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June 7th
Years
1995
29.8k
PlaybackListensHours
48h822115
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59985
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.5k599
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k353
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.1k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k356
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k366
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k147
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k258
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87296
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k212
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k140
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k301
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k618
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.3k306
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h15.9k2.2k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.8k523
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79174
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k556
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k610
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k965
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k386
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41049
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10916
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23318
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h493
7d1066
30d56034
2 shows
2 tapes
1984
4/26/84
tuning
1:42
Shakedown Street
13:40
C. C. Rider
9:39
Loser
8:19
Hell In a Bucket
7:22
Brown Eyed Woman
6:44
Lazy Lightning/Supplication *
10:46
Deal
10:30
Scarlet Begonias
12:50
Fire on the Mountain
16:05
Estimated Prophet
12:49
Eyes of the World
10:11
Good Times
4:28
Drums
11:43
Space
10:00
Morning Dew
12:03
Throwing Stones
9:31
Not Fade Away
9:06
It's All Over Now, Baby Blue
8:47
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:03
SBD
Rating:
8.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-26.sbd.miller.91432.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD D
Lineage:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Beyer M201 -> Cassette Master -> FLAC (shnid=78773) supplies: Eyes Of The World (4:38 - 4:42) Space (5:31 - 5:50) Not Fade Away (4:23 - end of track) It's All Over Now, Baby Blue (complete track) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Hunter Seamons
2:59:06
SBD
Rating:
9.00 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1984-04-26.mtx.seamons.91809.sbeok.shnf
Source:
MATRIX MIX: SBD/2 AUD (About 60%/40%)
Taper Notes:
View Notes--------------------------------------------------------------- SBD: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 17, 2008 Notes: -- Set 2 is seamless [see notes below] -- Thanks to Joe B. Jones for his help with the pitch correction --------------------------------------------------------------- AUDs: Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Location: FOB, 40 feet from the stage, almost center. Tapers: Sennheiser MKE 2002s [not used for matrix] - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 10, 2008
Source 3 of 21
2:49:58
SBD
Rating:
8.86 / 21 ratings
SHNID:
gd84-04-26.sbd.pj.4770.sbeok.shnf
Source:
Master Soundboard Cassette > Cassette > DAT > CDR (Missing Encore)
Taper Notes:
View NotesMaster Soundboard Cassette > Cassette > DAT > CDR
Taper: Jim Vita
2:51:00
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-26.164595.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kyle H. for the Beyer M201 source which supplies a 0:48 patch in "Eyes Of The World", as well as a 10:47 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Jim Vita
2:51:00
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-26.164594.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kyle H. for the Beyer M201 source which supplies a 0:48 patch in "Eyes Of The World", as well as a 10:47 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Doug Lamarre
2:53:38
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-26.155746.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kyle H. for the Beyer M201 source which supplies some crowd and the first few notes of "Scarlet Begonias" (0:25 total), an 0:08 patch in "Eyes Of The World", as well as a 10:41 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:53:38
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-26.155745.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kyle H. for the Beyer M201 source which supplies some crowd and the first few notes of "Scarlet Begonias" (0:25 total), an 0:08 patch in "Eyes Of The World", as well as a 10:41 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:49:43
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-26.149898.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:49:44
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-26.149897.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:53:56
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-26.149636.beyerm201mke2002.holbrook.flac1644
Source:
Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:53:45
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-26.149635.beyerm201mke2002.holbrook.flac2448
Source:
Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Doug Lamarre
2:41:42
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-26.135839.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: most of drums missing
Taper: Doug Lamarre
2:41:42
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-26.135838.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: most of drums missing
Transferrer: Scarletdog
3:06:15
Transferrer:
Scarletdog
SHNID:
gd1984-04-26.125778.3sennheiser441.scarletdog.flac16
Source:
Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Bobby loses his voice at the end of Supplication 2 real quick distortions during Phil bombs - one in Morning Dew and one in Throwing Stones - the analog tapes couldn't handle it up that close
Taper: Tim Friend and Joe Morrone
2:59:51
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F
SHNID:
gd1984-04-26.nak300.friend-morrone.125166.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
Taper Notes:
View NotesNote: ID-123621 patches: Eyes 4:31 > 4:47, and Drums 0:16 > Space 0:02. CDR Burning: D1 = s1t01 > s1t08, D2 = s2t01 > s2t07, D3 = s2t08 > s2t12.
Taper: Tim Friend and Joe Morrone
2:59:51
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F
SHNID:
gd1984-04-26.nak300.friend-morrone.125165.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
Taper Notes:
View NotesNote: ID-123621 patches: Eyes 4:31 > 4:47, and Drums 0:16 > Space 0:02.
Taper: chasingwilma
2:52:36
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-26.123621.chasingwilma.flac24
Source:
source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:44:58
Rating:
8.00 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-26.109441.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Sennheiser 441's & 1 Beyer M160 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Ted Gidley
2:55:44
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1984-04-26.fob.gidley.92429.sbeok.flac16
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- Sorry, no mic info, but it's a very nice and up-close FOB recording. - 2nd Set disc break is seamless. - Cuts and missing parts all patched with ShnID-78733, as follows: - Shakedown 1:31 > 4:50 - Scarlet 0:37 > 0:40 - Eyes 5:31 > 5:37, 5:57 > 6:12, and 7:03 > 7:15 - Drums 0:09 > 11:14 (end) - Space 0:00 > 7:37
Taper: See Notes
2:59:06
Rating:
9.33 / 3 ratings
Taper:
See Notes
Transferrer:
Hunter Seamons
SHNID:
gd1984-04-26.mtx.seamons.fix.92297.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View NotesMATRIX MIX: SBD/2 AUD (About 60%/40%) --------------------------------------------------------------- SBD: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 17, 2008 Notes: -- Set 2 is seamless [see notes below] -- Thanks to Joe B. Jones for his help with the pitch correction --------------------------------------------------------------- AUDs: Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Location: FOB, 40 feet from the stage, almost center. Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Notes: 1) There is occasional, light static in the SBD. 2) The Set II AUD is better quality than the Set I AUD - and there's more crowd action in Set II due to the microphone placement. 3) While there is more 'distance' from the crowd in the AUDs than usual, these sources do provide a complementary indoor ambience for the typically 'studio' sounding SBDs of the mid-80's. The SBD alone is pretty 'flat.' 4) There was a Neumann patch for the first 5 minutes of Shakedown in the AUD source that I did not use because it was scratchy and not as nice as I would have liked, so the matrix begins after five minutes into Shakedown. 5) There are gaps in the Set I AUD between songs (when the band takes time to tune), so there is less crowd banter with this matrix, unfortunately. The music should make up for this. 6) Some interesting notes about the SBD source, which apparently was seamless for Set II (as noted by Charlie): (1) There was a 'seamless' cut/edit in Fire on the Mountain, because the AUD version was about twenty seconds longer with more 'Fire! Fire on the mountain!' verses toward the end. I favored the AUD source alone for an extra ten seconds (10:55-11:25) because the SBD was scratchy around that point as well. (2) And while Fire was shorter in the SBD than the actual performance, a section of Eyes toward the end of the song was actually repeated (in the source), making it about a minute and a half longer than it really was. This is not the first time I have encountered such an oddity in a recording. That strangeness was edited out. With all this in mind, SET II should now be seamless in terms of performance. 7) Cuts in the AUD during songs are: Shakedown Street (0:00-5:01) Supplication (1:31-1:58) Estimated Prophet (11:18-12:14) Cuts in the SBD during songs are: Fire on the Mountain (10:55-11:25) Eyes Of The World (4:35-4:41) Space (5:31-5:50) Not Fade Away (4:22 to end of track) It's All Over Now, Baby Blue (entire track) 8) This show is extra hot all around from an extra hot month in '84 - one of my favorite Dead zones. Great Space>Dew! Remastering Notes (06/14/08) 1) Lots of static was removed, or reduced, using Soundtrack Pro, and a bunch of clicks and pops - this involved visually combing through the waveform for anomalies, and some some other techniques. 2) The right channel of the AUD source gradually decreases about 7 dB during Throwing Stones into Not Fade Away, until only the AUD plays in NFA. This was adjusted. (Charlie Miller had fixed this issue in the patched source in the SBD [where it is more noticeable], so I matched this correction for the earlier portion of the AUD now used for the matrix.) 3) Portions of Supplication, Deal, Scarlet Begonias, and Fire on the Mountain were re-synced.
Taper: Chris K / Kyle H.
2:54:30
Rating:
10.00 / 1 rating
Taper:
Chris K / Kyle H.
SHNID:
gd1984-04-26.fob.chrisk-kyleh.ford.78773.sbeok.flac16
Source:
{ Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) / Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) } > Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960>CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16
Taper Notes:
View Notes- d1t01 Shakedown Street 0:00 - 04:29 patched with Neumann source (Thanks Jake Feinberg!) - d2t04 Estimated Prophet - tape flip @ (fades applied) - (1) Brent and drummers only - files encoded @ level 6, correct sector boundaries verified with TLH - Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006.