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June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1984
6/21/84
Wavy Gravy Intro
3:05
Hell in a Bucket
6:18
They Love Each Other
7:47
CC Rider ->
6:52
Birdsong
10:41
Beat It on Down the Line ->
3:04
Dupree's Diamond Blues
6:18
Looks Like Rain ->
8:27
Might as Well
4:24
Ken Kesey Intro
2:32
Scarlet Begonias ->
10:26
Fire on the Mountain
13:51
Good Time Blues
8:37
Samson & Delilah ->
6:56
Terrapin Station ->
11:40
Drums ->
8:17
Space ->
7:26
The Wheel ->
4:57
Throwing Stones ->
8:00
Not Fade Away
8:41
New Orleans -> *
3:08
Big Boss Man -> *
3:23
Iko Iko *
5:28
Wavy Gravy Deadication
2:37
FIN
View on archive.org
Sources
Taper: Ray Ackerman
2:42:55
SBD
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-21.141522.NAK.Blend.Ackerman.Miller.Noel.t-flac2496
Source:
Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info - shnid 32640 (Sennheiser 441) supplies; - s1t06; 02:57 - end - s1t07; start - 00:03 - s2t07; 00:34 - 00:56 - s2t08; 07:12 - end - s2t09; start - 00:19 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - significant upgrade to shnid 32640 - The Band opened for The Band or was it The Band - SEVA Benefit & Summer Solstice. - "Thus the ancient kings made music in order to honor merit and offer it with splendor to the supreme deity inviting their ancestors to be present from a memorial times the inspiring effect of the invisible sounds that moves all hearts and draws them together as mystified mankind. Are you ready for the rainbow makers?? Romney - "I guess this is The Dead in Wonderland." Weir - ten count BIODTL - "I can stroke em, but I can't make em come." Kesey - last New Orleans; 11/11/70 - last Big Boss Man; 12/31/83 * w/ Rick Danko and Levon Helm
Taper: Ray Ackerman
2:42:55
SBD
Taper:
Ray Ackerman
Transferrer:
Edited & Mastered by Joe Noel;
SHNID:
gd1984-06-21.145045.nak.blend.ackerman.miller.noel.t-flac1644
Source:
Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center.
Lineage:
Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > FLAC 24/96 March 30, 2018 Patch info - shnid 32640 (Sennheiser 441) supplies; - s1t06; 02:57 - end - s1t07; start - 00:03 - s2t07; 00:34 - 00:56 - s2t08; 07:12 - end - s2t09; start - 00:19 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - significant upgrade to shnid 32640 - The Band opened for The Band or was it The Band - SEVA Benefit & Summer Solstice. - "Thus the ancient kings made music in order to honor merit and offer it with splendor to the supreme deity inviting their ancestors to be present from a memorial times the inspiring effect of the invisible sounds that moves all hearts and draws them together as mystified mankind. Are you ready for the rainbow makers?? Romney - "I guess this is The Dead in Wonderland." Weir - ten count BIODTL - "I can stroke em, but I can't make em come." Kesey - last New Orleans; 11/11/70 - last Big Boss Man; 12/31/83 * w/ Rick Danko and Levon Helm - This file set is 16 bit @ 44.1
Transferrer: Boudewijn de Vos
2:26:51
SBD
Rating:
6.89 / 10 ratings
Transferrer:
Boudewijn de Vos
SHNID:
gd1984-06-21.sbd.liberated-Boot.devos.352.shnf
Source:
"liberated" Bootleg CD > EAC > SHN
Taper: Jim Vita
2:46:35
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-21.164801.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and Robert Bryant for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in "Dupree's Diamond Blues", as well as a 0:09 patch in the "Space > The Wheel" transition - PA issues during "Touch Of Grey" - Encores with Rick Danko & Levon Helm - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Jim Vita
2:46:35
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-21.164800.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and Robert Bryant for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in "Dupree's Diamond Blues", as well as a 0:09 patch in the "Space > The Wheel" transition - PA issues during "Touch Of Grey" - Encores with Rick Danko & Levon Helm - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-21.164300.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ray Ackerman and andrewf for the Nakamichi 304 source which supplies some crowd and the beginning of "Looks Like Rain" (0:25 total), some crowd and first notes of "Scarlet Begonias" (0:23 total), some crowd and first notes of "Never Trust A Woman" (0:22 total), a 0:06 patch in "Terrapin Station", as well as a 8:43 patch in "Drums" - PA issues during "Touch Of Grey" - Encores with Rick Danko & Levon Helm - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston April 2023
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-21.164299.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ray Ackerman and andrewf for the Nakamichi 304 source which supplies some crowd and the beginning of "Looks Like Rain" (0:25 total), some crowd and first notes of "Scarlet Begonias" (0:23 total), some crowd and first notes of "Never Trust A Woman" (0:22 total), a 0:06 patch in "Terrapin Station", as well as a 8:43 patch in "Drums" - PA issues during "Touch Of Grey" - Encores with Rick Danko & Levon Helm - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston April 2023
Taper: Rob Eaton
2:49:15
Taper:
Rob Eaton
Transferrer:
Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] December 24, 2020
SHNID:
gd1984-06-21.151598.fm.cm.eaton.miller.t.flac16
Source:
FM > Cassette Master (Tascam 122)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for sharing his recording -- Encores with Rick Danko and Levon Helm -- The station ID's were previously removed by Rob Eaton -- The mix used for the broadcast sucks, the cymbals are too loud and the keys are buried -- The FM patch source (shnid=15405) needed to be pitch corrected +2.0% -- Thanks to Andy Lemieux, Robert Bryant and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for the pitch correction settings -- 151253 24 -> 16 @ 44.1
Transferrer: Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] December 24, 2020
2:49:15
Rating:
6.00 / 1 rating
Transferrer:
Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] December 24, 2020
SHNID:
gd1984-06-21.151253.fm.eaton.miller.flac2496
Source:
FM > Cassette Master (Tascam 122)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for sharing his recording -- Encores with Rick Danko and Levon Helm -- The station ID's were previously removed by Rob Eaton -- The mix used for the broadcast sucks, the cymbals are too loud and the keys are buried -- The FM patch source (shnid=15405) needed to be pitch corrected +2.0% -- Thanks to Andy Lemieux, Robert Bryant and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Robert Bryant patched out of Oade Brothers
2:43:13
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-06-21.140158.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the Master Cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid32640 nakamichi 300 source which supplies the Wavy Gravy Intro and some crowd/tuning before "Touch Of Grey" (3:52 total), the crowd before and the beginning of "Looks Like Rain" (0:22 total), the transition between "Samson & Delilah" and "Terrapin Station" (0:22 total), as well as a 0:16 patch in "Drums" - PA mix issues during "Touch Of Grey" - Between song transitions smoothed - Encores with Rick Danko & Levon Helm Mastered by Scott Clugston 12/6/17
Taper: Robert Bryant patched out of Oade Brothers
2:43:13
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-06-21.140157.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the Master Cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid32640 nakamichi 300 source which supplies the Wavy Gravy Intro and some crowd/tuning before "Touch Of Grey" (3:52 total), the crowd before and the beginning of "Looks Like Rain" (0:22 total), the transition between "Samson & Delilah" and "Terrapin Station" (0:22 total), as well as a 0:16 patch in "Drums" - PA mix issues during "Touch Of Grey" - Between song transitions smoothed - Encores with Rick Danko & Levon Helm Mastered by Scott Clugston 12/6/17
Taper: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook
2:45:07
Taper:
Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-21.148198.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC
Lineage:
kamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View NotesNotes: The Band Opened & Bobby said: "So this is the Dead at Wonderland?" to cheers in the crowd. ** W/Members of the Band Rick Danko & Levon Helm // tape flip
Taper: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook
2:45:07
Taper:
Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-21.148197.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC
Lineage:
kamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View NotesNotes: The Band Opened & Bobby said: "So this is the Dead at Wonderland?" to cheers in the crowd. ** W/Members of the Band Rick Danko & Levon Helm // tape flip
Taper: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook
2:44:22
Taper:
Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-21.147383.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC
Lineage:
Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes*** Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
Taper: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook
2:44:22
Taper:
Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-21.147382.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC
Lineage:
Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes*** Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
Taper: Dave Flaschne
2:32:54
Rating:
6.00 / 1 rating
Taper:
Dave Flaschne
Transferrer:
Jeff Mitchell
SHNID:
gd1984-06-21.137832.fm.flac1648
Source:
<B>flac16/48kHz</b>; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
Taper Notes:
View NotesTech Notes: - Dupree's was missing from this DAT, #15405 was used as a patch - some banter at the end of Might As Well was missing, #15405 was used as a patch - there was a spot in Terrapin where the audio was duplicated, this was removed & the missing portion was patched using #15405
Taper: Steve Hill
2:42:28
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-06-21.132583.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Steve Hill
2:42:14
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-06-21.132582.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Da Weez
2:40:31
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-21.117777.beyer-senn.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Kyle Holbrook
2:01:29
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-21.beyerm201.holbrook.burke.91024.sbeok.flac16
Source:
beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41
Taper Notes:
View NotesNotes: As of March, 2008 the master cassette with the majority of set one on it has been temporarily misplaced by Kyle. When it's located it will be transferred and put into circulation. The tape flips occur after Fire On The Mountain and during Space. ^ There is a three second dropout beginning at 08:03 of Throwing Stones. * with Rick Danko and Levon Helm # Final New Orleans. The last New Orleans was played on November 11, 1970 (879 shows). The Band opened. The show was a benefit for the SEVA Foundation and was broadcast nationwide via FM radio. Sylvia Tyson played outside the beer tent after the show for Circle Of Gold tickets. Personnel: Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Bass Guitar Brent Mydland - Keyboards, Vocals Bob Weir - Rhythm Guitar, Vocals
Taper: Kyle Holbrook
1:52:06
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-21.beyerm201.holbrook.burke.90982.flac24
Source:
beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41
Taper Notes:
View NotesNotes: As of March, 2008 the master cassette with the majority of set one on it has been temporarily misplaced by Kyle. When it's located it will be transferred and put into circulation. The tape flips occur after Fire On The Mountain and during Space. ^ There is a three second dropout beginning at 08:03 of Throwing Stones. * with Rick Danko and Levon Helm # Final New Orleans. The last New Orleans was played on November 11, 1970 (879 shows). The Band opened. The show was a benefit for the SEVA Foundation and was broadcast nationwide via FM radio. Sylvia Tyson played outside the beer tent after the show for Circle Of Gold tickets. Personnel: Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Bass Guitar Brent Mydland - Keyboards, Vocals Bob Weir - Rhythm Guitar, Vocals
Taper: Ray Ackerman
2:49:05
Rating:
8.57 / 8 ratings
Taper:
Ray Ackerman
SHNID:
gd1984-06-21.nak300.ackerman.andrewf.32640.sbeok.flac16
Source:
Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6 > MAC > ? > CD > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC
Taper Notes:
View Notes* with Rick Danko and Levon Helm To cover the tape flips, I used a first-generation tape made with Sennheiser 441's > Sony TC-D5M that was also recorded behind the soundboard. I used Soundforge for the patches, and to make fades where needed. The cross-faded patches are located at: -- 3:10 of BIODTL thru 0:04 of Dupree's, -- 0:46 thru 1:20 of Space, -- 0:01 thru 0:26 of The Wheel. The entire show is now seamless and uninterupted by tape-flips. You can fit this onto two 80-minute discs if you cut out the five tuning and stage announcement tracks. There's some PA-mix issues during the first part of Bucket, then things improve nicely.
Source 23 of 23
2:42:24
Rating:
8.17 / 23 ratings
SHNID:
gd84-06-21.sbe.tbrame.15405.sbeok.shnf
Source:
FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN
Taper Notes:
View NotesFM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame