RELISTENTOTHE Grateful Dead
Re
1984
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Grateful Dead
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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1984
4/20/84
tuning +
2:36
Feel Like A Stranger
9:09
Cold Rain & Snow
8:07
Beat It On Down The Line
4:00
Cumberland Blues
5:48
Little Red Rooster
9:59
Brown Eyed Women
5:46
My Brother Esau
6:18
It Must Have Been The Roses
5:42
Let It Grow
14:55
tuning
1:31
Scarlet Begonias > Fire On The Mountain >
27:26
Samson & Delilah >
7:57
Drums >
10:45
Space >
10:45
I Need A Miracle >
5:38
Morning Dew >
10:13
Around & Around >
3:30
Johnny B. Goode
4:12
encore break
1:22
Day Job
4:39
FIN
View on archive.org
Sources
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-20.154737.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total) - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-20.154736.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total) - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-20.141519.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.fix.t-flac2496
Source:
Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size. - these file are the correct project rate. - If you dl'd this earlier, you'll need to replace it with this. - my bad.
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-20.141518.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.t-flac1696
Source:
<b>flac16/96kHz</b>; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; <a href="http://db.etree.org/shn/141519">Fixed version</a> in circulation
Taper Notes:
View NotesPatch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size.
Source 11 of 24
2:36:09
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-20.166578.mtx.seamons.ht165.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2023
Taper Notes:
View NotesNotes: 2-second cut in Cold Rain And Snow and 25-second cut in Drums SBD now patched. Jeff Silberman's Sennheiser 441 Dat recording, #139156 via Charlie Miller and Joe Noel (8/25/17), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix. Some tuning sections were trimmed. The SBD speed gradually slows to around -0.4% in set 1 and was adjusted to compensate. There was an 18-second patch in Fire On The Mountain in the SBD source for which levels and EQ were adjusted to compensate. A minuscule cut occurs at the patch's fade in-point that was doctored to not be noticeable. Some brief phase occurs at the patch's fade out-point. Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:40:17
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149751.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + Pop Goes the Weasel teased // Tape flip / tape stopped between songs to save tape
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:40:18
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149750.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + Pop Goes the Weasel teased // Tape flip / tape stopped between songs to save tape
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Joe Noel
SHNID:
gd1984-04-20.144957.s2.nak300-senn421.ackerman.miller.noel.t-flac1644
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6
Lineage:
Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel: WAV > Audacity > FLAC 24/96 March 29, 2018 Patch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size. - these file are the correct project rate. - If you dl'd this earlier, you'll need to replace it with this. - my bad. - This file set is 16 bit @ 44.1
Taper: Steve Hill
2:34:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-20.132942.Nak300CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs and a short piece missing from the tape filp in "Drums". All and all another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Steve Hill
2:34:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-20.132941.Nak300CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs and a short piece missing from the tape filp in "Drums". All and all another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!