * without Jerry. Concert Debut of Why Don't We Do It In The Road?
Taper: Jeff Hubbard
2:49:44
Rating:
8.00 / 2 ratings
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1984-06-27.senn.hubbard.bandrofcheck.81509.sbefail.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MAC
Lineage:
MAC (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
Source 17 of 17
2:40:54
Rating:
8.50 / 4 ratings
SHNID:
gd84-06-27.nak-ziemba.connor.6999.sbeok.shnf
Source:
Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT)
Taper Notes:
View NotesAud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones