Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
Years
1995
29.9k
PlaybackListensHours
48h48767
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.4k391
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k313
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k320
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.9k384
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k389
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k361
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k162
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.7k970
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h973111
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.9k343
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.9k570
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k189
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k230
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k983
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k196
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k243
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h11k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k382
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k175
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.8k212
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.8k271
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h822100
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12719
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h402
7d886
30d60836
2 shows
2 tapes
1984
Sources
Transferrer: Charlie Miller
2:37:16
SBD
Rating:
9.33 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-20.sbd.miller.103432.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV
Lineage:
WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=27775 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:40:37
SBD
Rating:
9.64 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-04-20.sbd.miller.27775.sbeok.flacf
Source:
SBD> Cassette Master> Reel> Dat (SV3800/48k)
Lineage:
Dat > Samplitude v7.02 Professional> FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller
Source 3 of 24
2:30:24
SBD
Rating:
7.33 / 3 ratings
SHNID:
gd84-04-20.sbd.clugston.11873.sbefail.shnf
Source:
Master Soundboard Cassette > Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-20.154737.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total) - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-20.154736.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total) - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-20.141519.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.fix.t-flac2496
Source:
Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size. - these file are the correct project rate. - If you dl'd this earlier, you'll need to replace it with this. - my bad.
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-20.141518.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.t-flac1696
Source:
<b>flac16/96kHz</b>; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; <a href="http://db.etree.org/shn/141519">Fixed version</a> in circulation
Taper Notes:
View NotesPatch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size.
Taper: Oade, Robert Bryant
1:08:08
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-20.139334.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View Notes-- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Increased left channel level for first 15:20 (Feel Like A stranger and most of Cold Rain & Snow) -- Smoothed several between song transitions. Transfer by Charlie Miller Mastered by Scott Clugston September 14, 2017
Taper: Oade, Robert Bryant
1:08:08
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-20.139333.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View Notes-- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Increased left channel level for first 15:20 (Feel Like A Stranger and most of Cold Rain & Snow) -- Smoothed several between song transitions Transfer by Charlie Miller Mastered by Scott Clugston September 14, 2017
Taper: Jeff Silberman
2:50:29
Rating:
8.00 / 1 rating
Taper:
Jeff Silberman
Transferrer:
Charlie Miller, Rich Gastwirt, Joe Noel
SHNID:
gd1984-04-20.139156.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16
Source:
Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
Taper Notes:
View Notes- Lineage confirmed. - The upgrade is in the transfer, make no bones about it. - If ever there was a four twenty show…
Source 11 of 24
2:36:09
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-20.166578.mtx.seamons.ht165.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2023
Taper Notes:
View NotesNotes: 2-second cut in Cold Rain And Snow and 25-second cut in Drums SBD now patched. Jeff Silberman's Sennheiser 441 Dat recording, #139156 via Charlie Miller and Joe Noel (8/25/17), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix. Some tuning sections were trimmed. The SBD speed gradually slows to around -0.4% in set 1 and was adjusted to compensate. There was an 18-second patch in Fire On The Mountain in the SBD source for which levels and EQ were adjusted to compensate. A minuscule cut occurs at the patch's fade in-point that was doctored to not be noticeable. Some brief phase occurs at the patch's fade out-point. Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:40:17
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149751.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + Pop Goes the Weasel teased // Tape flip / tape stopped between songs to save tape
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:40:18
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149750.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + Pop Goes the Weasel teased // Tape flip / tape stopped between songs to save tape
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:36:06
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149499.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:36:06
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149498.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Joe Noel
SHNID:
gd1984-04-20.144957.s2.nak300-senn421.ackerman.miller.noel.t-flac1644
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6
Lineage:
Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel: WAV > Audacity > FLAC 24/96 March 29, 2018 Patch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size. - these file are the correct project rate. - If you dl'd this earlier, you'll need to replace it with this. - my bad. - This file set is 16 bit @ 44.1
Taper: Doug Lamarre
2:30:44
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-20.135800.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger
Taper: Doug Lamarre
2:30:44
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-20.135799.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper: Steve Hill
2:34:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-20.132942.Nak300CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs and a short piece missing from the tape filp in "Drums". All and all another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Steve Hill
2:34:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-20.132941.Nak300CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs and a short piece missing from the tape filp in "Drums". All and all another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: David Dyche
2:41:51
Rating:
8.67 / 4 ratings
Taper:
David Dyche
SHNID:
gd1984-04-20.120265.akg.dyche.flac16
Source:
AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
Taper: Da Weez
2:38:25
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-20.109353.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Source 23 of 24
2:48:17
Rating:
9.22 / 23 ratings
SHNID:
gd84-04-20.senn.fishman.7854.sbeok.shnf
Source:
Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) >CDR-WAV (wav splits) > SHN (via MKWACT)
Taper Notes:
View NotesSource Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman
Taper: Jim Wise
2:52:20
Rating:
10.00 / 1 rating
Taper:
Jim Wise
SHNID:
gd1984-04-20.senn441.wise.ashley.4769.sbeok.shnf
Source:
DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA