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1984
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June 17th
8 shows
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12.7k
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684 tapes
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28.5k
73 shows
1,357 tapes
1984
27.2k
67 shows
1,075 tapes
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20.6k
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1,069 tapes
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42.4k
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30.4k
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70.9k
91 shows
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21.2k
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38k
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253k
64 shows
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99.8k
45 shows
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6.3k
25 shows
63 tapes
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88.3k
42 shows
324 tapes
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90.5k
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58.6k
88 shows
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33.7k
82 shows
357 tapes
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38.8k
101 shows
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28.5k
112 shows
326 tapes
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7.7k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8.2k
32 shows
78 tapes
1965
638
2 shows
2 tapes
1984
4/30/84
Iko Iko
6:15
Greatest Story Ever Told
4:18
Althea >
8:02
New Minglewood Blues
9:21
Row Jimmy
9:56
My Brother Esau
5:11
Deal
8:22
tuning
1:43
I Need A Miracle >
4:05
Bertha *
5:58
Looks Like Rain >
8:03
He's Gone >
14:40
Drums >
9:48
Space >
16:04
The Other One >
5:14
China Doll >
5:43
Throwing Stones >
8:45
Not Fade Away
7:10
encore break
1:06
Brokedown Palace
5:34
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:31:25
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-04-30.140354.fob.sbd.composite.eaton.miller.clugston.flac1648
Source:
1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/482nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the (FOB) audience source & the soundboard source Dat - Thanks to Charlie Miller for the transfer - Neither the 1st set FOB or 2nd set soundboard source have circulated previously (Dec 2017) - Rob's (FOB) Neumann U-87 source also supplies the "Brokedown Palace" encore - Thanks to the folks responsible for the shnid34687 Sennheiser 441 source which supplies a 0:18 patch at the end of "The Other One" - Between song transitions smoothed - Other One space included in "The Other One" - Not Fade Away noodle included in "Not Fade Away" Mastered by Scott Clugston 12/23/2017
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:25:30
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-30.149983.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesNOTE: This fileset updates SHN ID 149176, second set upgrade from different source masters. ^ Missed start of song, maybe 7-10 seconds # You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!" / tape paused between songs to save tape // tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:25:30
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-30.149982.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesNOTE: This fileset updates SHN ID 149176, second set upgrade from different source masters. ^ Missed start of song, maybe 7-10 seconds # You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!" / tape paused between songs to save tape // tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:28:11
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-30.149177.mke2002.holbrook.flac2448
Source:
1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* left channel intermittent thumps; must be from pre-amp malfunction. # You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!" ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:28:11
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-30.149176.mke2002.holbrook.flac1644
Source:
1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* left channel intermittent thumps; must be from pre-amp malfunction. # You can hear the ever urgent Nassau Coliseum ushers clear the aisle "You'r in my aisle-LETS GO!" ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***