RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h47665
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.6k205
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.5k333
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.9k252
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.9k489
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h7.9k985
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k314
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k128
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k252
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h892100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k206
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.4k523
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k155
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k144
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k276
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k254
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k216
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k247
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h11.3k1.5k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h16.4k2.1k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h16918
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k474
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.3k1.4k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.8k236
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k180
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k154
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h54970
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7512
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42528
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h624
7d1076
30d59534
2 shows
2 tapes
1984
6/12/84
Alabama Getaway >
5:13
Greatest Story Ever Told
4:02
Friend Of The Devil
8:24
Little Red Rooster
7:53
Big Railroad Blues
5:27
Me & My Uncle >
2:51
Mexicali Blues
4:45
Althea
8:03
Looks Like Rain >
7:51
Might As Well
4:06
Scarlet Begonias >
9:02
Touch Of Grey
5:57
Estimated Prophet >
10:15
Eyes Of The World >
9:55
Drums >
9:41
Space >
5:35
The Other One >
11:33
Wharf Rat >
8:53
Around & Around
3:54
Johnny B. Goode
4:21
E: US Blues
4:49
FIN
View on archive.org
Sources
Taper: Tony Suraci and Mike G
2:21:21
SBD
Rating:
8.00 / 5 ratings
Taper:
Tony Suraci and Mike G
Transferrer:
Tony Suraci
SHNID:
gd1984-06-12.nakcm304-mikeg-suraci.suraci.78162.flac16
Source:
*Nak CM304's>Sony D5M>Sony D5M(XLIIS) At SBD#, Stand at 7 feet.
Lineage:
Sony D5ProII>Lunatec V3(analog out)>722@24/96 722>Adobe Aud.>16 Bit>Cdwav>flac16.
Taper Notes:
View Notes* Mike G.'s mics. I was plugged into his D5. # setup in the typical Red Rocks section, directly behind board. ^ pop at the 16 minute mark, sounds like a stand bump.
Taper: Jim Vita
2:22:36
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:28 patch in "Althea", as well as a 0:24 patch in "Space" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2022
Taper: Jim Vita
2:22:36
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:28 patch in "Althea", as well as a 0:24 patch in "Space" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2022
Taper: Chris Hecht
2:22:30
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-12.148388.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mike G. and Tony Suraci for the shnid78162 Nakamichi 304 source which supplies a 0:26 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:22:30
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-06-12.148387.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mike G. and Tony Suraci for the shnid78162 Nakamichi 304 source which supplies a 0:26 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Robert Bryant patched out of Oade Brothers
2:21:30
Rating:
7.00 / 2 ratings
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-06-12.140182.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid78162 Nakamichi 304 source which supplies a 0:09 patch in "Space" - Bumped up the bottom end a bit - Lengthy Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Robert Bryant patched out of Oade Brothers
2:21:30
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-06-12.140181.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid78162 Nakamichi 304 source which supplies a 0:09 patch in "Space" - Bumped up the bottom end a bit - Lengthy Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook
2:23:45
Taper:
Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-12.148192.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC
Lineage:
Nakamichi MR2 > Marantz PMD661|SD
Taper Notes:
View Notes// Tape flip
Taper: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook
2:23:45
Taper:
Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-12.148191.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC
Lineage:
Nakamichi MR2 > Marantz PMD661|SD
Taper Notes:
View Notes// Tape flip
Taper: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook
2:21:05
Taper:
Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-06-12.147368.mke2002.holbrook.flac1648
Source:
MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC
Lineage:
Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes*** Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
Taper: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook
2:21:05
Taper:
Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook
SHNID:
gd1984-06-12.147344.mke2002.holbrook.flac2448
Source:
MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC
Lineage:
Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes*** Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
Taper: Nubar
1:25:03
Taper:
Nubar
Transferrer:
D5scott
SHNID:
gd1984-06-12.122131.set2.beyer-senn.nubar.d5scott.flac16
Source:
Set 2 Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M;
Lineage:
Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassette
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------