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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1984
4/21/84
Alabama Getaway >
4:40
The Promised Land
4:42
Friend Of The Devil
8:29
Me And My Uncle >
3:16
Mexicali Blues
5:09
West L.A. Fade Away
7:54
Minglewood Blues
8:37
Tennessee Jed
8:05
Looks Like Rain
7:45
Deal
8:28
Help On The Way >
5:12
Slipknot >
6:41
Franklin’s Tower
12:53
Playin’ In The Band >
11:54
China Doll >
6:13
I Don’t/Need/Love > drums//
5:28
space >
12:12
Wharf Rat >
10:20
Throwing Stones
8:48
Not Fade Away
6:54
e: Brokedown Palace
5:23
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:49:23
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1984-04-21.137273.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
Transferrer: Kevin Tobin
2:49:23
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1984-04-21.137272.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
Transferrer: Kevin Tobin
2:49:23
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1984-04-21.137271.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
Transferrer: Charlie Miller
2:49:24
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-21.137247.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:46:53
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.154848.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Alabama Getaway" (0:11 total), some crowd and beginning of "New Minglewood Blues" (0:13 total), a 0:37 patch in the "Don't Need Love", as well as a 7:44 patch in "Drums" - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:46:53
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.154847.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Alabama Getaway" (0:11 total), some crowd and beginning of "New Minglewood Blues" (0:13 total), a 0:37 patch in the "Don't Need Love", as well as a 7:44 patch in "Drums" - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Robert Bryant
2:49:39
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.148829.fob.schoeps.cmc4.mk41.bryant.miller.clugston.flac2496
Source:
Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant (patched out of the Oade's) for the master (FOB) cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the shnid18253 Neumann U87 source which supplies a 0:27 patch in the "China Doll > Don't Need Love" transition, as well as a 0:10 patch in "Drums" - Wharf Rat space included in "Wharf Rat" - Pitch corrected Mastered by Scott Clugston February 20, 2018
Taper: Robert Bryant
2:49:39
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.148828.fob.schoeps.cmc4.mk41.bryant.miller.clugston.flac1648
Source:
Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant (patched out of the Oade's) for the master (FOB) cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the shnid18253 Neumann U87 source which supplies a 0:27 patch in the "China Doll > Don't Need Love" transition, as well as a 0:10 patch in "Drums" - Wharf Rat space included in "Wharf Rat" - Pitch corrected Mastered by Scott Clugston February 20, 2018
Taper: Ray Ackerman
2:44:34
Rating:
9.00 / 3 ratings
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.141118.nak300.senn421.blend.ackerman.miller.clugston.flac1644
Source:
Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid18253 Neumann U87 source which supplies the first 0:13 of "Alabama Getaway", a 0:54 patch in the transition between the "Jam" and "Don't Need Love", a 0:37 patch in the transition between "Throwing Stones" and "Not Fade Away", as well as a 2:40 patch in the "Not Fade Away Chant" into "Brokedown Palace" transition - Noodle into "Wharf Rat" included in "Wharf Rat" - I know, I know, there's a half dozen captures of this already, some pretty damn fine.....check this one out anyway... Mastered by Scott Clugston February 20, 2018
Taper: Ray Ackerman
2:44:33
Rating:
9.00 / 2 ratings
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-21.141117.nak300.senn421.blend.ackerman.miller.clugston.flac2496
Source:
Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid18253 Neumann U87 source which supplies the first 0:13 of "Alabama Getaway", a 0:54 patch in the transition between the "Jam" and "Don't Need Love", a 0:37 patch in the transition between "Throwing Stones" and "Not Fade Away", as well as a 2:40 patch in the "Not Fade Away Chant" into "Brokedown Palace" transition - Noodle into "Wharf Rat" included in "Wharf Rat" - I know, I know, there's a half dozen captures of this already, some pretty damn fine.....check this one out anyway... Mastered by Scott Clugston February 20, 2018
Source 11 of 25
2:50:18
SHNID:
gd1984-04-21.166581.mtx.seamons.ht166.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 26, 2023
Taper Notes:
View NotesNotes: Rob Eaton and Jeff Silberman's Neumann u87 Dat recording, #10035 (6/11/02), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix. Tuning sections were trimmed. There's an abrupt cut at the very beginning of Minglewood Blues. Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source. The SBD CM or reel generation must have had an old Jerry show on it that was taped over, probably from '74 or'75. The likely Jerry & Merl show is subtly bleeding through in the left channel, but it is only really noticeable during some quiet parts in the recording. I didn't realize this was the actual issue until the Don't Need Love > Drums transition, where you can hear a performance of Tough Mama. This bleeding effect can also be detected at times in the first set as well, mainly as a subtle rumbling sound. It can be heard a little more during Drums/Space and might be a bit distracting during this portion of the show.
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:49:58
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-21.149501.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:49:58
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-21.149500.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Dave Flaschner
3:00:44
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1984-04-21.137380.schoeps.flac1644
Source:
FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
Taper Notes:
View Notes- the end of West LA and beginning of Minglewood were missing, the missing portion was patched using #34682
Taper: John Ficca
2:36:52
Rating:
8.00 / 1 rating
Taper:
John Ficca
SHNID:
gd1984-04-21.136794.Aud.ficca.flac16
Source:
Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
Taper Notes:
View NotesDon't Need Love is cut and missing drums
Taper: Doug Lamarre
2:39:03
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-21.135805.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: most of drums missing
Taper: Doug Lamarre
2:39:04
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-21.135804.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: most of drums missing
Taper: Steve Hill
2:47:02
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-21.132913.Nak300CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Steve Hill
2:47:02
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-21.132912.Nak300CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Bob Morris
2:40:21
Rating:
8.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-04-21.nak300.morris.113882.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:46:03
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-21.109391.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** cuts - Tape flip gap filled in with alternate source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR
Taper: Bob Morris and Amanda Morris
2:48:43
Rating:
7.33 / 3 ratings
Taper:
Bob Morris and Amanda Morris
Transferrer:
Chuck T.
SHNID:
gd1984-04-21.nak300.morris.crazyfingers.106643.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90); Recorded on lower balcony Row J, Seats 5 & 6.
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Source 23 of 25
3:04:18
Rating:
4.00 / 1 rating
SHNID:
gd1984-04-21.neumannu87.bandrofcheck.34682.sbeok.shnf
Taper Notes:
View NotesVery End of Throwing Stones, Not Fade Away & Brokedown Palace from LMA. Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR. Transition from Throwing Stones > NFA Cool Edit Pro (amplification & mix). I was very sick that evening and really had no business being there. I was really off this evening. I started the second set on the second side of the wrong tape so I didn't have the extra I would normally have. Actually really needed a third tape. Then I could have gone without the patch.
Source 24 of 25
3:00:35
Rating:
8.40 / 26 ratings
SHNID:
gd84-04-21.neumann.nawrocki.18253.sbeok.shnf
Taper Notes:
View NotesPatched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
Taper: Rob Eaton and Jeff Silberman
3:00:13
Rating:
9.20 / 10 ratings
Taper:
Rob Eaton and Jeff Silberman
Transferrer:
Doug Oade
SHNID:
gd1984-04-21.u87.eaton-silberman.10035.sbeok.shnf
Source:
Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT
Lineage:
DAT > CDR > EAC > SHN
Taper Notes:
View NotesMinglewood Cuts In -- (note, that this occurs 41 minutes into set 1) LL rain has a splice at: 2:46