Wharf Rat -> | 1984-04-19 | Grateful Dead

Carrier Dome, Syracuse U.

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Hartford Civic Center

Hartford Civic Center

Ventura County Fairgrounds

Ventura County Fairgrounds

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Cedar Rapids, IA, USA

Pine Knob Music Theater

Indianapolis Sports and Music Center

Indianapolis, IN, USA

Cuyahoga Falls, OH, USA

2:29:28

7 tapes

6/27SBD

Merriweather Post Pavilion

Merriweather Post Pavilion

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Kingswood Music Theater

Maple, Ontario, Canada

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Silva Hall, Hult Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Providence Civic Center

Providence Civic Center

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Niagara Falls Convention Center

Niagara Falls, NY, USA

Community War Memorial Auditorium

gd1984-04-19.sbd.miller.118658.flac16

Carrier Dome, Syracuse U

Sources

Transferrer: Charlie Miller

SBD -> Cassette Master -> Reel -> Dat (SV3800/48k)

Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 ->Samplitude Professional v11.2 -> FLAC

gd84-04-19.sbd.miller.27892.sbeok.flacf

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

<b>flac16</b>SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC;

gd84-04-19.sbd.19598.sbeok.shnf

View Notes<b>flac16</b>; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller

Source 3 of 24

Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN<br>Seeded to FurthurNET

Rob Eaton, Scott Clugston, Charlie Miller

View NotesSbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN<br />
Seeded to FurthurNET

Taper: Rob Eaton

gd1984-04-19.164735.senn441.eaton.miller.clugston.flac2496

Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:02 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Rob Eaton

gd1984-04-19.164734.senn441.eaton.miller.clugston.flac1648

Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:02 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Jim Vita

gd1984-04-19.164243.senn421.vita.miller.clugston.flac2496

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st row, DFC) > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Bertha" (0:18 total), as well as a 2:24 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
October 2022

Taper: Jim Vita

gd1984-04-19.164242.senn421.vita.miller.clugston.flac1648

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st row, DFC) > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Bertha" (0:18 total), as well as a 2:24 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
October 2022

Taper: Doug Lamarre

gd1984-04-19.154719.fob.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0:20 total), additional 0:05 patch in "Bertha", a 0:06 patch in "Bird Song", a 0:04 patch at the beginning of "The Music Never Stopped", as well as a 4:13 patch in "Drums"
- Fresh transfer
- Pitch Corrected

Mastered by Scott Clugston
November 2021

Taper: Doug Lamarre

gd1984-04-19.154718.fob.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Jeff Silberman and Ted Mattes

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0:20 total), additional 0:05 patch in "Bertha", a 0:06 patch in "Bird Song", a 0:04 patch at the beginning of "The Music Never Stopped", as well as a 4:13 patch in "Drums"
- Fresh transfer
- Pitch Corrected

Mastered by Scott Clugston
November 2021

Taper: Jeff Silberman and Ted Mattes

2:52:21

Taper:

Transferrer:

Charlie Miller and Joe Noel

gd1984-04-19.142045.FOB.Senn.PCM.Silberman.Mattes.Miller.Noel.t-flac1644

Jeff Silberman (FOB/15th row) Recording: Sennheiser 441's > PCM (Technics SV-100 14bit); Charlie Miller

from Ted's clone of Jeff's master > Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16

Charlie Miller, Scott Clugston

View NotesNotes:
- Upgrade to shnid 139155
- Thanks to Jeff for the spectacular record
- Thanks to Ted for the clone
- Thanks to Charlie for yet another killer transfer.
- Jerry must've gotten hold of Bob's bee pollen stash.
- The Wheel includes lead in from Space.

Taper: Oade, Robert Bryant

gd1984-04-19.139332.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Charlie Miller, Scott Clugston

View NotesNotes:
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Mic bump? @0:07 of Hell In A Bucket minimized
-- Tape Flip at beginning of Drums smoothed, virtually transparent
-- Smoothed several between song transitions

Transfer by Charlie Miller
Mastered by Scott Clugston
September 14, 2017

Taper: Oade, Robert Bryant

gd1984-04-19.139331.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Charlie Miller, Rich Gastwirt, Joe Noel

View NotesNotes:
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Mic bump? @0:07 of Hell In A Bucket minimized
-- Tape Flip at beginning of Drums smoothed, virtually transparent
-- Smoothed several between song transitions

Transfer by Charlie Miller
Mastered by Scott Clugston
September 14, 2017

Taper: Jeff Silberman

gd1984-04-19.139155.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16

Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller

Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44

gd1984-04-19.166575.mtx.seamons.ht164.flac16

View Notes- Lineage confirmed.
- First digital source in circulation.
- Jerry must've gotten hold of Bob's bee pollen stash.

Source 14 of 24

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 24, 2023

Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

View NotesNotes:

The first 1:25 of Bertha in the SBD mix has a boomy, flat sound before it kicks into gear.

The SBD levels were louder for the first couple songs and were reduced to compensate.

A loud burst in Jerry's vocals during Bertha was reduced.

Jeff Silberman's Sennheiser 441 Dat recording, #142045 via Charlie Miller and Joe Noel (5/25/18), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.

11-second cut in Bertha (in the middle of huge Phil Bombs) and 16-second cut in Space in the SBD source now patched. The most beautiful, ethereal section of Space is where the cut occurs at 6:36 - interesting to go AUD-only here for this transcendent moment.

Tuning sections were trimmed.

Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.

Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

2:39:32

Taper:

Transferrer:

Kyle Holbrook

gd1984-04-19.149497.beyerm201.holbrook.flac2448

Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M

Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

View Notes+ missed start; Borrowed the first 2:29 from Source 2 shn ID 109352; a Da Weez, D5scott recording
++ Cut ending; Borrowed the last 57 seconds from Source 2 shn ID 109352

Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

2:39:32

Taper:

Transferrer:

Kyle Holbrook

gd1984-04-19.149496.beyerm201.holbrook.flac1644

gd1984-04-19.135777.aud.lamarre.berger.flac24

View Notes+ missed start; Borrowed the first 2:29 from Source 2 shn ID 109352; a Da Weez, D5scott recording
++ Cut ending; Borrowed the last 57 seconds from Source 2 shn ID 109352

Taper: Doug Lamarre

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger

Taper: Doug Lamarre

gd1984-04-19.135776.aud.lamarre.berger.flac16

Taper: Steve Hill

gd1984-04-19.132980.Senn421s-Nak300s.Hill.Keo.Flac2496

gd1984-04-19.132979.Senn421s-Nak300s.Hill.Keo.Flac1644

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Some tape pauses between first set songs, also
some left channel loss near the end of Bird Song
and a few missing bits from the "Drums" and the
"Space".Another excellent share from the Hill 
collection of masters and the Grateful Dead's 
Spring 1984 Tour!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: Steve Hill

gd1984-04-19.109352.senn-beyer-daweez.D5scott.flac16

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Some tape pauses between first set songs, also
some left channel loss near the end of Bird Song
and a few missing bits from the "Drums" and the
"Space".Another excellent share from the Hill 
collection of masters and the Grateful Dead's 
Spring 1984 Tour!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: Da Weez

source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (12th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Source 22 of 24

Source 23 of 24

gd1984-04-19.aud.bandrofcheck.34680.sbeok.shnf

gd84-04-19.aud.willy.14013.sbeok.shnf

View NotesThis recording was done to capture as much as possible. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.

Source 24 of 24

AUD>MC>CD