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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1984
4/21/84
Tuning
0:32
Alabama Getaway >
4:42
Promised Land
4:43
Friend Of The Devil
8:49
Me And My Uncle >
3:16
Mexicali Blues
5:22
West L.A. Fadeaway
8:10
New Minglewood Blues
8:47
Tennessee Jed >
8:03
Looks Like Rain >
7:47
Deal
8:24
Help On The Way >
4:55
Slipknot! >
6:40
Franklin's Tower >
12:52
Playing In The Band >
11:47
China Doll >
5:25
Playing Jam >
0:50
Don't Need Love >
5:22
Drums >
10:26
Space >
9:53
Wharf Rat >
10:31
Throwing Stones >
8:50
Not Fade Away
8:03
Brokedown Palace
5:14
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:49:23
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1984-04-21.137273.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
Transferrer: Kevin Tobin
2:49:23
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1984-04-21.137272.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
Transferrer: Kevin Tobin
2:49:23
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1984-04-21.137271.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
Transferrer: Charlie Miller
2:49:24
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-21.137247.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:46:53
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.154848.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Alabama Getaway" (0:11 total), some crowd and beginning of "New Minglewood Blues" (0:13 total), a 0:37 patch in the "Don't Need Love", as well as a 7:44 patch in "Drums" - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:46:53
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.154847.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Alabama Getaway" (0:11 total), some crowd and beginning of "New Minglewood Blues" (0:13 total), a 0:37 patch in the "Don't Need Love", as well as a 7:44 patch in "Drums" - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Robert Bryant
2:49:39
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.148829.fob.schoeps.cmc4.mk41.bryant.miller.clugston.flac2496
Source:
Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant (patched out of the Oade's) for the master (FOB) cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the shnid18253 Neumann U87 source which supplies a 0:27 patch in the "China Doll > Don't Need Love" transition, as well as a 0:10 patch in "Drums" - Wharf Rat space included in "Wharf Rat" - Pitch corrected Mastered by Scott Clugston February 20, 2018
Taper: Robert Bryant
2:49:39
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.148828.fob.schoeps.cmc4.mk41.bryant.miller.clugston.flac1648
Source:
Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant (patched out of the Oade's) for the master (FOB) cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the shnid18253 Neumann U87 source which supplies a 0:27 patch in the "China Doll > Don't Need Love" transition, as well as a 0:10 patch in "Drums" - Wharf Rat space included in "Wharf Rat" - Pitch corrected Mastered by Scott Clugston February 20, 2018
Taper: Ray Ackerman
2:44:34
Rating:
9.00 / 3 ratings
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.141118.nak300.senn421.blend.ackerman.miller.clugston.flac1644
Source:
Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid18253 Neumann U87 source which supplies the first 0:13 of "Alabama Getaway", a 0:54 patch in the transition between the "Jam" and "Don't Need Love", a 0:37 patch in the transition between "Throwing Stones" and "Not Fade Away", as well as a 2:40 patch in the "Not Fade Away Chant" into "Brokedown Palace" transition - Noodle into "Wharf Rat" included in "Wharf Rat" - I know, I know, there's a half dozen captures of this already, some pretty damn fine.....check this one out anyway... Mastered by Scott Clugston February 20, 2018
Taper: Ray Ackerman
2:44:33
Rating:
9.00 / 2 ratings
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.141117.nak300.senn421.blend.ackerman.miller.clugston.flac2496
Source:
Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid18253 Neumann U87 source which supplies the first 0:13 of "Alabama Getaway", a 0:54 patch in the transition between the "Jam" and "Don't Need Love", a 0:37 patch in the transition between "Throwing Stones" and "Not Fade Away", as well as a 2:40 patch in the "Not Fade Away Chant" into "Brokedown Palace" transition - Noodle into "Wharf Rat" included in "Wharf Rat" - I know, I know, there's a half dozen captures of this already, some pretty damn fine.....check this one out anyway... Mastered by Scott Clugston February 20, 2018
Source 11 of 25
2:50:18
SHNID:
gd1984-04-21.166581.mtx.seamons.ht166.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 26, 2023
Taper Notes:
View NotesNotes: Rob Eaton and Jeff Silberman's Neumann u87 Dat recording, #10035 (6/11/02), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix. Tuning sections were trimmed. There's an abrupt cut at the very beginning of Minglewood Blues. Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source. The SBD CM or reel generation must have had an old Jerry show on it that was taped over, probably from '74 or'75. The likely Jerry & Merl show is subtly bleeding through in the left channel, but it is only really noticeable during some quiet parts in the recording. I didn't realize this was the actual issue until the Don't Need Love > Drums transition, where you can hear a performance of Tough Mama. This bleeding effect can also be detected at times in the first set as well, mainly as a subtle rumbling sound. It can be heard a little more during Drums/Space and might be a bit distracting during this portion of the show.
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:49:58
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-21.149501.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:49:58
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-21.149500.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Dave Flaschner
3:00:44
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1984-04-21.137380.schoeps.flac1644
Source:
FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
Taper Notes:
View Notes- the end of West LA and beginning of Minglewood were missing, the missing portion was patched using #34682
Taper: John Ficca
2:36:52
Rating:
8.00 / 1 rating
Taper:
John Ficca
SHNID:
gd1984-04-21.136794.Aud.ficca.flac16
Source:
Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
Taper Notes:
View NotesDon't Need Love is cut and missing drums
Taper: Doug Lamarre
2:39:03
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-21.135805.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: most of drums missing
Taper: Doug Lamarre
2:39:04
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-21.135804.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: most of drums missing
Taper: Steve Hill
2:47:02
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-21.132913.Nak300CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Steve Hill
2:47:02
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-21.132912.Nak300CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Bob Morris
2:40:21
Rating:
8.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-04-21.nak300.morris.113882.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:46:03
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-21.109391.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** cuts - Tape flip gap filled in with alternate source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR
Taper: Bob Morris and Amanda Morris
2:48:43
Rating:
7.33 / 3 ratings
Taper:
Bob Morris and Amanda Morris
Transferrer:
Chuck T.
SHNID:
gd1984-04-21.nak300.morris.crazyfingers.106643.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90); Recorded on lower balcony Row J, Seats 5 & 6.
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Source 23 of 25
3:04:18
Rating:
4.00 / 1 rating
SHNID:
gd1984-04-21.neumannu87.bandrofcheck.34682.sbeok.shnf
Taper Notes:
View NotesVery End of Throwing Stones, Not Fade Away & Brokedown Palace from LMA. Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR. Transition from Throwing Stones > NFA Cool Edit Pro (amplification & mix). I was very sick that evening and really had no business being there. I was really off this evening. I started the second set on the second side of the wrong tape so I didn't have the extra I would normally have. Actually really needed a third tape. Then I could have gone without the patch.
Source 24 of 25
3:00:35
Rating:
8.40 / 26 ratings
SHNID:
gd84-04-21.neumann.nawrocki.18253.sbeok.shnf
Taper Notes:
View NotesPatched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
Taper: Rob Eaton and Jeff Silberman
3:00:13
Rating:
9.20 / 10 ratings
Taper:
Rob Eaton and Jeff Silberman
Transferrer:
Doug Oade
SHNID:
gd1984-04-21.u87.eaton-silberman.10035.sbeok.shnf
Source:
Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT
Lineage:
DAT > CDR > EAC > SHN
Taper Notes:
View NotesMinglewood Cuts In -- (note, that this occurs 41 minutes into set 1) LL rain has a splice at: 2:46